Both fascinating and frightening, the spider has a rich symbolic presence in the imagination. At once a representative of death, due to its fangs and dangerous poison, the spider can also represent life and creation, because of its intricate web and females who carry sacs of thousands of tiny eggs. In this wide-ranging book, Katarzyna and Sergiusz Michalskiinvestigate the natural history and cultural significance of the spider. From ancient Greek myth to Dostoyevsky, the authors explore the appearance of spiders in literature and their depictions in art, paying particular attention to the sculptures of Louise Bourgeois. Horror stories, science fiction, folklore, and children’s tales are also investigated, as well as the affliction of arachnophobia and the procedures used to cure it. The association of the spider with women or mothers is explored alongside the role of the spider metaphor in Freudian and Jungian psychoanalysis, and the Michalskis’ in-depth account concludes with a look at the unfavorable portrayal of the sinister spider in film. A thorough and engaging look at the natural and cultural history of the spider, this book will appeal to anybody who admires or fears this delicate yet dangerous creature.
The nature of silence is hard to grasp. This book serves to systematize this concept and explore it in the works of three major poets of religious experience: namely, Gerard Manley Hopkins, T. S. Eliot and R. S. Thomas. Since these poets worked within a Christian framework, the “silences” they refer to are mainly those emerging in the context of the relationship between God and man in a post-Christian climate. The book’s textual analyses place special attention on the dynamics between thematic and structural manifestations of silence, and are situated at the crossroads of the poetics, philosophy and theology. In this first study bringing together the poetry of Hopkins, Eliot and Thomas, the three poets, each in his unique way, emerge as poetic ministers, practitioners, and producers of silence, who try to find a new language to talk about the Ineffable God and one’s experience of the divine.
In this book, Katarzyna Kremplewska offers a thorough analysis of Santayana's conception of human self, viewed as part of his larger philosophy of life. Santayana emerges as an author of a provocative philosophy of drama, in which human life is acted out. Kremplewska demonstrates how his thought addresses the dynamics of human self in this context and the possibility of sustaining self-integrity while coping with the limitations of finite life. Focusing on particular aspects of Santayana's thought such as his conception of the tragic aspect of existence, and the role of the doctrine of spirit in his philosophical anthropology and critique of culture, this book also sets Santayana's thought in substantial dialogue with other thinkers, such as Heidegger, Bergson, and Nietzsche. Like Santayana's philosophy, this book seeks to build passages between theoretical reflection and practical life with the possibility of a good life in view.
After World War II displaced more than sixty million people, Cold War politics opened global eyes and wallets to European displaced persons. The postwar experiences of more than three million forcibly displaced Polish people illuminate the painfully long process of reckoning with war and its fallout. Drawing on rich primary material unearthed in over a dozen archives, Kingdom of Barracks depicts the texture of everyday life in refugee camps in post–World War II Europe within a panorama of the social and cultural history of the twentieth century. Western Allies and Polish social elites construed the camps as spaces for rehabilitating and “re-civilizing” refugees to prepare them for the reconstruction of war-torn countries and a rebirth of the nation. On the ground, refugees lived in close proximity, sharing bug-infested barracks with people from other regions, social classes, and wartime experiences. Taking a bottom-up perspective and exploring the formation of cultural identity in exile through the lenses of class, gender, body, and nationality, Katarzyna Nowak argues that Polish DPs’ experiences of displacement stimulated a personal and a collective revival understood in religious and national terms. In an age of intensifying forced displacement, Kingdom of Barracks sheds new light on past experiences of war and migration that are still deeply relevant in the present.
This book focuses on the Polish Constitution of 1997, concentrating on its structure, its substance and some of the institutional choices made by the drafters. The core of the Constitution is similar to other liberal democratic constitutions, but, in addition, it regulates a number of issues – such as public finances and sources of law – that are new to Polish constitutionalism and to constitutionalism in general. It considers in a detailed manner certain institutional choices made in the Constitution, such as the bicameral parliament, the peculiar structure of the executive branch, as well as the principle of independence of courts and judges, fundamental rights and local government. The book is a vital resource for all those interested in Poland's Constitution, and the rich comparative constitutional insights the country offers. In addition to explaining the 1997 Constitution in its political, historical, and social context, the book tackles the radical changes, in particular within the judicial branch, introduced by the new governing majority since 2015. These new regulations, constitutional in character, but without formally changing the Constitution, challenged the rule of law, a key component of membership in the European Union. Despite the negative nature of these recent developments, the anchoring of Polish constitutional law in European constitutionalism presents a source of optimism that the 1997 Constitution will regain its position as the supreme law of the state.
‘Protection against harmful bioaerosol is one of today’s major concerns. This applies both to people inside and outside the work environment. In this book, renowned scientists provide up-to-date and authoritative reviews of the latest scientific research and practice that has contributed to our understanding of the harmfulness of the bioaerosol and protection against it. A detailed discussion of bioaerosol protection methods and equipment as well as presenting future trends in prognostic modelling are the undeniable value of this monograph. This comprehensive book is indispensable for anyone involved in occupational and environmental hygiene, biological hazard, recognition and control in occupational and public environments’. — Bogumił Brycki, Adam Mickiewicz University The threats of biological airborne hazards are a global danger throughout the world today. Respiratory Protection Against Hazardous Biological Agents covers sources and practices of bioaerosol sampling, and discusses the prevention of these airborne hazards. The most common workplace hazard is poor air quality. The book provides the basic principles of a safe work environment in the conditions where workers might be exposed to harmful bioaerosols. It presents key characteristics of biological hazards and their effects on the human body. It examines microbial growth in filtering materials and provides the details of specific risks for users of respiratory protective devices. The book will present the reader a guide on how to measure the risk of exposure of biological agents and properly select respiratory protective devices. The book is ideal for the health and safety professionals and experts in the field of environmental health. FEATURES: Evaluates the risk of exposure to biological agents Describes the characteristics of biological factors and their effects on the human body Provides training on the importance of respiratory protective devices Examines microorganisms in the work environment Provides examples and case studies
Museums and Centers of Contemporary Art in Central Europe is a comprehensive study of the ecosystem of art museums and centers in the Czech Republic, Hungary, Poland and Slovakia. Focusing on institutions founded after 1989, the book analyses a thirty-year boom in art exhibition space in these regions, as well as a range of socio-political influences and curatorial debates that had a significant impact upon their development. Tracing the inspiration for the increase in art institutions and the models upon which these new spaces were based, Jagodzińska offers a unique insight into the history of museums in Central Europe. Providing analysis of a range of issues, including private and public patronage, architecture, and changing visions of national museums of art, the book situates these newly-founded institutions within their historical, political and museological contexts. Considering whether - and in what ways - they can be said to have a shared regional identity that is distinct from institutions elsewhere, this valuable contribution paints a picture of the region in its entirety from the perspective of new institutions of art. Offering the first comprehensive study on the topic, Museums and Centers of Contemporary Art in Central Europe should be of great interest to academics, researchers and postgraduate students engaged in the study of museums, art, history and architecture.
Imaging and Mapping Eastern Europe puts images centre stage and argues for the agency of the visual in the construction of Europe’s east as a socio-political and cultural entity. This book probes into the discontinuous processes of mapping the eastern European space and imaging the eastern European body. Beginning from the Renaissance maps of Sarmatia Europea, it moves onto the images of women in ethnic dress on the pages of travellers’ reports from the Balkans, to cartoons of children bullied by dictators in the satirical press, to Cold War cartography, and it ends with photos of protesting crowds on contemporary dust jackets. Studying the eastern European ‘iconosphere’ leads to the engagement with issues central for image studies and visual culture: word and image relationship, overlaps between the codes of othering and self-fashioning, as well as interaction between the diverse modes of production specific to cartography, travel illustrations, caricature, and book cover design. This book will be of interest to scholars in art history, visual culture, and central Asian, Russian and Eastern European studies.
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