A clever and cunning modern day retelling of the adored Jane Austen novel "Tall, dark, and arrogantly handsome---not to mention distinguished, powerful, and rolling in money. Mr. Darcy? No, that's just the woman director of Pride and Prejudice," reports Nicholas Llewellyn Bevan, impoverished novelist and occasional (reluctant) journalist, when a TV production company trundles into his sleepy North Yorkshire valley. Amusedly he watches these glamorous invaders combine the filming of Jane Austen's romantic classic with the much less modest pursuit, off-camera, of real-life romances with the locals. Under his very nose, his bashful handsome neighbor John is plucked out of a village dance by the famously gorgeous (and wealthy) leading actress, Candia Bingham, with whom he at once falls completely in love. Our would-be hero manages only to trip over the black-booted foot of the intimidating and imperious director, Mary Dance. So he's amazed---and a little bit alarmed---when her steely eye seems to be straying his way. A witty and entertaining update on Jane Austen's Pride and Prejudice, Austen fans old and new will adore Vanity and Vexation's modern take on her sublime blueprint of the romance game complete with sex, money, and power. With an assured and respectful hand, in the context of the contemporary world, Kate Fenton has penned a riveting story with a hilarious twist. After all, it is a truth universally acknowledged that Hollywood taking an interest---better still an option---in a novelist's work is a surefire way to propel that novelist into serious sales figures and the bestseller lists.
If it hadn't been for the dog, Jo Patterson would never have overheard that bizarre snatch of conversation on the grouse moor. A year ago Jo didn't know a grouse from a Rhode Island Rooster. Now she's up to her eyebrows in mud because a day's labour on the shoot will earn her a precious å£20 and an even more precious few hours of contact with humanity. If she hadn't gone on the shoot she wouldn't have remembered that conversation about security consultants when she discovers that her soon-to-be-ex-husband may have sold their business for much less than it's worth. And if she hadn't remembered the conversation she would never have kicked over the ant's nest of trouble . . .
Rose Shawe has a morning programme on BBC Radio Ridings. She also has a great job, a delightful house, a teeming diary, a lovely daughter, a clever lover, and a well-concealed past. Once there was a cabaret artist called Rita Bagshawe who Rose used to know. Not a stripper. Just a singer with a few dodgy friends who enhanced her finale by shedding a few garments. Unfortunately she'd once tossed her garter at a blushing Oxford undergraduate called Thomas Wilkes. Unfortunately, because sixteen years on, Tom Wilkes is due to arrive in the Yorkshire town where Rose has so beautifully constructed her life - and so carefully buried her past.
In order to rejuvenate her artistic creativity, Frankie Cleverton goes to stay in a cottage in the bleak North Yorkshire Moors where she falls in love with a local vicar who married into a powerful--possibly mad--family.
Oxford on a rainswept midsummer night. Enter Becca Haydock, actress (resting) and Other Woman. Stood up on her thirtieth birthday, dressed to kill with thoughts to match, drenched and sore of foot. Enter a very drunk, hairy-chested restaurateur: Joe Duff, going broke but with a wicked line in chat. And Oliver, archetypal Oxford man, floppy-haired and bicycle-clipped, the idol of Becca’s undergraduate days. The stage is set. And as the drama unfolds, Becca is unwittingly caught up in a tragedy of Shakespearian proportions . . .
A sparkling novel about the funny side of life in Yorkshire, from the author of LIONS AND LIQUORICE. Teddie is a secretary to an MP until she is discovered in flagrante with him while having breakfast in dressing gowns on her Pimlico terrace. The resulting tabloid frenzy sends her hightailing it back to Yorkshire, where her family is from and where she sets up a catering establishment in the local market town. Her brother, the squire of a local stately home, and sister-in-law greet her with open arms thinking Teddie can sort out their marriage, but Teddie is rather distracted by her new acquaintance, the vile, gorilla-like, Eastender and painter Bill, who's moved in next door with his ghastly dog and dysfunctional life...
Whether you’re new to web writing, or you’re a professional writer looking to deepen your skills, this book is for you. You’ll learn how to write web copy that addresses your readers’ needs and supports your business goals. Learn from real-world examples and interviews with people who put these ideas into action every day: Kristina Halvorson of Brain Traffic, Tiffani Jones Brown of Pinterest, Randy J. Hunt of Etsy, Gabrielle Blair of Design Mom, Mandy Brown of Editorially, Sarah Richards of GOV.UK, and more. Topics include: • Write marketing copy, interface flows, blog posts, legal policies, and emails • Develop behind-the-scenes documents like mission statements, survey questions, and project briefs • Find your voice and adapt your tone for the situation • Build trust and foster relationships with readers • Make a simple style guide “Writing is a skill that will hugely benefit anyone’s career, and luckily, it’s a skill that anyone can learn. Nicely Said is a wonderful guide to writing clearly and concisely for the audience you’re trying to reach. Whether you’re a professional or just getting started, you’ll find a ton to steal from here.” (— Austin Kleon, author of Steal Like An Artist and Show Your Work! "Between them, Kate and Nicole have written for many of the web's most valuable and respected companies. Their commitment to clarity and kindness is the result of their experience, and it makes them extraordinary teachers." - Erin Kissane, author of The Elements of Content Strategy
Katharine Swartz weaves an enthralling dual timeline story with a unique premise. I was truly captivated by this heart-wrenching novel" - Suzanne Kelman, Amazon International Bestselling author of A View Across the Rooftops Marine archaeologist Rachel Gardener is thrilled to be summoned to the coast of Cumbria to investigate a newly discovered shipwreck. She is also relieved to escape the tensions of her troubled marriage, and to be closer to her ailing mother. But when a mysteriously sunken ship is discovered to be a slaving ship from the 1700s, Rachel is determined to explore the town of Whitehavenâs link to the slave trade and soon she learns of Abigail Fenton, the young wife of a slave trader, who has a surprising secret of her own. The more Rachel learns about Abigail, the more she wonders if the past can inform the present... Can Rachel learn from Abigail and break free from her troubled history and embrace the future she longs to claim for her own?
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
New, expanded edition: the world's best full-color travel guides just got better. This volume in the award-winning Eyewitness Travel Guides series show New Zealand as it has never been shown before. With the help of this guide, you can explore the sites with 3-D cutaways, and get the inside scoop on the best restaurants, museums, shops markets, festivals, art, and more! The Best Just Keeps Getting Better! Great maps and plenty of hotel and restaurant recommendations make sure your visit is fun and hassle-free.
Oregon lawyer Barbara Holloway has a reputation for taking on the most difficult cases--and winning them. But even she can't begin to anticipate the bizarre twists waiting ahead. The large retainer offered by a client who asks for complete anonymity is not the only thing that intrigues Barbara Holloway. The defendant, Carol Fredricks, is a gifted young pianist charged with killing the manager of a piano bar. But Carol is as much of a mystery as the details of the murder for which she is accused. She can't remember anything about her life before the age of eight, and she has been having haunting nightmares about a woman she cannot identify. Before long Barbara becomes convinced that her client is not only innocent, but is being framed by an enemy who will stop at nothing to keep the past buried. And as she unravels the stunning trail of deception, hatred and a remarkable abiding love that holds the key to the mystery of Carol Fredricks, Barbara discovers that the unbidden truth may just damn them both.
Now in a smaller, more portable format, the 2nd edition of this best-selling pocket reference offers concise, yet complete clinical guidance on pediatric emergency care in the highly practical question-and-answer format of The Secrets Series®. Each chapter covers an important topic by asking key questions and providing helpful answers. This second edition again features six sections: the first addresses life threatening conditions and immediate stabilization of children, followed by a section on common chief complaints that are often managed in the Emergency Department. Subsequent sections focus on important medical emergencies, surgical emergencies, major and minor trauma and environmental emergencies. Covers important areas including cardiac arrest, respiratory failure, neurosurgery emergencies, ophthalmology emergencies, burns/smoke inhalation, toxicology, neck and spine injuries, and much more. Expedites reference and review with a question-and-answer format, bulleted lists, mnemonics, and tips from the authors. Includes a chapter containing the “Top 100 Secrets in pediatric emergency medicine, enabling you to quickly review essential material. Includes new chapters on Technology Assisted Child in the Emergency Department (ED), Sports Related Injuries, Emergency Medical Services for Children, and Patient Safety in the ED. Offers a new two-color page layout and “Key Points boxes to enhance your reference power.
We live in an era of abundant photography. Is it then counterintuitive to study photographs that disappear or are difficult to discern? Kate Palmer Albers argues that it is precisely this current cultural moment that allows us to recognize what has always been a basic and foundational, yet unseen, condition of photography: its ephemerality. Through a series of case studies spanning the history of photography, The Night Albums takes up the provocations of artists who collectively redefine how we experience visibility. From the protracted hesitancies of photography’s origins, to conceptual and performative art that has emerged since the 1960s, to the waves of technological experimentation flourishing today, Albers foregrounds artists who offer fleeting, hidden, conditional, and future modes of visibility. By unveiling how ephemerality shapes the photographic experience, she ultimately proposes an expanded framework for the medium.
Flash! presents a fascinating cultural history of flash photography, from its mid-nineteenth century beginnings to the present day. All photography requires light, but the light of flash photography is quite distinctive: artificial, sudden, shocking, intrusive, and extraordinarily bright. Associated with revelation and wonder, it has been linked to the sublimity of lightning. Yet it has also been reviled: it's inseparable from anxieties about intrusion and violence, it creates a visual disturbance, and its effects are often harsh and create exaggerated contrasts. Flash! explores flash's power to reveal shocking social conditions, its impact on the representation of race, its illumination of what would otherwise remain hidden in darkness, and its capacity to put on display the most mundane corners of everyday life. It looks at flash's distinct aesthetics, examines how paparazzi chase celebrities, how flash is intimately linked to crime, how flash has been used to light up - and interrupt - countless family gatherings, how flash can 'stop time' allowing one to photograph rapidly moving objects or freeze in a strobe, and it considers the biggest flash of all, the atomic bomb. Examining the work of professionals and amateurs, news hounds and art photographers, photographers of crime and of wildlife, the volume builds a picture of flash's place in popular culture, and its role in literature and film. Generously illustrated throughout, Flash! brings out the central role of this medium to the history of photography and challenges some commonly held ideas about the nature of photography itself.
A Geologist Lies Comatose in a Portland, Maine Hospital in A World of Deceit, a Detective Joe Burgess Thriller by Kate Flora --Portland, Maine-- Unable to awaken her father--eminent geologist, Ted Gabbro--nine-year-old Arielle approaches the vacationing Joe Burgess, desperate for his help. Loathe to let anything interfere with his much needed rest on the mountains of western Maine, Joe can't ignore the girl's plea for help and can't deny that something is very wrong. As the frightened girl's father languishes in a coma and her mother can’t be found, Burgess finds himself in a tangle of land disputes, family politics, the child’s parents’ nasty divorce, and the powerful greed that accompanies "gold fever". Winner of the Maine Literary Award for Crime Fiction "Flora pours on the intensity in this criminal, legal and moral maze." ~Kirkus Reviews "Flora writes cops so convincingly it's hard to imagine she's never worn the badge herself." ~Bruce Robert Coffin, author of Among the Shadows THE JOE BURGESS MYSTERIES Playing God The Angel of Knowlton Park Redemption And Grant You Peace Led Astray A Child Shall Lead Them A World of Deceit
Who knew that being a Good Samaritan would lead Barbara Holloway to face her biggest challenge ever: being named prime suspect in a high-profile kidnapping? Barbara's peace at her retreat on the Oregon coast is shattered when a terrified young boy leads her to a cabin in the woods where his battered mother has clearly been left for dead. Barbara runs for help, but by the time she returns both mother and son are gone. The puzzle deepens when Barbara learns the boy she met is the grandson of a prominent family…and they have accused her of aiding his disappearance. With the help of her father, Frank, she delves into the mystery, only to realize the kidnapping is a ruse for a more sinister plan—one that pits the meaning of family against cold hard cash. Troubling obstacles thwart Barbara's every move—from the justice system that employs her to the false identities of those around her. Yet none will compare with the shocking murder scene that awaits her.
The long-awaited sequel to the number one bestselling THE BAD MOTHER'S HANDBOOK. Before Yummy Mummies and Slummy Mummies, before the Battle Hymn of the Tiger Mother, before we wondered How She Does It, there was THE BAD MOTHER'S HANDBOOK. Hundreds of thousands of readers lived a year in the life of Charlotte, Karen and Nan as they struggled with becoming mothers for the first time. And now they are back. Certainly older, probably not wiser, and definitely as hilariously catastrophic as before. For all those who have asked how to be a woman, here is HOW TO BE...A BAD MOTHER. A storyteller in the Joanna Trollope league, Long writes astutely and comically about the complexities of motherhood' Independent 'Warm, witty and wise' Red 'One of the authors that I rush out to buy straight away. I find her work challenging, witty, fresh and real' Adele Parks
This title is directed primarily towards trainee psychiatrists sitting MRCPsych or similar exams and qualified psychiatrists. It summarizes information on a wide range of topics such as important journal articles, clinical trials, government White Papers, guidelines and rating scales which are vital for both good exam performance and clinical practice, but which are not available elsewhere between one set of covers. Brings together information from disparate sources on the major areas of psychiatry - saves much trawling through journals and other sources.Covers the vital areas for each topic as relevant - summaries of journal articles, clinical trials, government directives, national guidelines.Presents the information in an easily accessible form through the use of bullet points, lists, tables and diagrams.Invaluable for the hard pressed exam candidate revising for the essay paper and clinical sections of Part II of the MRCPsych and similar exams.Also highly relevant for psychiatric CPD and for day to day practice.
With introductory essays by historians, Framing Our Past emphasizes the lived experiences of women: their participation in many areas of social life, such as social rituals with other women; organized sporting clubs; philanthropic, spiritual and aesthetic activities; study and reading groups. The authors then focus on women's roles as nurturers and keepers of the hearth B their experiences with family management, child care, and health concerns. They consider women's varied contributions within formal and informal educational systems as well as their instrumental political role in consumer activism, social work, peace movements, and royal commissions. Canadian women's shaping of health care and science through nursing, physiotherapy and research are discussed, as is women's work, from domestic labour to dressmaking to broadcasting to banking. Using diary accounts, oral history, letters, organizational records, paintings, quilts, dressmaking patterns, milliners' records, posters, Framing our Past offers a unique opportunity to share what is rarely if ever seen, offering insights into the preservation and interpretation of historical sources.
Alternative Media' is the term used to describe non-mainstream media forms that are independently run and community focussed, such as zines, pirate radio, online discussion boards, community run and owned broadcasting companies, and activist publications such as Red Pepper and Corporate Watch. The book outlines the different types of 'alternative
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