Everyone's an abyss. You get dizzy if you look down.' -- Woyzeck Georg Büchner’s Woyzeck was left unfinished at the time of its author’s death in 1837, but the play is now widely recognised as the first ‘modern’ drama in the history of European theatre. Its fragmentary form and critical socio-political content have had a lasting influence on artists, readers and audiences to this day. The abuse, exploitation, and disenfranchisement that Woyzeck’s titular protagonist endures find their mirror in his own murderous outburst. But beyond that, they also echo in the flux and confusion of the various drafts and versions in which the play has been presented since its emergence. In this fresh engagement with a modern classic, Gritzner examines the revolutionary dimensions of Büchner’s political and creative practice, as well as modern approaches to the play in performance.
Adorno and Modern Theatre explores the drama of Edward Bond, David Rudkin, Howard Barker and Sarah Kane in the context of the work of leading philosopher Theodor W. Adorno (1903-1969). The book engages with key principles of Adorno's aesthetic theory and cultural critique and examines their influence on a generation of seminal post-war dramatists.
Adorno and Modern Theatre explores the drama of Edward Bond, David Rudkin, Howard Barker and Sarah Kane in the context of the work of leading philosopher Theodor W. Adorno (1903-1969). The book engages with key principles of Adorno's aesthetic theory and cultural critique and examines their influence on a generation of seminal post-war dramatists.
Fifteen essays on the style, language and vision of one of Britain’s most influential and controversial playwrights. Focusing on different aspects of what Barker has called the Theatre of Catastrophe, an international range of academics offer illuminating interpretations of his work. Includes analyses of the political, moral and historical aspects of his writing, its poetry and eroticism, its depiction of the figure of the artist, and Barker’s writing in performance. Includes contributions from Elisabeth Angel-Perez, Mary Karen Dahl, Helen Iball, Christine Kiehl, Charles Lamb, Chris Megson, Roger Owen, Dan Rebellato, James Reynolds, Elizabeth Sakellaridou, Andy Smith, Liz Tomlin, Heiner Zimmerman.
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