Language is complex. Written or spoken, the complexity of language makes the medium the versatile tool we need but also creates the potential for a wide variety of misunderstandings and mistakes. Whether we are attempting to understand a piece of fiction or writing a text to make our thoughts comprehensible to others, the complexity of language is both necessary and fraught. That said, the inevitable pitfalls don’t mean we need to sacrifice precision or accuracy. This guide is a step by step process that offers hands-on methods for accurate analysis and precise essay construction. Chapter one deals with a variety of methods by which to approach stories and novels such that your analysis is structured on carefully constructed, logical progression founded on the primary text rather than on hunches and guesswork, and chapter two offers infrastructures and scaffolding on which any essay can be structured. The structures included in chapter two are not a template and thus do not limit style or content; rather, they are based on a series of tasks that must be completed for an argument to be convincing. As such, the tasks offer a kind of map through the process of essay writing that always indicates your next step. Contrary to accepted mythologies about analyzing fiction and writing essays, neither is a guessing game, and this text can help you remove the guesswork from your own process.
In Ursula K. Le Guin, Consent, and Metaphor, Kate Sheckler constructs a new method to categorize metaphor, arguing that the moment of consent that exists in the form determines the effects of the interchange. Using the fiction of Ursula K. Le Guin, with the work of Paul Ricoeur as a primary theoretical focus, Sheckler identifies both the dangers and necessity of understanding the interplay that determines by whom and at what point consent is offered within the dynamic shift that occurs in metaphor. In doing so, she identifies the way marginalized groups and cultures can be reconstructed in service to an outside force and notes the absolute necessity of metaphor as a constructive force in a world where we must imagine new ways to approach the future.
From the Arab Spring to the Royal Wedding, the rescue of the Chilean miners to the fall of the News of the World and the London Riots, compelling tweet-by-tweet accounts freeze-frame the breaking of the biggest news stories of the past twelve months, alongside profiles of top tweeters, striking visual analysis and fascinating statistics. In the year the 'micro-blogging' website celebrates its fifth anniversary, Twitter continues to grow at an incredible rate. A global phenomenon, there are now an estimated 200 million accounts around the world, with everyone from the British monarchy to Lady Gaga tweeting their perfectly formed 140 character messages. And it shows no sign of slowing down: during two hours on the night of Osama bin Laden's death, average activity peaked at a record-breaking 3,440 tweets per second. The Twitter Year gathers together some of the funniest, sharpest and most insightful voices on Twitter to bring you a unique celebration of modern global communication.
In Ursula K. Le Guin, Consent, and Metaphor, Kate Sheckler presents an alternative approach to understanding metaphor, altering our conception of the form and its effects. She identifies the delineation and effect created in the moment consent is offered.
Language is complex. Written or spoken, the complexity of language makes the medium the versatile tool we need but also creates the potential for a wide variety of misunderstandings and mistakes. Whether we are attempting to understand a piece of fiction or writing a text to make our thoughts comprehensible to others, the complexity of language is both necessary and fraught. That said, the inevitable pitfalls don’t mean we need to sacrifice precision or accuracy. This guide is a step by step process that offers hands-on methods for accurate analysis and precise essay construction. Chapter one deals with a variety of methods by which to approach stories and novels such that your analysis is structured on carefully constructed, logical progression founded on the primary text rather than on hunches and guesswork, and chapter two offers infrastructures and scaffolding on which any essay can be structured. The structures included in chapter two are not a template and thus do not limit style or content; rather, they are based on a series of tasks that must be completed for an argument to be convincing. As such, the tasks offer a kind of map through the process of essay writing that always indicates your next step. Contrary to accepted mythologies about analyzing fiction and writing essays, neither is a guessing game, and this text can help you remove the guesswork from your own process.
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