Queens of Poland are conspicuously absent from the study of European queenship—an absence which, together with early modern Poland’s marginal place in the historiography, results in a picture of European royal culture that can only be lopsided and incomplete. Katarzyna Kosior cuts through persistent stereotypes of an East-West dichotomy and a culturally isolated early modern Poland to offer a groundbreaking comparative study of royal ceremony in Poland and France. The ceremonies of becoming a Jagiellonian or Valois queen, analysed in their larger European context, illuminate the connections that bound together monarchical Europe. These ceremonies are a gateway to a fuller understanding of European royal culture, demonstrating that it is impossible to make claims about European queenship without considering eastern Europe.
The first systematic study of conversion to Islam among Polish women in English, this book offers insights about lived realities of female Polish converts who create dynamic strategies of managing their spoiled identities in a variety of contexts including Poland and the UK.
Queens of Poland are conspicuously absent from the study of European queenship--an absence which, together with early modern Poland's marginal place in the historiography, results in a picture of European royal culture that can only be lopsided and incomplete. Katarzyna Kosior cuts through persistent stereotypes of an East-West dichotomy and a culturally isolated early modern Poland to offer a groundbreaking comparative study of royal ceremony in Poland and France. The ceremonies of becoming a Jagiellonian or Valois queen, analysed in their larger European context, illuminate the connections that bound together monarchical Europe. These ceremonies are a gateway to a fuller understanding of European royal culture, demonstrating that it is impossible to make claims about European queenship without considering eastern Europe.
A complex and absorbing crime novel which finds Sasza Zaluska, the profiler and former undercover cop first encountered in Girl at Midnight, plunged even deeper into the web of corruption and criminality that has engulfed all levels of Polish society since the fall of Communism. Sasza decides to return to the police, but first she must ensure the safety of her daughter by putting to rest the demons evoked by terrifying ordeal which led her to leave Poland for seven years in England. No sooner has she begun the process, however, than she is drawn into the deeply disturbing case of a woman who has disappeared from a village - and she is not the first to do so. The roots of the crime seem to reach all the way back to the dark enmities of the second world war.
Girl at Midnight has sold over a million copies in Poland and Katarzyna Bonda has become her country's undisputed Queen of Crime. For seven years, Sasza Zaluska has lived with her little girl in the north of England. Far from her previous job as an undercover cop, far from her dependence on alcohol and the traumatic case that made her flee from the police, her family and her native Poland. But now she is coming back. This time, Sasza is looking for a quieter life. She has studied to become a psychological profiler and she soon picks up a freelance job to check out some threats made against the owner of a nightclub. But no sooner has Sasza visited the club than a man is murdered there and Sasza finds herself drawn back towards the world she left behind. The dead man is a musician - famous for one song in particular: Girl at Midnight. Both the song and the crime seem to be connected to a double tragedy of years before, when a brother and sister both died on the same day. Now Sasza Zaluska must follow a crooked, complex trail from a violent past to a more sophisticated criminal present, in which the gangsters have corrupted every level of society.
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