Examining a century of dance criticism in the United States and its influence on aesthetics and inclusion Dance criticism has long been integral to dance as an art form, serving as documentation and validation of dance performances, yet few studies have taken a close look at the impact of key critics and approaches to criticism over time. The first book to examine dance criticism in the United States across 100 years, from the late 1920s to the early twenty-first century, Shaping Dance Canons argues that critics in the popular press have influenced how dance has been defined and valued, as well as which artists and dance forms have been taken most seriously. Kate Mattingly likens the effect of dance writing to that of a flashlight, illuminating certain aesthetics at the expense of others. Mattingly shows how criticism can preserve and reproduce criteria for what qualifies as high art through generations of writers and in dance history courses, textbooks, and curricular design. She examines the gatekeeping role of prominent critics such as John Martin and Yvonne Rainer while highlighting the often-overlooked perspectives of writers from minoritized backgrounds and dance traditions. The book also includes an analysis of digital platforms and current dance projects—On the Boards TV, thINKingDANCE, Black Dance Stories, and amara tabor-smith’s House/Full of BlackWomen—that challenge systemic exclusions. In doing so, the book calls for ongoing dialogue and action to make dance criticism more equitable and inclusive.
Examining a century of dance criticism in the United States and its influence on aesthetics and inclusion Dance criticism has long been integral to dance as an art form, serving as documentation and validation of dance performances, yet few studies have taken a close look at the impact of key critics and approaches to criticism over time. The first book to examine dance criticism in the United States across 100 years, from the late 1920s to the early twenty-first century, Shaping Dance Canons argues that critics in the popular press have influenced how dance has been defined and valued, as well as which artists and dance forms have been taken most seriously. Kate Mattingly likens the effect of dance writing to that of a flashlight, illuminating certain aesthetics at the expense of others. Mattingly shows how criticism can preserve and reproduce criteria for what qualifies as high art through generations of writers and in dance history courses, textbooks, and curricular design. She examines the gatekeeping role of prominent critics such as John Martin and Yvonne Rainer while highlighting the often-overlooked perspectives of writers from minoritized backgrounds and dance traditions. The book also includes an analysis of digital platforms and current dance projects—On the Boards TV, thINKingDANCE, Black Dance Stories, and amara tabor-smith’s House/Full of BlackWomen—that challenge systemic exclusions. In doing so, the book calls for ongoing dialogue and action to make dance criticism more equitable and inclusive.
‘The perfect text for any health care professional who wishes to gain a sound understanding of research…This text succeeds where others fail in terms of the thoroughness of the research process and the accessible style in which the material is presented. In an age when nursing and health care research is going from strength to strength this book offers those in the world of academia and practice an excellent and essential 'bible' that is a must on any bookshelf’ Dr Aisha Holloway, Lecturer Adult Health, Division of Nursing, The University of Nottingham ‘a book that helps you each step of the way. A very understandable and enjoyable publication’ Accident and Emergency Nursing Journal ‘key reference resource that students of research can use at various levels of study. It is comprehensive, user friendly and very easy to read and make sense of’ Gillian E Lang, Amazon reviewer The sixth edition of this book reflects significant developments in nursing research in recent years, ensuring the reader is provided with the very latest information on research processes and methods. It continues to explore how to undertake research as well as evaluating and using research findings in clinical practice, in a way that is suitable for both novice researchers and those with more experience. Divided into six sections, the chapters are ordered in a logical fashion that also allows the reader to dip in and out. The first two sections of the book provide a comprehensive background to research in nursing. The third section presents a variety of qualitative and quantitative approaches, both new and well-established. The final three sections then look at collecting and making sense of the resulting data and putting the research findings into clinical practice. Summarises key points at the start of each chapter to guide you through Includes contributions from a wide range of experts in the field Accessible but doesn’t shrink away from complex debates and technical issues New to this edition: Accompanying website (www.wiley.com/go/gerrish) Ten completely new chapters including Narrative Research, Mixed Methods and Using Research in Clinical Practice ‘Research Example’ boxes from a wide variety of research types
Behind every great woman . . . is another great woman. Discover the connections between eighty-four female pioneers in art, politics, sports, aviation, science, and more . . . Threading tales from across the globe and throughout history, this inspiring book reveals the lives of innovative aviatrixes, gun-toting revolutionaries, extraordinary athletes, women with incomparable intellects, and more. Each woman is connected to the next, bringing to light the women behind the scenes—those who didn’t get the credit for scientific discoveries, sporting achievements, or acts of bravery in their lifetimes. Some names will be familiar, some might not, but all are equally important. With compelling storytelling and beautifully illustrated portraits, I Know a Woman is bold and engaging with a unique purpose: to uncover the links between eighty-four pioneering women and show the indomitable strength of womankind—through the stories of Michelle Obama, Virginia Woolf, Gala Dalí, Emma Watson, Nina Simone, Billie Jean King, Frida Kahlo, Marie Curie, Georgia O’Keeffe, Greta Garbo, Eleanor Roosevelt, Chimamanda Ngozi Adichie, Malala Yousafzai, and many more pioneering women who have shaped the world we live in today.
In the latest in this New York Times bestselling series, matrimony and murder collide as San Francisco book-restoration expert Brooklyn Wainwright walks down the aisle... Brooklyn has it all covered. She's triple-checked her wedding to-do list, and everything is on track for the upcoming ceremony with the love of her life, security expert Derek Stone. Not everyone has been as lucky in love as Brooklyn. Her old library college roommates Heather and Sara lost touch twelve years ago when Sara stole Heather's boyfriend. Brooklyn was caught in the middle and hasn't seen her former besties since their falling-out. When they both arrive in town for the annual librarians' convention and then show up at her surprise bridal shower, Brooklyn is sure drama will ensue. But she's touched when the women seem willing to sort out their differences and gift her rare copies of The Three Musketeers and The Blue Fairy Book. Brooklyn's prewedding calm is shattered when one of her formerly feuding friends is found murdered and Brooklyn determines that one of the rare books is a forgery. She can't help but wonder if the victim played a part in this fraud, or if she was targeted because she discovered the scam. With a killer and con artist on the loose, Brooklyn and Derek—with the unsolicited help of their meddling mothers—must catch the culprit before their big day turns into a big mess.
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