The four prose texts discussed in Literary Rooms position themselves in a literary tradition which highlights the manifold purposes the private room may serve: it is a mirror of the inhabitant, a context in which to position the self, a place of and motor for identity quests, a rich metaphor, and a second skin around the inhabitant’s physical body. Even in times of increasing globalization and urbanization, the room continues to root the inhabitant; it serves as a retreat from the world and as a place in which to (re)negotiate questions of belonging, gender, class, and ethnicity. At the same time, the room is inevitably porous and constantly oscillates between inclusion and exclusion. The literary texts examined in this book are each highly fragmented and gesture towards a fragmentation of the contemporary world out of which they have grown as well as towards an abundance of fragmented self-images. Linking the approaches of narratology, globalization, and spatial criticism, Literary Rooms argues that in order to account for the spatial properties of the room, discourses developed during the spatial turn need to be extended and reevaluated.
This book engages in a critical reading of cultural knowledge. By cultural knowledge I refer to cultural dimensions as introduced by Geert Hofstede, Edward T. Hall and Fons Trompenaars. Their research has manifold been taught to individuals who will face an intercultural setting in their business career at some point in the future. It aims to create understanding for cultural differences in order to decrease emotional discomfort and enhance (business) success of those who acquire the knowledge. At the same time it claims to present a foundation for respect for cultural differences since it gives (an imaginative) room to them. If one studies the knowledge (s)he will be aware of cultural differences and therefore treat them with respect. The book is composed of two perspectives on cultural knowledge. In a first step the book turns to post-colonial theory. Post-colonialism argues how a Western perspective has framed cultural identities and how these representations are flawed by colonial thinking. In a second step a Levinasian perspective is taken on cultural knowledge. The French philosopher Emmanuel Levinas was deeply concerned with our way of approaching the Other. He understood the Other to be incomprehensible to our understanding. The Other’s otherness cannot be „grasped“ by framing her/him into categories. He argued that every encounter is of ethical nature and encouraged each individual to show infinite re-sponsibility (responsebility) towards the Other that is not confined by any pre-knowledge. The book concludes that cultural knowledge has been exposed to significant limitations. These limitations are mainly a product of control interests. Individuals who acquire cultural knowledge and are not (made) aware of its limitations face consequences that may compromise their respect for cultural differences. Even though cultural knowledge presents itself as foundation for respect, it prioritizes understanding for the sake of control. As a consequence respectful representations are not given and respect for cultural differences is only supported as long as it does not threaten control. Ultimately, this book shall present a plea for trainers and teachers of cultural knowledge to become acquainted with the limitations, reflect on them and forward this knowledge to their students. It shall also encourage researchers of cultural differences and other scholars to reflect and perhaps improve on it.
This book examines the history of glass in Iron Age Mesopotamia and neighbouring regions (1000–539 BCE). This is the first monograph to cover this region and period comprehensively and in detail and thus fills a significant gap in glass research.
A highly illustrated reference tool, this handbook provides comparative visual analysis of major urban extensions and masterplans around the world. It places an important new emphasis on the processes and structures that influence urban form, highlighting the significant impact that public or private landownership, management and funding might have on shaping a particular project. Each of the book’s 20 subjects is rigorously analysed through original diagrams, scale drawings and descriptive texts, which are complemented by key statistics and colour photography. The case studies are presented in order of size rather than date or geographical location. This offers design professionals, developers and city planners, as well as students of architecture and urban design informed organisational and formal comparisons, leading to intriguing insights. A wide geographical range of contemporary and historic masterplans are featured. These encompass European projects from the 19th century to the present day: Belgravia in London, Sarphatipark in Amsterdam, Potsdamer Platz in Berlin, La Défense Seine Arche in Paris and Hammarby Sjöstad in Stockholm. In North America, the postwar development of Stuyvesant Town in Manhattan is also the subject of a case study. More recent and ongoing international urban schemes are included, such as Puerto Madero in Buenos Aires, Downtown Dubai and the New Central Business District in Beijing.
Gothic Cinema closes a gap in German-language film discourse: for the first time, the volume sheds light on a hitherto little-discussed film context. It considers Gothic Cinema as a form of unofficial historiography that allows a look not only at the history of film and its technique, but also at moral concepts, gender relations, collective fears or aesthetic currents. A delimitation and definition of the term and the central elements of the Gothic are followed by a comprehensive historical overview from 1896 to the present day. Three in-depth analyses of individual post-2015 gothic films and television series round out the review. On the one hand, the examples examined are representative in terms of typical elements, motifs or topoi, and on the other hand, they exhibit peculiarities and breaks that prove fruitful for a cultural and media studies investigation.
From Josephine Baker's performances in the 1920s to the 1970s solidarity campaigns for Angela Davis, from Audre Lorde as »mother« of the Afro-German movement in the 1980s to the literary stardom of 1993 Nobel Laureate Toni Morrison, Germans have actively engaged with African American women's art and activism throughout the 20th century. The discursive strategies that have shaped the (West) German reactions to African American women's social activism and cultural work are examined in this study, which proposes not only a nuanced understanding of »African Americanizations« as a form of cultural exchange but also sheds new light on the role of African American culture for (West) German society, culture, and national identity.
Based on facts, the novel tells the story of Ann Angel Waldmann whose father decides to accept their Counts offer to buy their freedom. It is set in the rural area around Osnabrueck at the turn of the 18th century, a time when old values are questioned. In spite of new ideas, individual freedom is a frightening dream for most people. It is a time of change, where Ann Angel Waldmann, daughter of a rich farmer, has to cope with the obstacles life puts in her way. Bestselling author Holly Lisle describes the novel as follows: "Ann Angel's Freedom is an amazing, beautifully researched, well-written tale of a world and a time far different from our own, but one that still resonates with the struggles we all face today. I found myself suffering with Ann and those she loved, hoping for her, and in the end cheering with her. It's a wonderful story, made more wonderful because it's true.
Based on an ethnographic study of mobilisations of the Comorian diaspora in Marseille during political and cultural events, the book examines communitarisation in relation to three thematic areas, namely spaces, cultural markets and local politics. Drawing on Foucault’s concept of the dispositif, the author analyses mobilisations of postcolonial diaspora as part of a dispositif of communitarisation, that is, a set of discourses, practices, institutions and subjectivations of diasporic community. She argues that constructions of ‘community’ are both shaped by and shape ethnicised biopolitics, expressed by modes of governing diasporic groups along ethnicised divisions and a marking of ethnicised communities as the Other of the French Republic. The performativity of a Comorian community brought into being through political, cultural, economic and customary practices also shows how Comorian communities govern themselves along ethnicised categories, at the intersection with generation, gender, age classes, locality and class. Communitarisation processes as part of ethnicised (self-)governing reveal postcolonial power relations in France as well as practices of negotiation and contestation on the part of Comorian communities. This book will be of interest to scholars in the fields of critical diaspora studies, critical ethnography, discourse and dispositif analysis, postcolonial politics, and the African diaspora.
How do urban ruins provoke their cultural revaluation? This book offers a unique sociological analysis about the social agencies of material culture and atmospheric knowledge of buildings in the making. It draws on ethnographic research in Berlin along the former Palace of the Republic, the E-Werk and the Café Moskau in order to make visible an interdisciplinary regime of design experts who have developed a professional sensorium turning the built memory of the city into an object of aesthetic inquiry.
Introduction: history of the research -- Natural and man-made city limits -- The Chalcolithic period and the Bronze Age -- The Iron Age -- The Babylonian and Persian periods -- The Hellenistic period -- The Roman period -- The Byzantine period -- The early Islamic period -- The crusader and Ayyubid periods -- The Mamluk period -- The Ottoman period.
This book explores stage conjuring during its “golden age,” from about 1860 to 1910. This study provides close readings highlighting four paradigmatic illusions of the time that stand in for different kinds of illusions typical of stage magic in the “golden age” and analyses them within their cultural and media-historical context: “Pepper’s Ghost,” the archetypical mirror illusion; “The Vanishing Lady,” staging a teleportation in a time of a dizzying acceleration of transport; “the levitation,” simulating weightlessness with the help of an extended steel machinery; and “The Second Sight,” a mind-reading illusion using up-to-date communication technologies. These close readings are completed by writings focusing on visual media and expanding the scope backwards and forwards in time, roughly to 1800 and to 2000. This exploration will be of great interest to students and scholars in theatre and performance studies.
African Americans and others in the African diaspora have increasingly “come home” to Africa to visit the sites at which their ancestors were enslaved and shipped. In this nuanced analysis of homecoming, Katharina Schramm analyzes how a shared rhetoric of the (Pan-)African family is produced among African hosts and Diasporan returnees and at the same time contested in practice. She examines the varying interpretations and appropriations of significant sites (e.g. the slave forts), events (e.g. Emancipation Day) and discourses (e.g. repatriation) in Ghana to highlight these dynamics. From this, she develops her notions of diaspora, home, homecoming, memory and identity that reflect the complexity and multiple reverberations of these cultural encounters beyond the sphere of roots tourism.
This volume explores illusionism as a much larger phenomenon than optical illusion, magic shows, or special effects, as a vital part of how we perceive, process, and shape the world in which we live. Considering different cultural practices characterized by illusionism, this book suggests a new approach to illusion via media theory. Each of the chapters analyses a specific kind of illusionistic practice and the concept of illusionism it entails in a given context, including philosophy, perception and cognitive theory, performance magic, occultism, optics, physiology, early cinema, cartomancy, spiritualism, architecture, shamanic rituals, and theoretical physics, to show the diversity of shapes that illusionism and illusions can take. The book provides detailed analyses of illusions within performance and ritual magic, philosophy, art history and psychology as well as a first approach to the study of illusions outside of these established fields. It aims to find ways of identifying and analysing a wider range of illusions in the humanities. This multidisciplinary and comprehensive volume will appeal to scholars and students with an interest in media and culture, theatre and performance, philosophy, sociology, politics and religion. This publication was supported by the Internationales Kolleg für Kulturtechnikforschung und Medienphilosophie of the Bauhaus-Universität Weimar with funds from the German Federal Ministry of Education and Research. IKKM Books Volume 47 An overview of the whole series can be found at www.ikkm-weimar.de/schriften Chapter 5 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-Share Alike 4.0 license https://www.taylorfrancis.com/chapters/oa-edit/10.4324/9781003188278-8/vanishing-lady-railway-illusions-movement-1-katharina-rein?context=ubx&refId=fe124e6e-8290-43e9-9d48-753bad162c50 Chapter 9 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license https://www.taylorfrancis.com/chapters/oa-edit/10.4324/9781003188278-13/talking-rocks-illusory-sounds-projections-otherworld-julia-shpinitskaya-riitta-rainio?context=ubx&refId=3aa829a8-8c0b-4103-870a-6fe5a4393e71
The present study addresses the question of how German vowels are perceived and produced by Polish learners of German as a Foreign Language. It comprises three main experiments: a discrimination experiment, a production experiment, and an identification experiment. With the exception of the discrimination task, the experiments further investigated the influence of orthographic marking on the perception and production of German vowel length. It was assumed that explicit markings such as the Dehnungs-h ("lengthening h") could help Polish GFL learners in perceiving and producing German words more correctly. The discrimination experiment with manipulated nonce words showed that Polish GFL learners detect pure length differences in German vowels less accurately than German native speakers, while this was not the case for pure quality differences. The results of the identification experiment contrast with the results of the discrimination task in that Polish GFL learners were better at judging incorrect vowel length than incorrect vowel quality in manipulated real words. However, orthographic marking did not turn out to be the driving factor and it is suggested that metalinguistic awareness can explain the asymmetry between the two perception experiments. The production experiment supported the results of the identification task in that lengthening h did not help Polish learners in producing German vowel length more correctly. Yet, as far as vowel quality productions are concerned, it is argued that orthography does influence L2 sound productions because Polish learners seem to be negatively influenced by their native grapheme-to-phoneme correspondences. It is concluded that it is important to differentiate between the influence of the L1 and L2 orthographic system. On the one hand, the investigation of the influence of orthographic vowel length markers in German suggests that Polish GFL learners do not make use of length information provided by the L2 orthographic system. On the other hand, the vowel quality data suggest that the L1 orthographic system plays a crucial role in the acquisition of a foreign language. It is therefore proposed that orthography influences the acquisition of foreign sounds, but not in the way it was originally assumed.
Based on extensive empirical research, Katharina P.W. Döring analyses the politics surrounding military deployments in the Sahel since 2012 and stresses the agency of regional organizations in African-led military interventions. Drawing on insights from critical geography, she considers the role that space plays in the power dynamics of the region.
The end of a relationship throws Katharina, a 30-year-old woman from Germany, into a deep life crisis. While her identity breaks, she builds up a whole range of different personalities. To get back on her feet and to learn how to trust again, she moves to Spain, where she finds her behavior and life mirrored impressively. The story is honest and human: Full of misapprehensions, roundabouts and unconventional decisions, enriched with a pinch of humor. It is based on a true story and describes the interdependence of the inner and outer reality. What if all events in life are not pure chances but results of this interdependence? This is a book that embraces the endless richness of human experiences and builds bridges between people through its honesty. We are not alone in all this!
The Sounds of Silent Films is a unique collection of investigatory and theoretical essays that, for the first time, unite up-to-date research on the complex historical performance practices of silent film accompaniment with in-depth analyses of relevant case studies.
Jewish Women: Between Conformity and Agency examines the concepts of gender and sexuality through the primary lens of visual and material culture from antiquity through to the present day. The backbone of this transhistorical and transcontextual study is the question of Jewish women’s agency in four different geographical, chronological, and methodological contexts, beginning with women’s dress codes in Roman-Byzantine Syro-Palestine, continuing with rituals of purity in medieval Ashkenaz, worship in papal Avignon and the Comtat Venaissin, and ending with marriage and divorce in Israeli film. Each of these explorations is interested in creating a dialogue between the patriarchal legacy of the traditional texts and the chronologically corresponding visual and material culture. The author challenges traditional approaches to the study of Jewish culture by employing tools from art history, archaeology, and film and media studies. In each of these different contexts, there is ample evidence that women—despite persistent overall structural discrimination—have found ways to challenge male constructs of gender norms. Ultimately, these examples from past and present times highlight women’s eminence in shaping Jewish history and culture. Bringing a new interdisciplinary lens to the study of the history of gender and sexuality, the book will be of interest to students and researchers of Jewish history and culture, art history, archaeology, and film studies.
This book is concerned with the literary development of the narrative category of space in Russian literature from Romanticism until Modernism. It consists of two parts. The theoretical introduction renders a survey of some major 20-th century theories on literary development in the tradition of Russian Formalism and Czech Structuralism. A critical discussion is given of the cultural and stylistic typologies of the soviet scholar D. Lichacev and the semiotician I. Smirnov. Furthermore, the ideas on literary space, as they were developed by two important representatives of the Moscow-Tartu School of Semiotics, Ju.Lotman and V.Toporov, are described together with the method of literary analysis they offer. The contents of the second part of the book are analyses of the structure of space in the following narrative works: Mcyri by M.Ju. Lermontov, Nevskij prospekt by N.V. Gogol, Oblomov by I.A. Goncarov, V tolpe by F. Sologub and Kotlovan by A. Platonov. The analyses are accompanied by an interpretation of the story based on the spatial details in the text. It appears that both continuity and change characterize the development of literary space. This two-fold nature of the evolutionary proces comes to the fore through recurrence of spatial archetypes in all the periods under discussion and through ambivalence of meaning as a result of the semiotization of literary space in each literary work.
The small group uniquely benefits from the ubiquitously available connective possibilities of mobile communication technologies. The group chat feature of mobile instant messaging applications (MIMAs, e.g., WhatsApp, Signal) provides small groups with a permanently accessible communication place where members can relay information to all others at once, independent of their spatiotemporal location. The resulting permanent collective addressability (PCA) of members has implications for group processes (e.g., group coordination, socio-emotional concerns of members). This book investigates the communicative activity in MIMA chats of 18 naturally occurring, goal-oriented groups in a non-professional setting using a standardized content analysis. It thus extends findings on individual-level expectations of permanent connectedness and shows how a group using such technology can be understood as a permanently connected group (PeCoG) and group-level manifestation of the hybridity of mediated and face-to-face communication constituting our current communication reality. Above all, this book demonstrates the potential of small group research to describe current phenomena relevant to communication science.
End of 2022, nearly 200,000 people indicated holding a position as a customer success manager on LinkedIn. Customer success management (CSM) is thus the fastest growing business function. It was first implemented in selected service businesses, but currently CSM applications are spreading globally across industries. This book provides a clear understanding of CSM for practitioners based on comprehensibly prepared knowledge from practical and scientific resources. The book can be used as a practical guide to learn about CSM process and the roles, necessary capabilities, and expectations toward customer success managers. Furthermore, it also shows how CSM differs from and, at the same time, relates to existing customer-related management concepts such as value-based selling, key account management and customer relationship management. The presented insights are not only relevant for customer success managers, but also for those aiming at such a position in the future. The book is also useful for supplier and customer representatives who are connected with customer success management activities in their daily business.
The Munich Kunstkammer was conceived as a central repository of knowledge about the world, and the territory of its founder Albrecht V. Katharina Pilaski Kaliardos focuses on the collection's functions in the larger context of the centralization of princely power and the territory's confessionalization in the wake of the Council of Trent.
A curated collection of Enlightenment operas, paintings, and literary works that were all marked by the "Telemacomania" scandal, a furious cultural frenzy with dangerous political stakes. Imaginatively structured as a guided tour, Opera and the Politics of Tragedy captures the tumultuous impact of the so-called Telemacomania crisis through its key artifacts: literary pamphlets, spoken dramas, paintings, engravings, and opera librettos (drammi per musica). Prominently featured in the gallery are two operas with direct ties to this aesthetic and political war: Mozart and Cigna-Santi's Mitridate (1770) and Mozart and Varesco's Idomeneo (1781). Reading and listening across the Enlightenment's cultural spaces (its new public museums, its first encyclopedias, and its ever-controversial operatic theater), this book showcases the Enlightenment's disorderly historical revisionism alongside its progressive politics to expose the fertile creativity that can emerge out of the ambiguous space between what is "ancient" and what is "modern.
Seminar paper from the year 2010 in the subject English Language and Literature Studies - Literature, grade: 3, University of Graz (Amerikanistik), course: Literary Proseminar, language: English, abstract: This term paper aims at finding parallels by comparing the two short stories ''Everyday Use'' by Alice Walker and ''The Storyteller'' by Leslie Marmon Silko in a way that will prove that in both texts simple traditions generate a sense of community, amount to essential elements of cultural heritage and develop 'homeplaces' into sites of resistance aspiring to cultural survival of heritage and the community values.
Essay from the year 2014 in the subject English Language and Literature Studies - Literature, grade: 1,0, Free University of Berlin (Englische Philologie), language: English, abstract: The twenty-first century heroine fights in a Prada dress, in the jungle of big cities, not for world peace but for bargain buys. Today’s heroines also have to be versatile to meet the requirements of post-feminism, popular culture and neo-liberalism: they work, they care for friends, they have to fight for Mr.Right (so they don’t end up as a spinster eaten by cats), they do Brazilian Waxing and most importantly, they shop. When Helen Fielding’s Bridget Jones stated that she had decided to “go shopping and stop obsessing” (Fielding 80) it seemed as if a wall was pulled down and women in "Chick Lit" went shopping as if there was no tomorrow. Thanks to credit cards, there is indeed no limit. On the one hand, those women are mostly educated and independent with a solid income, but on the other hand they get into debt for the newest Hermes scarf to achieve an ideal which is propagated in popular culture. Here the question emerges: What significance does the fashion and beauty industry have for women in the 21st century? This essay will answer that question, proving that while the fashion and beauty industry as well as post-feminism propagates the economic independence of women and, in connection, massive consumerism as a symbol for the liberation of women, shopping instead reflects the subliminal oppression of women by the market. The background and theoretical framework for this thesis is provided by Angela McRobbie, one of the leading feminist theorists of the 21st century, who states that the fashion and beauty industry “appears to displace traditional modes of patriarchal authority” (McRobbie 61). My object of analysis is Sophie Kinsella’s "Chick Lit" novel "Confessions of a Shopaholic", as to the heroines in "Chick Lit" shopping is a central and essential part of their lives and is presented as a way to create one’s identity, according to the ideals of popular culture under the guidance of the fashion and beauty industry. "Chick Lit" heroines are often presented as fashionistas who define themselves by the clothes and brands they wear always desperately trying to prove their individuality and to confirm their identity. Free and excessive shopping is put on a level with liberation and emancipation, as "Chick Lit" fashionistas are economically independent working women. This is where the aspect of post-feminism comes into account, as it goes hand in hand with neo-liberal ideas like freedom through economic independence, individuality and competition.
An innovative series of pocket-size travel guides featuring lay-flat spiral bindings and full-color illustrations provides valuable information on a wide range of popular travel destinations, including recommendations for restaurants and lodging, locator maps, attractions and landmarks, shopping tips, and more.
Throughout the apartheid era, South Africa maintained a wide-reaching propaganda apparatus. At its core was the information service that strongly capitalised on photography to visually articulate the minority regime’s racist political messages, promote Afrikaner nationalism, and consolidate White rule. By unearthing a substantial corpus of photographs that so far have been hidden in archives, this book offers a distinctive perspective on the institutional context of the regime’s photographic production and how it was tightly linked to the objective to build a White nation. Through scrutiny of the photographic material’s iconographies, its circulation in printed matters, and a comparison with works by photographers like Margaret Bourke-White, Ernest Cole, and David Goldblatt, readers gain fresh insight into the country’s visual culture of the period. Based on the ambiguity of photographs, the monograph challenges the alleged dichotomy between so-called pro- and anti-apartheid photographies, highlighting how the regime was able to position photographs in the grey area of inconspicuousness. By blending photo theory and art historical analysis with historical studies, Building a White Nation will appeal to scholars and postgraduate students in cultural studies interested in photo history and theory, visual culture and art history, African studies, South African photography, Afrikaner nationalism, propaganda studies, postcolonial studies, and archive theory.
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