Following the end of the Cold War and European Union enlargement, in what sense does Eastern Europe continue to exist as a meaningful geo-political concept? In addressing this question, contributors to this volume—Alex Cistelecan, Robert Bideleux, Katalin Miklóssy and Dieter Segert—tease out the implications for an ‘Area Studies’ approach to the region. They examine its contradictory situation within discourses of ‘orientalisation’: on one hand, posited as the ‘underdeveloped’ pendant to its western neighbours; on the other, largely Christian by religion and an integral part of a continent that dominated the world. They uncover the roots of area studies in the ‘colonial paradigm’ by which great powers promote the creation of predictive, ‘problem-solving’ knowledge that is immediately apprehendable for decision makers, helping them to take advantage of a region’s resources and strategic position, but which tends to homogenise the region’s geography and history. For critical inquiry, they argue, the challenge is to delineate transparently the reasons underlying Eastern Europe’s construction as an area of study, to identify the epistemological interests of motivated organisations such as funding agencies and political bodies, and to counter the ongoing orientalism of Western perspectives toward the East. This book was originally published as a special issue of the Journal of Contemporary Central and Eastern Europe.
The emergence and the activities of a second public sphere in the areas of Soviet influence were intricately linked to the performative and intermedial production and usage of alternative spaces. Applying a multitude of perspectives and networked topography, The Hungarian Avant-Garde and Socialism investigates artistic strategies of spaces – namely those of the artist's studio, exhibitions, installations, clubs, apartments, cellars, event halls, and chapels – all of which existed parallel to or were interwoven with the regulated public sphere in Hungary from the beginning of the 1960s to the era immediately following the Kádár regime. This book captures and discusses the exclusionary and inclusionary mechanisms inscribed into public spheres behind the Iron Curtain in all their paradoxes through the looking glass of an artist generation that was controversially labelled “neo-”, and later, “post-avant-garde”. Cross-referencing the international tendencies in the marginal art worlds that existed between and beyond the Cold War reality of Blocs, The Hungarian Avant-Garde demonstrates how mostly non-conformist artists in Hungary, and by extension the spaces they created, reacted to the conflicting, contradictory nature of public spheres in the post-totalitarian condition.
Following the end of the Cold War and European Union enlargement, in what sense does Eastern Europe continue to exist as a meaningful geo-political concept? In addressing this question, contributors to this volume—Alex Cistelecan, Robert Bideleux, Katalin Miklóssy and Dieter Segert—tease out the implications for an ‘Area Studies’ approach to the region. They examine its contradictory situation within discourses of ‘orientalisation’: on one hand, posited as the ‘underdeveloped’ pendant to its western neighbours; on the other, largely Christian by religion and an integral part of a continent that dominated the world. They uncover the roots of area studies in the ‘colonial paradigm’ by which great powers promote the creation of predictive, ‘problem-solving’ knowledge that is immediately apprehendable for decision makers, helping them to take advantage of a region’s resources and strategic position, but which tends to homogenise the region’s geography and history. For critical inquiry, they argue, the challenge is to delineate transparently the reasons underlying Eastern Europe’s construction as an area of study, to identify the epistemological interests of motivated organisations such as funding agencies and political bodies, and to counter the ongoing orientalism of Western perspectives toward the East. This book was originally published as a special issue of the Journal of Contemporary Central and Eastern Europe.
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