Mobile Saints examines the central medieval (ca. 950–1150 CE) practice of removing saints’ relics from rural monasteries in order to take them on out-and-back journeys, particularly within northern France and the Low Countries. Though the permanent displacements of relics—translations— have long been understood as politically and culturally significant activities, these temporary circulations have received relatively little attention. Yet the act of taking a medieval relic from its “home,” even for a short time, had the power to transform the object, the people it encountered, and the landscape it traveled through. Using hagiographical and liturgical texts, this study reveals both the opportunities and tensions associated with these movements: circulating relics extended the power of the saint into the wider world, but could also provoke public displays of competition, mockery, and resistance. By contextualizing these effects within the discourses and practices that surrounded traveling relics, Mobile Saints emphasizes the complexities of the central medieval cult of relics and its participants, while speaking to broader questions about the role of movement in negotiating the relationships between sacred objects, space, and people.
Mobile Saints examines the central medieval (ca. 950–1150 CE) practice of removing saints’ relics from rural monasteries in order to take them on out-and-back journeys, particularly within northern France and the Low Countries. Though the permanent displacements of relics—translations— have long been understood as politically and culturally significant activities, these temporary circulations have received relatively little attention. Yet the act of taking a medieval relic from its “home,” even for a short time, had the power to transform the object, the people it encountered, and the landscape it traveled through. Using hagiographical and liturgical texts, this study reveals both the opportunities and tensions associated with these movements: circulating relics extended the power of the saint into the wider world, but could also provoke public displays of competition, mockery, and resistance. By contextualizing these effects within the discourses and practices that surrounded traveling relics, Mobile Saints emphasizes the complexities of the central medieval cult of relics and its participants, while speaking to broader questions about the role of movement in negotiating the relationships between sacred objects, space, and people.
Mobile Saints examines the central medieval (ca. 950–1150 CE) practice of removing saints’ relics from rural monasteries in order to take them on out-and-back journeys, particularly within northern France and the Low Countries. Though the permanent displacements of relics—translations— have long been understood as politically and culturally significant activities, these temporary circulations have received relatively little attention. Yet the act of taking a medieval relic from its “home,” even for a short time, had the power to transform the object, the people it encountered, and the landscape it traveled through. Using hagiographical and liturgical texts, this study reveals both the opportunities and tensions associated with these movements: circulating relics extended the power of the saint into the wider world, but could also provoke public displays of competition, mockery, and resistance. By contextualizing these effects within the discourses and practices that surrounded traveling relics, Mobile Saints emphasizes the complexities of the central medieval cult of relics and its participants, while speaking to broader questions about the role of movement in negotiating the relationships between sacred objects, space, and people.
Between 1970 and 1974 ten million Americans abandoned the city, and the commercialism, and all the inauthentic bourgeois comforts of the Eisenhower-era America of their parents. Instead, they went back to the land. It was the only time in modern history that urbanization has gone into reverse. Kate Daloz follows the dreams and ideals of a small group of back-to-the-landers to tell the story of a nationwide movement and moment. And she shows how the faltering, hopeful, but impractical impulses of that first generation sowed the seeds for the organic farming movement and the transformation of American agriculture and food tastes. In the Myrtle Hill commune and neighboring Entropy Acres, high-minded ideas of communal living and shared decision-making crash headlong into the realities of brutal Northern weather and the colossal inconvenience of having no plumbing or electricity. Nature, it turns out, is not always a generous or provident host--frosts are hard, snowfalls smother roads, and small wood fires do not heat imperfectly insulated geodesic domes. Group living turns out to be harder than expected too. Being free to do what you want and set your own rules leads to some unexpected limitations: once the group starts growing a little marijuana they can no longer call on the protection of the law, especially against a rogue member of a nearby community. For some of the group, the lifestyle is truly a saving grace; they credit it with their survival. For others, it is a prison sentence. We Are As Gods (the first line of the Whole Earth Catalog, the movement’s bible) is a poignant rediscovery of a seminal moment in American culture, whose influence far outlasted the communities that took to the hills and woods in the late '60s and '70s and remains present in every farmer’s market, every store selling Stonyfield products, or Keen shoes, or Patagonia sportswear.
• An Amazon Best Book of the Year for 2016 • Costa Book Award for First Novel finalist • Dagger Award finalist Newly single mom Beth has one constant, gnawing worry: that her dreamy eight-year-old daughter, Carmel, who has a tendency to wander off, will one day go missing. And then one day, it happens: On a Saturday morning thick with fog, Beth takes Carmel to a local outdoor festival, they get separated in the crowd, and Carmel is gone. Shattered, Beth sets herself on the grim and lonely mission to find her daughter, keeping on relentlessly even as the authorities tell her that Carmel may be gone for good. Carmel, meanwhile, is on a strange and harrowing journey of her own—to a totally unexpected place that requires her to live by her wits, while trying desperately to keep in her head, at all times, a vision of her mother … Alternating between Beth’s story and Carmel’s, and written in gripping prose that won’t let go, The Girl in the Red Coat—like Emma Donoghue’s Room and M. L. Stedman’s The Light Between Oceans—is an utterly immersive story that’s impossible to put down . . . and impossible to forget. "Kate Hamer’s gripping debut novel immediately recalls the explosion of similarly titled books and movies, from Stieg Larsson’s The Girl With the Dragon Tattoo and its sequels, to The Girl on the Train to Gone Girl … "—Michiko Kakutani, The New York Times “Keeps the reader turning pages at a frantic clip... What’s most powerful here is not whodunnit, or even why, but how this mother and daughter bear their separation, and the stories they tell themselves to help endure it.” —Celeste Ng (Everything I Never Told You) “Compulsively readable...Beautifully written and unpredictable, I had to stop myself racing to the end to find out what happened.” —Rosamund Lupton (Sister) “Both gripping and sensitive — beautifully written, it is a compulsive, aching story full of loss and redemption.” —Lisa Ballantyne (The Guilty One) "Hamer’s dark tale of the lost and found is nearly impossible to put down.” —Booklist
A Lit Hub Most Anticipated Book of 2021 An NPR Best Book of 2021 An Electric Literature Best Poetry Book of 2021 A Dennis Cooper Best Book of 2021 Hoarders is a tender and unusual exploration of place, loneliness, grief, and desire in late capitalist America. What is the true nature of the relationship between people and objects? Kate Durbin’s Hoarders is a quest into this question, vividly capturing the sticky attachments between people and their stuff. To create the book, Durbin took detailed notes while watching the reality TV show of the same name, one she had resisted watching for years because of her family’s history of hoarding. She then began whittling, re-arranging, researching, and writing, and what emerges is her unique form–fifteen jewel-like portraits of people and their beloved objects, in curious conversation with one another. Noah and Allie live in a Chicago house toppling with books. Chuck from Bisbee, Arizona hoards thousands of paintings of naked women. Gary from Franklin, Indiana has transformed his home into a forest, where he falls asleep each night surrounded by plants, both living and dead. Cathy in Centralia, Illinois spends her nights ordering Lularoe leggings and jewelry from Home Shopping channels. Shelley’s house in Warren, Michigan is crowded with Barbies and Beanie Babies. Durbin doesn't directly critique the reality show, yet she deftly demonstrates through these magnetic poems that there's far more to a person, a life, and their “things.”
From the author of the highly acclaimed In the Drink, a smart and sexy exploration of New York and its customs through the eyes of a disillusioned, yet secretly hopeful, gay man. Jeremy Thrane is a thirty-five-year-old writer in love with a married man. For years, Jeremy has posed as "archivist" to Ted Masterson, a Hollywood action star. Jeremy maintains Ted's New York brownstone and guards the secret that could destroy his career. But when Ted and his movie-star wife, Giselle, adopt a child and become America's most-photographed family, Jeremy finds himself without a job and, more importantly, bereft of the love of his life. With the same wit and authenticity that have made her a critical and popular favorite, Kate Christensen chronicles Jeremy's search for a new start as he ventures to every corner of the New York landscape, from watering holes where gossip columnists await an "item" to dives where waiters and busboys are eager to please patrons–especially after their shifts are over. In his spare time, he struggles to finish a novel based on his father's peripatetic life as a fanatical Marxist and turns out sizzling pornography for a one-man enterprise run by an old high school acquaintance. His sister, an up-and-coming rock musician, and his thrice-married, former flower-child mother, who found her true calling as a poet late in life, provide the mixture of criticism and compassion Jeremy has known all his life and now, for the most unexpected reasons, finally learns to appreciate. A fast-paced and funny social satire, Jeremy Thrane deftly captures the slippery chameleon quality of American identity, the power of youth and beauty, and the complexity of love. BONUS: This edition includes an excerpt from Kate Christensen's Blue Plate Special.
Seven per cent of newborns in the United States weigh in at less than five and a half pounds. In this text the authors argue that the social and biological determinants and consequences of low birth weight have not been adequately explored by social scientists or natural/life scientists.
Case Studies in Infectious Disease: Coxiella burnetti presents the natural history of this infection from point of entry of the pathogen through pathogenesis, clinical presentation, diagnosis, and treatment. A set of core questions explores the nature, causation, host response, manifestations, and management of this infectious process. This case also includes summary bullet points, questions and answers, and references.
Case Studies in Infectious Disease presents forty case studies featuring the most important human infectious diseases worldwide. Written for students of microbiology and medicine this book describes the natural history of infection from point of entry of the pathogen through pathogenesis, followed by clinical presentation, diagnosis and treatment. Five core sets of questions are posed in each case. What is the nature of the infectious agent, how does it gain access to the body, what cells are infected, and how does the organism spread? What are the host defense mechanisms against the agent and how is the disease caused? What are the typical manifestations of the infection and the complications that can occur? How is the infection diagnosed and what is the differential diagnosis? How is the infection managed, and what preventative measures can be taken to avoid infection? This standardized approach provides the reader with a logical basis for understanding these diverse and medically important organisms, fully integrating microbiology and immunology throughout.
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