This book provides a unique and accessible introduction to the complete works of Ovid. Using a thematic approach, Volk lays out what we know about Ovid's life, presents the author's works within their poetic genres, and discusses central Ovidian themes. The first general introduction to Ovid written in English in over 20 years, offering the very latest Ovidian scholarship Discusses the complete works of Ovid Accessible writing and a thematic approach make this text ideal for a broad audience A current revival in Ovid makes this timely edition highly valuable
Throughout the apartheid era, South Africa maintained a wide-reaching propaganda apparatus. At its core was the information service that strongly capitalised on photography to visually articulate the minority regime’s racist political messages, promote Afrikaner nationalism, and consolidate White rule. By unearthing a substantial corpus of photographs that so far have been hidden in archives, this book offers a distinctive perspective on the institutional context of the regime’s photographic production and how it was tightly linked to the objective to build a White nation. Through scrutiny of the photographic material’s iconographies, its circulation in printed matters, and a comparison with works by photographers like Margaret Bourke-White, Ernest Cole, and David Goldblatt, readers gain fresh insight into the country’s visual culture of the period. Based on the ambiguity of photographs, the monograph challenges the alleged dichotomy between so-called pro- and anti-apartheid photographies, highlighting how the regime was able to position photographs in the grey area of inconspicuousness. By blending photo theory and art historical analysis with historical studies, Building a White Nation will appeal to scholars and postgraduate students in cultural studies interested in photo history and theory, visual culture and art history, African studies, South African photography, Afrikaner nationalism, propaganda studies, postcolonial studies, and archive theory.
This is the first English-language monograph on Marcus Manilius, a Roman poet of the first century AD, whose Astronomica is our earliest extant comprehensive treatment of astrology. Katharina Volk brings Manilius and his world alive for modern readers by exploring the manifold intellectual traditions that have gone into shaping the Astronomica: ancient astronomy and cosmology, the history and practice of astrology, the historical and political situation at the poem's composition, the poetic and generic conventions that inform it, and the philosophical underpinnings of Manilius' world-view. What emerges is a panoroma of the cultural imagination of the Early Empire, a fascinating picture of the ways in which educated Greeks and Romans were accustomed to think and speak about the cosmos and man's place in it.
The Mark of Cain fleshes out a history of conversations that contributed to Germany's coming to terms with a guilty past. Katharina von Kellenbach draws on letters exchanged between clergy and Nazi perpetrators, written notes of prison chaplains, memoirs, sermons, and prison publications to illuminate the moral and spiritual struggles of perpetrators after World War II. These documents provide intimate insights into the self-reflection and self-perception of perpetrators. As Germany looks back on more than sixty years of passionate debate about political, personal and legal guilt, its ongoing engagement with the legacy of perpetration has transformed German culture and politics. The willingness to forgive and forget displayed by the father in the parable of the Prodigal Son became the paradigm central to Germany's rehabilitation and reintegration of Nazi perpetrators. The problem with Luke's parable in this context is that, unlike the son in the parable, perpetrators did not ask for forgiveness. Most agents of state crimes felt innocent. Von Kellenbach proposes the story of the mark of Cain as a counter narrative. In contrast to the Prodigal Son, who is quickly forgiven and welcomed back into the house of the father, the fratricidal Cain is charged to rebuild his life on the basis of open communication about the past. The story of the Prodigal Son equates forgiveness with forgetting; Cain's story links redemption with remembrance and suggests a strategy of critical engagement with perpetrators.
With the removal of death from the public sphere, mourning has become a private matter. At the same time, particularly in poetry, the trend is reversed. An intensely elegiac quality and a focus on absence, death, and loss can be observed in contemporary Anglophone poetry. This study examines the poetry of Andrew Motion in the context of the contemporary elegy, a genre which is at a crossroads between the anti-consolatory refusal to mourn, the inability to move past grief, and the strong wish for redemption from grief. Motion's poetry, which mainly deals with preemptive attempts to cope with loss, can be seen as a typical example for the contemporary melancholy mood in poetry. (Series: Erlanger Studies of English and American Studies / Erlanger Studien zur Anglistik und Amerikanistik - Vol. 15) [Subject: Poetry, Death Studies, Literary Criticism]
Why are school systems structured differently across countries? The Politics of Comprehensive School Reform examines this question through an in-depth analysis of school politics in Germany and Norway during the post-war period of educational expansion. Using a Rokkanian theoretical framework, the book argues that school politics can only be understood in light of the cleavages, or political divides, that shape actors' interests, ideologies, and inclinations for who they want to cooperate with – or not. The book analyzes cross-cutting cleavages connected to religion, geography, language, anticommunism, and gender, and demonstrates how Norwegian social democrats and German Christian democrats built successful coalitions by mobilizing support from different social groups. Extensively researched and expansively applicable, this book contributes to the interdisciplinary literature on the politics of education, and to the field of comparative welfare and education regime research. This book is also available Open Access on Cambridge Core.
How does literature matter politically in the 21st century? This book offers an ecocritical framework for exploring the significance of literature today. Featuring a diverse body of texts and authors, it develops a future-oriented politics embedded in those transgressive realities which our political system finds impossible to tame. This book re-imagines political agency, voices, bodies and borders as transformative processes rather than rigid realities, articulating a ‘dia-topian’ literary politics. Taking a contextual approach, it addresses such urgent global issues as biopolitics, migration and borders, populism, climate change, and terrorism. These readings revitalize fictional worlds for political enquiry, demonstrating how imaginative literature seeds change in a world of closed-off horizons. Prior to the pragmatics of power-play, literary language breathes new energy into the frames of our thought and the shapes of our affects. This book shows how relation, metamorphosis and enmeshment can become salient in a politics beyond the conflict line.
Located in a narrow grassland corridor between the semi-desert and a mountain range in Northwest China, the research area Urumqi Region is despite its semi-arid climate in a relatively favourable hydrological situation. The nearby mountains provide water for settlements and agriculture, making human development possible in the first place. Due to the development of agriculture, population and economy during the last sixty years and the increasing water consumption, a demand- and population-driven water scarcity exists today and is expected to aggravate. At the same time, the effects of climate change and land use transformations on the hydrological system and the water availability are uncertain. This study evaluates the recent and future situation by combining a hydrological water balance model for the simulation of the water supply based on scenarios of climate and land use change with a socio-economic model for projecting the future water demand including predicted growth of population and economy.
In this sweeping and lavishly illustrated history, Katharina Galor and Hanswulf Bloedhorn survey nearly four thousand years of human settlement and building activity in Jerusalem, from prehistoric times through the Ottoman period. The study is structured chronologically, exploring the city’s material culture, including fortifications and water systems as well as key sacred, civic, and domestic architecture. Distinctive finds such as paintings, mosaics, pottery, and coins highlight each period. Their book provides a unique perspective on the emergence and development of Judaism, Christianity, and Islam, and the relationship among the three religions and their cultures into the modern period.
Identities and social relations are fundamental elements of societies. To approach these topics from a new and different angle, this study takes the human body as the focal point of investigation. It tracks changing identities of early Iron Age people in central Europe through body-related practices: the treatment of the body after death and human representations in art. The human remains themselves provide information on biological parameters of life, such as sex, biological age, and health status. Objects associated with the body in the grave and funerary practices give further insights on how people of the early Iron Age understood life and death, themselves, and their place in the world. Representations of the human body appear in a variety of different materials, forms, and contexts, ranging from ceramic figurines to images on bronze buckets. Rather than focussing on their narrative content, human images are here interpreted as visualising and mediating identity. The analysis of how image elements were connected reveals networks of social relations that connect central Europe to the Mediterranean. Body ideals, nudity, sex and gender, aging, and many other aspects of women’s and men’s lives feature in this book. Archaeological evidence for marriage and motherhood, war, and everyday life is brought together to paint a vivid picture of the past.
Taking its cues from both classical and post-classical narratologies, this study explores both forms and functions of the representation of dementia in Anglophone fictions. Initially, dementia is conceptualised as a narrative-epistemological paradox: The more those affected know what it is like to have dementia, the less they can tell about it. Narrative fiction is the only discourse that provides an imaginative glimpse at the subjective experience of dementia in language. The narratological modelling of four ‘narrative modes’ elaborates how the paradox becomes productive in fiction: Depending on the narrative perspective taken, but also on the type of narration, the technique for representing consciousness and the epistemic strategy of narrating dementia, the respective narrative modes come with different prerequisites and possibilities for narrating dementia. The analysis of four contemporary Anglophone dementia fictions based on the developed model reveals their potential functions: Fiction allows readers to learn about the challenges of dementia, grants them perspective-taking, it trains cognitive flexibility, and explores the meaning of memory, knowledge, narrative and imagination, and thus also offers trajectories of a cultural coping with dementia.
In Deutschland ist das alltägliche Leben, einschließlich Unternehmen, Verbänden, Kommunalverwaltungen, Parks, Schulen, Kirchen und Medien, immer noch von den Nazi-Verbrechen belastet, die im öffentlichen Bewusstsein nicht anerkannt werden. Das sagen Zachary und Katharina F. Gallant, die die derzeitige deutsche Praxis des Gedenkens an die Verbrechen des Nationalsozialismus kritisieren, weil sie die Stimmen und die Handlungsfähigkeit der Opfergruppen ausgeklammert. In ihrem Buch fordern sie eine "Entnazifizierung 2.0", die darin besteht, das Vermögen der deutschen Unternehmen und Familien zu enteignen, die direkt mit den Naziverbrechen in Verbindung gebracht werden können, um dieses enteignete Kapital zur Bewältigung der dringendsten Katastrophen unserer Zeit einzusetzen.
The apartheid era in South Africa lasted more than 40 years. It was marked by political repression and the attempt to create a homogeneous "white South Africa", which meant excluding the non-white majority population. The establishment and maintenance of white supremacy in South Africa by colonialism and, since 1948, grand apartheid was not only the result of racist regulations and laws, but also followed a "scientific" logic to justify the resettlement and expulsion of South African blacks.The history of South Africa from 1948 to 1994 can also be seen as the history of a major society-spanning project; an attempt to build a "modern" state on the basis of racial segregation. This work investigates the factors that make it possible to stabilize a policy based on virtually impossible prerequisites over four decades: Ethnic categorization, territorial planning and "environmental protection measures".
How do urban ruins provoke their cultural revaluation? This book offers a unique sociological analysis about the social agencies of material culture and atmospheric knowledge of buildings in the making. It draws on ethnographic research in Berlin along the former Palace of the Republic, the E-Werk and the Café Moskau in order to make visible an interdisciplinary regime of design experts who have developed a professional sensorium turning the built memory of the city into an object of aesthetic inquiry.
Selection of the works of Hrotsvit, the first-known woman dramatist, containing legends, dramas, and epics. Hrotsvit of Gandersheim (c.935 - c.975), almost certainly of noble Saxon parentage, was a canoness of the Saxon imperial abbey of Gandersheim, living and working there during its time of greatest material prosperity and cultural and intellectual pre-eminence. Her importance cannot be overestimated: she is the first poet of Saxony; the first known dramatist of Christianity (indeed the first known woman dramatist of any time); and a woman displaying erudition and wit in an essentially patriarchal age, a female author in a literary field dominated by men who insisted on re-evaluating and redrawing the literary depiction of women. Discovered in the late fifteenth century, her extraordinary oeuvre, written in medieval Latin, comprises a wide variety of genres: eight legends, six dramas, and two epics, organised into three books. The present volume contains a selection of Hrotsvit's works in Englishtranslation, together with an interpretative essay, critical introduction, and scholarly apparatus. Professor KATHARINA WILSONteaches at the University of Georgia.
The Educated Woman is a comparative study of the ideas on female nature that informed debates on women’s higher education in the late nineteenth and early twentieth centuries in three western European countries. Exploring the multi-layered roles of science and medicine in constructions of sexual difference in these debates, the book also pays attention to the variety of ways in which contemporary feminists negotiated and reconstituted conceptions of the female mind and its relationship to the body. While recognising similarities, Rowold shows how in each country the higher education debates and the underlying conceptions of women’s nature were shaped by distinct historical contexts.
Modern Germany explores life, society, and history in this comprehensive thematic encyclopedia, spanning such topics as geography, pop culture, the media, and gender. Germany and its capital, Berlin, were the fulcrum of geopolitics in the twentieth century. After the Second World War, Germany was a divided nation. Many German citizens were born and educated and continued to work in eastern Germany (the former German Democratic Republic). This title in the Understanding Modern Nations series seeks to explain contemporary life and traditional culture through thematic encyclopedic entries. Themes in the book cover geography; history; politics and government; economy; religion and thought; social classes and ethnicity; gender, marriage, and sexuality; education; language; etiquette; literature and drama; art and architecture; music and dance; food; leisure and sports; and media and pop culture. Within each theme, short topical entries cover a wide array of key concepts and ideas, from LGBTQ issues in Germany to linguistic dialects to the ever-famous Oktoberfest. Geared specifically toward high school and undergraduate German students, readers interested in history and travel will find this book accessible and engaging.
Light Propagation in Linear Optical Media describes light propagation in linear media by expanding on diffraction theories beyond what is available in classic optics books. In one volume, this book combines the treatment of light propagation through various media, interfaces, and apertures using scalar and vector diffraction theories. After covering the fundamentals of light and physical optics, the authors discuss light traveling within an anisotropic crystal and present mathematical models for light propagation across planar boundaries between different media. They describe the propagation of Gaussian beams and discuss various diffraction models for the propagation of light. They also explore methods for spatially confining (trapping) cold atoms within localized light-intensity patterns. This book can be used as a technical reference by professional scientists and engineers interested in light propagation and as a supplemental text for upper-level undergraduate or graduate courses in optics.
Bringing together the work of scholars in many disciplines, Women in the Metropolis provides a comprehensive introduction to women's experience of modernism and urbanization in Weimar Germany. It shows women as active participants in artistic, social, and political movements and documents the wide range of their responses to the multifaceted urban culture of Berlin in the 1920s and 1930s. Examining a variety of media ranging from scientific writings to literature and the visual arts, the authors trace gendered discourses as they developed to make sense of and regulate emerging new images of femininity. Besides treating classic films such as Metropolis and Berlin: Symphony of a Great City, the articles discuss other forms of mass culture, including the fashion industry and the revue performances of Josephine Baker. Their emphasis on women's critical involvement in the construction of their own modernity illustrates the significance of the Weimar cultural experience and its relevance to contemporary gender, German, film, and cultural studies.
This volume is not only the first book-length investigation into adolescents’ use of English as a Lingua Franca (ELF), it also explores ELF in an African-European context, which has received little attention in ELF research so far. The book examines the interplay between language, culture and identity in adolescents’ ELF interactions. It combines quantitative and qualitative approaches to explore strategies secondary school students employ in a German-Tanzanian student exchange in order to reach their communicative goals. Introducing and drawing on the TeenELF corpus, the book investigates the speaker- and situation-specific potential of repetition and repair, complimenting, laughter and humour as well as various practices of translanguaging. The study reveals ELF as a transcultural space, in which different linguacultural influences meet and merge, while meaning, rapport and identity are interactionally negotiated. In the face of an increasing interest in ELF-informed pedagogy, the present approach investigates the communicative needs and competences of school students and derives both theoretical as well as classroom implications from its linguistic findings.
A comprehensive account of Goethe's relationship to Arabian culture, mediated by his interest in certain poets and texts and by his highly nuanced attitude toward Islam.
The last third of the 19th century witnessed a considerable increase in the active participation of women in the various Christian missions. Katharina Stornig focusses onthe Catholic case, and particularly explores the activities and experiences of German missionary nuns, the so-called Servants of the Holy Spirit,in colonial Togo and New Guinea in the late 19th and first half of the 20th centuries. Introducing the nuns' ambiguous roles as travelers, evangelists, believers, domestic workers, farmers, teachers, and nurses, Stornig highlights the ways in which these women shaped and were shaped by the missionary encounter and how they affected colonial societies more generally. Privileging the sources produced by nuns (i.e. letters, chronicles and reports) and emphasizing their activities, Sisters Crossing Boundaries profoundly challenges the frequent depiction of women and particularly nuns as the largely passive observers of the missionizing and colonizing activities of men. Stornig does not stop at adding women to the existing historical narrative of mission in Togo and New Guinea, but presents the hopes and strategies that German nuns related to the imagination and practice of empire. She also discusses the effects of boundary-crossing, both real and imagined, in the context of religion, gender and race.
Joseph Joachim (1831-1907) was arguably the greatest violinist of the nineteenth century. But Joachim was also a composer of virtuoso pieces, violin concertos, orchestral overtures and chamber music works. Uhde's book will be thestandard work on the music of Joseph Joachim for many years to come.
How does industrial design operate outside of capitalist consumer culture? Designing for Socialist Need assembles a detailed picture of industrial design practice in the socialist German Democratic Republic (GDR). Drawing on much previously unexplored material from a wide variety of sources, it not only maps out some of the ideological, institutional and economic contexts within which GDR design functioned, it also critically reconstructs the designers’ aims and perspectives in order to argue that they shared a profoundly socially responsible approach to design. By focusing on their ideas and approaches, this volume attends to the previously unacknowledged intellectual and practical richness of GDR design culture and demonstrates that it can provide pertinent insights not only for scholars of GDR history or German design, but also for contemporary design practitioners, theorists and educators with an interest in sustainability in design.
Explores what postwar German representations of violence in other places and times tell us about Germany. Germany's 20th-century history has made imagining and representing violence in German culture especially challenging: it has made certain constructions of violence unspeakable, even unthinkable. As a result, new ways of thinking about violence in postwar German culture are needed. One such approach is critical analysis of "violence elsewhere," that is, representations in literature, art, and film of violence in distant, imagined or temporally distinct times and places. Such representations have offered Germans a stage on which to imagine violence. Moreover, German representations of "violence elsewhere" are simultaneously images of Germany itself, revealing something about otherwise submerged or deeply encoded meanings and functions of violence in German culture. This volume explores what representations of "violence elsewhere" tell us about Germany. Its essays consider cultural products that arose from East, West, and reunified Germany and that imagine violence in Latin America, Vietnam, Cambodia, the USA, and the Middle East, as well as in the respective "other" German state and in the German past. Drawing on film, literary, gender, cultural, and postcolonial studies as well as visual culture, history, and life writing, they also introduce theoretical perspectives that are transferable beyond German Studies. As such, they allow us to reflect more broadly on relationships between violence, culture, community, and the creation of identities. Edited by Clare Bielby and Mererid Puw Davies. Contributors: Seán Allan, Martin Brady, Evelien Geerts, Katharina Karcher, J.J. Long, Ernest Schonfield, and Katherine Stone. On publication the chapter "Problematizing Political Violence in the Federal Republic of Germany: A Hauntological Analysis of the NSU Terror and a Hyper-Exceptionalized "9/11" is available as Open Access under the Creative Commons license CC BY-NC-ND"--
Few figures in modern German history are as central to the public memory of radical protest than Ulrike Meinhof, but she was only the most prominent of the countless German women—and militant male feminists—who supported and joined in revolutionary actions from the 1960s onward. Sisters in Arms gives a bracing account of how feminist ideas were enacted by West German leftist organizations from the infamous Red Army Faction to less well-known groups such as the Red Zora. It analyzes their confrontational and violent tactics in challenging the abortion ban, opposing violence against women, and campaigning for solidarity with Third World women workers. Though these groups often diverged ideologically and tactically, they all demonstrated the potency of militant feminism within postwar protest movements.
Selection of the works of Hrotsvit, the first-known woman dramatist, containing legends, dramas, and epics. Hrotsvit of Gandersheim (c.935 - c.975), almost certainly of noble Saxon parentage, was a canoness of the Saxon imperial abbey of Gandersheim, living and working there during its time of greatest material prosperity and cultural and intellectual pre-eminence. Her importance cannot be overestimated: she is the first poet of Saxony; the first known dramatist of Christianity (indeed the first known woman dramatist of any time); and a woman displaying erudition and wit in an essentially patriarchal age, a female author in a literary field dominated by men who insisted on re-evaluating and redrawing the literary depiction of women. Discovered in the late fifteenth century, her extraordinary oeuvre, written in medieval Latin, comprises a wide variety of genres: eight legends, six dramas, and two epics, organised into three books. The present volume contains a selection of Hrotsvit's works in Englishtranslation, together with an interpretative essay, critical introduction, and scholarly apparatus. Professor KATHARINA WILSONteaches at the University of Georgia.
This work offers a theoretical look at Latin didactic poems. It discusses the characteristics that make a poem didactic from the points of view of both theory and literary history, and traces the genre's history, from Hesiod to Roman times.
An intellectual history of the late Roman Republic—and the senators who fought both scholarly debates and a civil war In The Roman Republic of Letters, Katharina Volk explores a fascinating chapter of intellectual history, focusing on the literary senators of the mid-first century BCE who came to blows over the future of Rome even as they debated philosophy, history, political theory, linguistics, science, and religion. It was a period of intense cultural flourishing and extreme political unrest—and the agents of each were very often the same people. Members of the senatorial class, including Cicero, Caesar, Brutus, Cassius, Cato, Varro, and Nigidius Figulus, contributed greatly to the development of Roman scholarship and engaged in a lively and often polemical exchange with one another. These men were also crucially involved in the tumultuous events that brought about the collapse of the Republic, and they ended up on opposite sides in the civil war between Caesar and Pompey in the early 40s. Volk treats the intellectual and political activities of these “senator scholars” as two sides of the same coin, exploring how scholarship and statesmanship mutually informed one another—and how the acquisition, organization, and diffusion of knowledge was bound up with the question of what it meant to be a Roman in a time of crisis. By revealing how first-century Rome’s remarkable “republic of letters” was connected to the fight over the actual res publica, Volk’s riveting account captures the complexity of this pivotal period.
Diploma Thesis from the year 2008 in the subject Business economics - Business Management, Corporate Governance, grade: 2,0, University of Linz (Institut für Internationales Management), language: English, abstract: Today, ethics gain more and more importance in our economy and the often-heard statement “Global capitalism, local values” underlines the trend to make money with the help of local values. From that aspect, capitalism does not seem to appear that ignoring and barbarous but shows us that in deed that human values and ethical standards are anchored in the acting of huge, successful multinational concerns. The role of values in that case is crucial as they affect our everyday life. Everything we do and the way we think is guided by values which we got communicated from our families, people that seem to be important for us or from institutions that accompanied us for a period of our life. Values and behaviour are some kind of indicators that form generations and decades.When talking about values and ethics, the upcoming importance of corporate socially responsible behaviour in form of CSR projects can not be disregarded. It is definitively the buzzword of the early 21st business century. Nearly every huge company has to face corporate social responsibility activities in order to behave in a way its customers and society in general want them to. So the role of external pressure should not be underestimated. A good example is McDonald’s. The 40 billion US-dollar concern continuously implements CSR programs but does not behave in a socially responsible way when talking about the firm’s employees and working conditions. Work at Mc Donald’s is low-skilled, hard and most of the time unrelenting, as one of the company mottos suggests: “... if there is time to lean there is time to clean” (Royle, 2005, p.45). Bad working conditions like underpayment and endless night shifts make Mc Donald’s to appear in another light in the minds of its employees and customers, after the motto “We sold them a dream and paid them as little as possible”. If participating companies mean these activities really serious is often doubtful. Also the question if these activities really fit to the corporate culture of the organization stays unanswered. So organizations implement projects like that in order to be legitimated by society, but when we take a look behind the organization’s curtain, it can be recognized that the CSR activity is only a facade of legitimating.
This is the first English translation of the seminal book by Katharina Reiß and Hans Vermeer, Grundlegung einer allgemeinen Translationstheorie, first published in 1984. The first part of the book was written by Vermeer and explains the theoretical foundations and basic principles of skopos theory as a general theory of translation and interpreting or ‘translational action’, whereas the second part, penned by Katharina Reiß, seeks to integrate her text-typological approach, first presented in 1971, as a ‘specific theory’ that focuses on those cases in which the skopos requires equivalence of functions between the source and target texts. Almost 30 years after it first appeared, this key publication is now finally accessible to the next generations of translation scholars. In her translation, Christiane Nord attempts to put skopos theory and her own concept of ‘function plus loyalty’ to the test, by producing a comprehensible, acceptable text for a rather heterogeneous audience of English-speaking students and scholars all over the world, at the same time as acting as a loyal intermediary for the authors, to whom she feels deeply indebted as a former student and colleague.
The Handbook of Reading Theological German is the premier resource for equipping those interested in reading and translating original German source materials and preparing academics for German comprehension examination. The book is ideal for students in biblical studies, church history, Jewish studies, and theology. Coauthored by Katharina Hirt, a native German speaker and professional linguist, and Christopher Ryan Jones, a native English speaker and doctoral candidate in biblical studies, this collaboration draws on the latest developments in linguistics to present a cutting-edge teaching methodology for graduate students learning to read German for research. Attuned to the specific needs of English speakers learning German, this handbook is well suited for independent study or for use in the classroom. Providing abundant exercises and readings, Jones and Hirt’s work provides an excellent entry point for students required to learn theological German. The Handbook of Reading Theological German provides: An introduction to German grammar A demonstration of the role that German theology has had in the development of modern Jewish and Christian practices. Guided readings and biographies of six major German theologians and philosophers Further, advanced readings with minimal guidance from contemporary authors in the areas of Hebrew Bible, New Testament, Jewish studies, church history, and theology, so that students can focus on literature from their chosen field of study
Inhaltsangabe:Introduction: The story of The Hitchhiker s Guide to the Galaxy is the story of Life, the Universe and Everything. Initially broadcasted as a radio series on BBC Radio 4 in 1978 it was such a success that its author, Douglas Adams, eventually ended up not only publishing the story with a slightly modified plot in book form but also creating four sequels until 1992. The story was taken up by other media which resulted in the creation of a TV series in 1981, stage shows, a movie in 2005, a computer game, comics, towels and a lot more. Today the H2G2 has reached a cult status that few other Science Fiction works boast. The plot of the HG is mostly confusing and full of curious ideas wherefore a complete summary is not possible at this point. However, the following paragraph will give the unacquainted readers an idea of the story. There are of course many problems connected with life, of which some of the most popular are: Why are people born? Why do they die? Why do they want to spend so much of the intervening time wearing digital watches? The Trilogy in Five Parts is the story of Arthur Dent and his quest for the answers to these problems. After the destruction of Earth the only surviving Englishman Dent hitchhikes through the width of time and space, finds out the answer to the ultimate question, dines at the Restaurant at the End of the Universe, saves the world, falls in love with a woman whose feet cannot touch the ground, is worshipped by birds and sandwich-lovers, is enlightened by God s final message to His Creation and finally meets his fate on STAVROMULABETA. The ape-descendent Dent is accompanied by Ford Prefect, owner of a copy of the most remarkable book ever to come out of the Great Publishing Houses of Ursa Minor Beta: The Hitchhiker s Guide to the Galaxy an encyclopaedia that sells so well mainly because it has the words DON T PANIC written in large friendly letters on the cover. Other companions are Marvin, the paranoid android, Trillian, the sole surviving woman from Earth and Zaphod Beeblebrox, the former Galactic President. The author of this humorous work of Science Fiction was born as Douglas Noel Adams on March 11th 1952 in Cambridge, UK, and died on May 11th 2001 in Santa Barbara, California. Whilst studying English in Cambridge he joined the Footlights Society, a comedy group which is also closely connected to Monty Python. Adams initial career aspiration was to become a comedian yet he seemingly never [...]
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