The provocative, audacious, brilliant six-volume autobiographical novel that has unquestionably been the main event of contemporary European literature. It has earned favorable comparisons to its obvious literary forebears "A la recherche du temps perdu" and "Mein Kampf"Nbut has been celebrated as the rare magnum opus that is intensely, addictively readable.
“Spring features Knausgaard unbound, writing for the first time without a gimmick or the crutch of extravagant experimentation…Fall in love with the world, he enjoins, stay sensitive to it, stay in it.” -The New York Times "Poignant and beautiful…Even if you think you won’t like Knausgaard, try this one and you’ll get him and get why some of us have gone crazy for him." —Los Angeles Review of Books You don’t know what air is, and yet you breathe. You don’t know what sleep is, yet you sleep. You don’t know what night is, yet you lie in it. You don’t know what a heart is, yet your own heart beats steadily in your chest, day and night, day and night, day and night. So begins Spring, the recommencement of Knausgaard’s fantastic and spellbinding literary project of assembling a personal encyclopedia of the world addressed directly to his newly born daughter. But here Knausgaard must also tell his daughter the story of what happened during the time when her mother was pregnant, and explain why he now has to attend appointments with child services. In order to keep his daughter safe, he must tell a terrible story, one which unfolds with acute psychological suspense over the course of a single day. Utterly gripping and brilliantly rendered in Knausgaard’s famously sensitive, pensive, and honest style, Spring is the account of a shocking and heartbreaking familial trauma and the emotional epicenter of this singular literary series.
The second volume in his autobiographical quartet based on the seasons, Winter is an achingly beautiful collection of daily meditations and letters addressed directly to Knaugsaard's unborn daughter 2 December - It is strange that you exist, but that you don't know anything about what the world looks like. It's strange that there is a first time to see the sky, a first time to see the sun, a first time to feel the air against one's skin. It's strange that there is a first time to see a face, a tree, a lamp, pajamas, a shoe. In my life it almost never happens anymore. But soon it will. In just a few months, I will see you for the first time. In Winter, we rejoin the great Karl Ove Knausgaard as he waits for the birth of his daughter. In preparation for her arrival, he takes stock of the world, seeing it as if for the first time. In his inimitably sensitive style, he writes about the moon, water, messiness, owls, birthdays--to name just a handful of his subjects. These oh-so-familiar objects and ideas he fills with new meaning, taking nothing for granted or as given. New life is on the horizon, but the earth is also in hibernation, waiting for the warmer weather to return, and so a contradictory melancholy inflects his gaze. Startling, compassionate, and exquisitely beautiful, Knausgaard's writing is like nothing else. Somehow, he shows the world as it really is, at once mundane and sublime.
The second book in the Why I Write series provides generous insight into the creative process of the award-winning Norwegian novelist Karl Ove Knausgaard “Why I Write” may prove to be the most difficult question Karl Ove Knausgaard has struggled to answer yet it is central to the project of one of the most influential writers working today. To write, for the Norwegian artist, is to resist easy thinking and preconceived notions that inhibit awareness of our lives. Knausgaard writes to “erode [his] own notions about the world. . . . It is one thing to know something, another to write about it.” The key to enhanced living is the ability to hit upon something inadvertently, to regard it from a position of defenselessness and unknowing. A deeply personal meditation, Inadvertent is a cogent and accessible guide to the creative process of one of our most prolific and ingenious artists.
A spellbinding pursuit of divine mysteries from the celebrated author of My Struggle “The writing glows with an intense awareness of the here and now, and loving observations of landscapes and objects . . . an extraordinary novel, and completely original.” —The Independent In the sixteenth century, Antinous Bellori, a boy of eleven, is lost in a dark forest and stumbles upon two glowing beings—one carrying a spear, the other a flaming torch. This event is decisive in Bellori’s life, and he thereafter devotes himself to the pursuit and study of angels, the intermediaries of the divine. Stretching from the Garden of Eden to the present, A Time for Everything reimagines key allegorical encounters between humans and angels: the glow of the cherubim watching over Eden; the profound love between Cain and Abel despite their differences; Lot’s shame in Sodom; Noah’s isolation before the flood; Ezekiel tied to his bed, prophesying ferociously; the death of Christ; and the emergence of sensual, mischievous cherubs in the seventeenth century. Alighting upon these dramatic scenes—from the Bible and beyond--Knausgaard’s imagination takes flight. The result is a dazzling display of storytelling at its majestic, spellbinding best. Incorporating and challenging tradition, legend, and the Apocrypha, these penetrating glimpses hazard chilling questions: can the nature of the divine undergo change, and can the immortal perish?
The author leaves his wife and everything he knows in Oslo for a fresh start in Stockholm. There he strikes up a deep and competitive friendship with Geir and pursues Linda, a beautiful poet who captivated him years ago. This title tells his story.
In this utterly remarkable novel Karl Ove Knausgaard writes with painful honesty about his childhood and teenage years, his infatuation with rock music, his relationship with his loving yet almost invisible mother and his distant and unpredictable father, and his bewilderment and grief on his father's death.
My Struggle: Book 4 finds an eighteen-year-old Karl Ove Knausgaard in a tiny fishing village in northern Norway, where he has been hired as a schoolteacher and is living on his own for the first time. When the ferocious winter takes hold, Karl Ove--in the company of the H fjord locals, a warm and earthy group who have spent their lives working, drinking, and joking together in close quarters--confronts private demons, reels from humiliations, and is elated by small victories. We are immersed, along with Karl Ove, in this world--sometimes claustrophobic, sometimes serenely beautiful--where memories and physical obsessions burn throughout the endless Arctic winter. In Book 4, Karl Ove must weigh the realities of his new life as a writer against everything he had believed it would be.
Knausgaard’s struggle is still ongoing with In the Land of the Cyclops as he continues to navigate the fjord of truth between reality and experience “This, which we perhaps could call inexhaustible precision, is the goal of all art, and its essential legitimacy.” —Jessica Ferri, The Los Angeles Times In his first essay collection to be published in English, the New York Times bestselling author of the My Struggle series Karl Ove Knausgaard explores art, philosophy, and literature with piercing candor and remarkable erudition. Paired with full color-images, his essays render the shadowlands of Cindy Sherman’s photography, illuminate the depth of Stephen Gill’s eye, and tussle with the inner mechanics of Ingmar Bergman’s workbooks. In one essay he describes the figure of Francesca Woodman, arms coiled in birch bark and reaching up toward the sky—a tree. In another, he unearths Sally Mann’s photographs of decomposing corpses, so much so that branches and limbs, hair and grass, begin to harmonize. Each essay bristles with Knausgaard’s searing honesty and longing to authentically see, understand, and experience the world.
Karl Ove flytter til Bergen for at gå på Skrivekunstakademiet. Det bliver en gedigen skuffelse; han vil så meget, ved så lidt og får ingenting med. Med et tilsyneladende grundløst gå-på mod fortsætter han alligevel med at skrive og læse. Gradvist ændrer skrivningen sig. Forholdet til verden rundt om ham ændrer sig også
The fifth book of Knausgaard's powerful My Struggle series is written with tremendous force and sincerity. As a nineteen-year-old, Karl Ove moves to Bergen and invests all of himself in his writing. But his efforts get the opposite effect - he wants it so much that he gets writer's block. At the same time, he sees his friends, one-by-one, publish their debuts. He suspects that he will never get anything published. Book Five is also a book about strong new friendships and a shattering love affair. Then one day Karl Ove reaches two crucial points in his life: his father dies, and shortly thereafter, he completes his first novel.
A New York Times Notable Book One of NPR's Best Books of 2021 "Knausgaard is among the finest writers alive.” —Dwight Garner, New York Times The international bestseller from the author of the renowned My Struggle series, The Morning Star is an astonishing, ambitious, and rich novel about what we don't understand, and our attempts to make sense of our world nonetheless One long night in August, Arne and Tove are staying with their children in their summer house in southern Norway. Their friend Egil has his own place nearby. Kathrine, a priest, is flying home from a Bible seminar, questioning her marriage. Journalist Jostein is out drinking for the night, while his wife, Turid, a nurse at a psychiatric care unit, is on a night shift when one of her patients escapes. Above them all, a huge star suddenly appears blazing in the sky. It brings with it a mysterious sense of foreboding. Strange things start to happen as nine lives come together under the star. Hundreds of crabs amass on the road as Arne drives at night; Jostein receives a call about a death metal band found brutally murdered in a Satanic ritual; Kathrine conducts a funeral service for a man she met at the airport – but is he actually dead? The Morning Star is about life in all its mundanity and drama, the strangeness that permeates our world, and the darkness in us all. Karl Ove Knausgaard’s astonishing new novel, his first after the My Struggle cycle, goes to the utmost limits of freedom and chaos, to what happens when forces beyond our comprehension are unleashed and the realms of the living and the dead collide.
A brilliant and personal examination by sensational and bestselling author Karl Ove Knausgaard of his Norwegian compatriot Edvard Munch, the famed artist best known for his iconic painting The Scream In So Much Longing in So Little Space, Karl Ove Knausgaard sets out to understand the enduring and awesome power of Edvard Munch’s work by training his gaze on the landscapes that inspired Munch and speaking firsthand with other contemporary artists, including Anselm Kiefer, for whom Munch’s legacy looms large. Bringing together art history, biography, and memoir, Knausgaard tells a passionate, freewheeling, and pensive story about not just one of history’s most significant painters, but the very meaning of choosing the artist’s life, as he himself has done. Including reproductions of some of Munch’s most emotionally and psychologically intense works, chosen by Knausgaard, this utterly original and ardent work of criticism will delight and educate both experts and novices of literature and the visual arts alike.
The final sixth installment in the long-awaited, internationally celebrated My Struggle series from Karl Ove Knausgaard. The full scope and achievement of Karl Ove Knausgaard’s monumental work is evident in this final installment of his My Struggle series. Grappling directly with the consequences of Knausgaard’s transgressive blurring of public and private, Book 6 is a troubling and engrossing look into the mind of one of the most exciting artists of our time. Knausgaard includes a long essay on Hitler and Mein Kampf, particularly relevant (if not prescient) in our current global climate of ascending dictatorships.
The final installment in the long awaited, internationally celebrated My Struggle series. The full scope and achievement of Knausgaard's monumental work is evident in this final installment of his My Struggle series. Grappling directly with the consequences of Knausgaard's transgressive blurring of public and private Book Six is a troubling and engrossing look into the mind of one of the most exciting artists of our time. Knausgaard includes a long essay on Hitler and Mein Kampf, particularly relevant (if not prescient) in our current global climate of ascending dictatorships.
A family of four--mother, father and two boys--move to the South Coast of Norway to a new house on a newly developed site. It is the early 1970s and the family's trajectory, upwardly mobile: the future seems limitless. In painstaking, sometimes self-lacerating detail, Knausgaard paints a world familiar to anyone who can recall the intensity and novelty of childhood experience, one in which children and adults lead parallel lives that never meet. Perhaps the most Proustian in the series, Book Three gives us Knausgaard's vivid, technicolor recollections of childhood, his emerging self-understanding, and the multilayered nature of time's passing, memory, and existence. "Of course, I remember nothing from this time. It is completely impossible to identify with the infant my parents photographed; this is in fact so difficult it almost seems wrong to use the word 'I' when referring to it, lying in the baby bath, for instance, its skin unnaturally red, its arms and legs sprawling, and its face distorted in a scream no one remembers the reason for anymore ... Is that creature the same as the one sitting here in Malmö, writing this?" --from Book Three of My Struggle More praise for Book Three: "A superbly told childhood story ... Knausgaard writes about everyday life as a child with a flow and continuity that all hangs together ... the text has a gravitational pull that draws the reader in only further." --Dag Og Tid (Norway) "An aesthetic pleasure ... A patient, chiseled, and intense portrayal of a child's sensory experience. Book Three is a classic." --Klassekampen (Norway) "Compelling reading ... Knausgaard has an equally good eye for small and large events." --Aftenposten (Norway) "A gripping novel ... This childhood portrayal drifts off with a lightness and sensitivity that not many will associate with him ... There is no doubt that the series is worth following the author all the way." --Dagens Næringsliv (Norway) "The man can write a novel about a solid, pretty traditional upbringing too ... A sensitive, sharp depiction of growing up in the 70's." --Adresseavisen (Norway)
From bestselling author Karl Ove Knausgaard, an expansive, kaleidoscopic novel about human nature in the face of enormous change—and the warring impulses towards light and dark that live in all of us. For several days, a strange and bright new star in the sky above Norway has sown an unyielding sense of foreboding, of agitation, and of fear. Tove, a painter on holiday with her family, has spiraled into a psychosis that stirs her into a flurry of unbridled creativity. Geir, a policeman who has been investigating a grisly triple murder, comes to a sinister revelation he must keep to himself. Nineteen-year-old Line falls in love with the lead singer of a metal band and is lured into a secret and frightening world. But most bewildering, and disquieting, is the discovery made by Syvert, an undertaker: since the star has appeared, no one has died. In The Third Realm, Karl Ove Knausgaard returns to the spellbinding world of The Morning Star and The Wolves of Eternity, as a cast of new and familiar characters continue to reckon with the meaning of this star. What is haunting them, and why? As supernatural forces collide with the mundanities of the everyday, and the threshold between life and death becomes diffuse, people are forced to live their lives as before while the world around them slowly changes in inexplicable ways. Piercing through human existence into the bestial and phantasmagorical, Knausgaard flings open the gates to our most distressing neuroses and forces us to ask: What happens if the dark forces in the world are set free?
The transporting, standalone continuation of the acclaimed, apocalyptically-charged novel The Morning Star—the second in a bold new series. In 1986, twenty-year-old Syvert Løyning returns from the military to his mother’s home in southern Norway. One evening, his dead father comes to him in a dream. Realizing that he doesn’t really know who his father was, Syvert begins to investigate his life and finds clues pointing to the Soviet Union. What he learns changes his past and undermines the entire notion of who he is. But when his mother becomes ill, and he must care for his little brother, Joar, on his own, he no longer has time or space for lofty speculations. In present-day Russia, Alevtina Kotov, a biologist working at Moscow University, is traveling with her young son to the home of her stepfather, to celebrate his eightieth birthday. As a student, Alevtina was bright, curious and ambitious, asking the big questions about life and human consciousness. But as she approaches middle-age, most of that drive has gone, and she finds herself in a place she doesn’t want to be, without really understanding how she got there. Her stepfather, a musician, raised her as his own daughter, and she was never interested in learning about her biological father; when she finally starts looking into him, she learns that he died many years ago and left two sons, Joar and Syvert. Years later, when Syvert and Alevtina meet in Moscow, two very different approaches to life emerge. And as a bright star appears in the sky, it illuminates the wonder of human existence and the mysteries that exist beyond our own worldview. Set against the political and cultural backdrop of both the 1980s and the present day, The Wolves of Eternity is an expansive and affecting book about relations—to one another, to nature, to the dead.
The third volume —the book that made Karl Ove Knausgaard a phenomenon in the United States—in the addictive New York Times bestselling series, My Struggle. A family of four—mother, father, and two boys—move to the south coast of Norway, to a new house on a newly developed site. It is the early 1970s and the family's trajectory is upwardly mobile: the future seems limitless. In painstaking, sometimes self-lacerating detail, Karl Ove Knausgaard paints a world familiar to anyone who can recall the intensity and novelty of childhood experience, one in which children and adults lead parallel lives that never meet. Perhaps the most Proustian in the series, My Struggle: Book 3 gives us Knausgaard's vivid, technicolor recollections of childhood, his emerging self-understanding, and the multilayered nature of time's passing, memory, and existence.
Spring is a deeply moving novel about family, our everyday lives, our joys and our struggles, beautifully illustrated by Anna Bjerger. I have just finished writing this book for you. What happened that summer nearly three years ago, and its repercussions, are long since over. Sometimes it hurts to live, but there is always something to live for. Spring follows a father and his newborn daughter through one day in April, from sunrise to sunset. It is a day filled with the small joys of family life, but also its deep struggles. With this striking novel in the Seasons quartet, Karl Ove Knausgaard reflects uncompromisingly on life's darkest moments and what can sustain us through them. Utterly gripping and brilliantly rendered in Knausgaard's famously pensive and honest style, Spring is the account of a shocking and heartbreaking familial trauma and the emotional epicentre of this singular literary series.
[Book 2] sears the reader because Knausgaard is a passionate idealist [who] wants to fight the conformity and homogeneity of modern bourgeois existence." —James Wood, The New Yorker In the second installment of Karl Ove Knausgaard's monumental six-volume masterpiece, the character Karl Ove Knausgaard moves to Stockholm, where, having left his wife, he leads a solitary existence. He strikes up a deep friendship with another exiled Norwegian, a Nietzschean intellectual and boxing fanatic named Geir. He also tracks down Linda, whom he met at a writers' workshop a few years earlier and who fascinated him deeply. My Struggle: Book 2 is at heart a love story—the story of Karl Ove falling in love with his second wife. But the novel also tells other stories: of becoming a father, of the turbulence of family life, of outrageously unsuccessful attempts at a family vacation, of the emotional strain of birthday parties for children, and of the daily frustrations, rhythms, and distractions of city life keeping him from (and filling) his novel. It is a brilliant work that emphatically delivers on the unlikely promise that many hundreds of pages later readers will be left breathlessly demanding more.
Two world-class writers reveal themselves to be the ultimate soccer fans in these collected letters Karl Ove Knausgaard is sitting at home in Skåne with his wife, four small children, and dog. He is watching soccer on TV and falls asleep in front of the set. He likes 0-0 draws, cigarettes, coffee, and Argentina. Fredrik Ekelund is away, in Brazil, where he plays soccer on the beach and watches matches with others. Ekelund loves games that end up 4-3 and teams that play beautiful soccer. He likes caipirinhas and Brazil. Home and Away is an unusual soccer book, in which the two authors use soccer and the World Cup in Brazil as the arena for reflections on life and death, art and politics, class and literature. What does it mean to be at home in a globalized world? This exchange of letters opens up new vistas and gives us stories from the lives of two creative writers. We get under their skin and gain insight into their relationships with modern times and soccer’s place in their lives, the significance the game has for people in general, and the question Was this the best soccer championship ever?
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