Originally published in England in 1934, this searing, timely novel offers and incisive critique of the sexual politics and militarism of England, and the West as a whole, in the post-World War I years. The novel is told from the perspective of a "Genuine Person" who has been hurtled thousands of years back in time from a future society whose citizens are peaceful, androgynous, self-fertilizing, vegetarian, and without national government and artificial social divisions of gender and class. Taking on first female, then male form, the Genuine Person confronts the reality of England in the 1930s: a society deeply troubled by fascism, the aftermath of war, gender and class divisions, religious hypocrisy, national chauvinism, and the breakdown of families and other social institutions. The protagonist is drawn into relationships with a priest who teachers her/him the English language, a woman struggling with sexual politics and sexual identity, and a man haunted by a murder he committed, driven by his deeply ingrained hatred and fear of women. This powerful novel by a master of dystopian fiction raises disturbing questions about war and peace and the nature of human relationships in an oppressive culture.
In a "feudal Europe seven centuries into post-Hitlerian society, Burdekin's novel explores the connection between gender and political power and anticipates modern feminist science fiction."--Cover.
A A A Written in 1935 but never published until now, this novel depicts a world ruled by women some 4,000 years into the future. Men live alone and rear boys in a cheerful atmosphere of sports, physical labor, and healthy sexuality, but without the consciousness of anxiety or knowledge of history claimed by women. The plot of the novel described by Choice as "a forgotten masterpiece", turns on the desire of one woman to teach her son about the past. Risking their lives, she tells the story of the rise of fascism and the subsequent world transformation as life-loving women took over from death-lovign men. "Burdekin's novel is one of the few serious role-reversal utopias we have. I read it in one sitting." - Joanna Russ , author of The Female Man
Living with the Locals comprises the stories of 13 white people who were taken in by Indigenous communities of the Torres Strait islands and eastern Australia between the 1790s and the 1870s, for periods from a few months to over 30 years. The shipwreck survivors, convicts and ex-convicts survived only through the Indigenous people's generosity. They assimilated to varying degrees into an Indigenous way of life and, for the most part, both parties mourned the white people's return to European life. The authors bring fresh insight to the stories and re-evaluate the encounters between Indigenous people and the white people who became part of their families.
This essential reference provides an introduction to the remarkable soils and landscapes of Australia. It reveals their great diversity and explains why an understanding of soil properties and landscape processes should guide our use of the land. Using striking photographs of characteristic landscapes, it begins by describing the basic properties of soils and how Australia's distinctive soils and landscapes have co-evolved. We gain a greater understanding of why particular soils occur at certain locations and how soil variation can influence landscape processes, agricultural productivity and ecosystem function. The book explains the impact of various forms of land use and the changes they can bring about in soil. This is followed by an invaluable compendium that describes and illustrates over 100 of the more important and widespread soils of Australia, along with their associated landscapes. There is a brief account of each soil's environment, usage and qualities as well as details on chemical and physical properties so we can make more informed decisions about appropriate land-use. Australian Soils and Landscapes will be a valuable resource for farmers, natural resource managers, soil and environmental scientists, students and anyone with an interest in Australia's unique environment.
In a "feudal Europe seven centuries into post-Hitlerian society, Burdekin's novel explores the connection between gender and political power and anticipates modern feminist science fiction."--Cover.
A A A Written in 1935 but never published until now, this novel depicts a world ruled by women some 4,000 years into the future. Men live alone and rear boys in a cheerful atmosphere of sports, physical labor, and healthy sexuality, but without the consciousness of anxiety or knowledge of history claimed by women. The plot of the novel described by Choice as "a forgotten masterpiece", turns on the desire of one woman to teach her son about the past. Risking their lives, she tells the story of the rise of fascism and the subsequent world transformation as life-loving women took over from death-lovign men. "Burdekin's novel is one of the few serious role-reversal utopias we have. I read it in one sitting." - Joanna Russ , author of The Female Man
   Originally published in England in 1934, this searing, timely novel offers and incisive critique of the sexual politics and militarism of England, and the West as a whole, in the post-World War I years. The novel is told from the perspective of a "Genuine Person" who has been hurtled thousands of years back in time from a future society whose citizens are peaceful, androgynous, self-fertilizing, vegetarian, and without national government and artificial social divisions of gender and class. Taking on first female, then male form, the Genuine Person confronts the reality of England in the 1930s: a society deeply troubled by fascism, the aftermath of war, gender and class divisions, religious hypocrisy, national chauvinism, and the breakdown of families and other social institutions. The protagonist is drawn into relationships with a priest who teachers her/him the English language, a woman struggling with sexual politics and sexual identity, and a man haunted by a murder he committed, driven by his deeply ingrained hatred and fear of women. This powerful novel by a master of dystopian fiction raises disturbing questions about war and peace and the nature of human relationships in an oppressive culture.
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