We live in ‘knowledge societies’ and work in ‘knowledge economies’, but accounts of social change treat knowledge as homogeneous and neutral. While knowledge should be central to educational research, it focuses on processes of knowing and condemns studies of knowledge as essentialist. This book unfolds a sophisticated theoretical framework for analysing knowledge practices: Legitimation Code Theory or ‘LCT’. By extending and integrating the influential approaches of Pierre Bourdieu and Basil Bernstein, LCT offers a practical means for overcoming knowledge-blindness without succumbing to essentialism or relativism. Through detailed studies of pressing issues in education, the book sets out the multi-dimensional conceptual toolkit of LCT and shows how it can be used in research. Chapters introduce concepts by exploring topics across the disciplinary and institutional maps of education: -how to enable cumulative learning at school and university -the unfounded popularity of ‘student-centred learning’ and constructivism -the rise and demise of British cultural studies in higher education -the positive role of canons -proclaimed ‘revolutions’ in social science -the ‘two cultures’ debate between science and humanities -how to build cumulative knowledge in research -the unpopularity of school Music -how current debates in economics and physics are creating major schisms in those fields. LCT is a rapidly growing approach to the study of education, knowledge and practice, and this landmark book is the first to systematically set out key aspects of this theory. It offers an explanatory framework for empirical research, applicable to a wide range of practices and social fields, and will be essential reading for all serious students and scholars of education and sociology.
Providing a gateway to a new history of modern aesthetics, this book challenges conventional views of how art's significance developed in society. The 18th century is often said to have involved a radical transformation in the concept of art: from the understanding that it has a practical purpose to the modern belief that it is intrinsically valuable. By exploring the ground between these notions of art's function, Karl Axelsson reveals how scholars of culture made taste, morals and a politically stable society integral to their claims about the experience of nature and art. Focusing on writings by two of the most prolific men of letters in the 18th century, Joseph Addison (1672–1719) and the third Earl of Shaftesbury (1671–1713), Axelsson contests the conviction that modern aesthetic autonomy reoriented the criticism and philosophy originally prompted by these two key figures in the history of aesthetics. By re-examining the political relevance of Addison and Shaftesbury's theories of taste, Axelsson shows that first and foremost they sought to fortify a natural link between aesthetic experience and modern political society.
From Karl Iagnemma, recipient of the Paris Review Plimpton Prize, comes a fierce and gorgeous story of an estranged father and son’s unlikely journey though the wilderness of nineteenth-century America. The year is 1844. Sixteen-year-old runaway Elisha Stone is in Detroit, a hardscrabble frontier town on the edge of the civilized world. A canny survivor with the instincts of a born naturalist, Elisha signs on to an expedition into Michigan’s vast, uncharted Upper Peninsula. The party is led by two charismatic adventurers: Silas Brush, a ruthless land-grabbing ex-soldier, and George Tiffin, a quixotic professor desperate to discover proof of his unorthodox theories about the origins of man. On the eve of the expedition’s departure, Elisha pens a heartfelt letter to his mother in Newell, Massachusetts. But it is Elisha’s estranged father, the Reverend William Edward Stone, who opens the envelope. Grief-stricken by the recent death of his wife —a death Elisha could not have known about—Reverend Stone is jolted into action: he must find his son. What follows is a powerful narrative about the complex love between fathers and sons and an evocative portrait of an era of faith, wonder, and violence. While Elisha’s journey draws him deeper into uncharted territory, Reverend Stone must navigate through a country in turmoil as he moves toward an inevitable reunion with a son who has become a stranger. A first novel of uncommon wisdom, The Expeditions is the confirmation of an extraordinary talent.
On 7 August 1914 a French corps attacked towards Mulhouse in Alsace and was immediately thrown back by the Germans. On 14 August, two weeks before Tannenberg and three weeks before the Battle of the Marne, the French 1st and 2nd Armies attacked into Lorraine, and on 20 August the German 6th and 7th Armies counterattacked. After forty-three years of peace, this was the first test of strength between France and Germany. In 1929, Karl Deuringer wrote the official history of the battle for the Bavarian Army, an immensely detailed work of 890 pages, chronicling the battle to 15 September. Here, First World War expert and former army officer Terence Zuber has translated and edited this study to a more accessible length, while retaining over thirty highly detailed maps, to bring us the first account in English of the first major battle of the Great War.
Herein you will find a collection of sermon stories that speak to the modern era with fresh insights and occasional humor. Many of them are the personal experiences of the collector who brought them together. Each narrative is paired with an appropriate biblical text to elicit insight and some homiletical commentary is also provided. The stories are separated into historical memories, folklore, and fables. Some narratives come from the Jewish tradition, a source that we Christians too seldom consider. May you find some to be heartwarming, others pointed in meaning, and still others evoking new insights.
The burgeoning scholarship on Western health films stands in stark contrast to the vacuum in the historical conceptualization of Eastern European films. This book develops a nonlinear historical model that revises their unique role in the inception of national cinematography and establishing supranational health security. Readers witness the revelation of an unknown history concerning how the health films produced in Eastern European countries not only adopted Western patterns of propaganda but actively participated in its formation, especially with regard to those considered “others”: Women and the populations of the periphery. The authors elaborate on the long “echo” of the discursive practices introduced by health films within public health propaganda, as well as the attempts to negate and deconstruct such practices by rebellious filmmakers. A wide range of methods, including the analysis of the sociological biographies of filmmakers, the historical reconstruction of public campaigns against diseases and an investigation into the production of health films, contextualizes these films along a multifaceted continuum stretching between the adaptation of global patterns and the cultivation of national authenticities. The book is aimed at those who study the history of film, the history of public health, Central and Eastern European countries and global history.
From reviews of the first edition: “Ethnographic Film can rightly be considered a film primer for anthropologists.” —Choice “This is an interesting and useful book about what it means to be ethnographic and how this might affect ethnographic filmmaking for the better. It obviously belongs in all departments of anthropology, and most ethnographic filmmakers will want to read it.” —Ethnohistory Even before Robert Flaherty released Nanook of the North in 1922, anthropologists were producing films about the lifeways of native peoples for a public audience, as well as for research and teaching. Ethnographic Film (1976) was one of the first books to provide a comprehensive introduction to this field of visual anthropology, and it quickly became the standard reference. In this new edition, Karl G. Heider thoroughly updates Ethnographic Film to reflect developments in the field over the three decades since its publication, focusing on the work of four seminal filmmakers—Jean Rouch, John Marshall, Robert Gardner, and Timothy Asch. He begins with an introduction to ethnographic film and a history of the medium. He then considers many attributes of ethnographic film, including the crucial need to present "whole acts," "whole bodies," "whole interactions," and "whole people" to preserve the integrity of the cultural context. Heider also discusses numerous aspects of making ethnographic films, from ethics and finances to technical considerations such as film versus video and preserving the filmed record. He concludes with a look at using ethnographic film in teaching.
Clearly worded instructions, 251 step-by-step illustrations show novices, veterans how to seemingly pluck coins from the air, make a coin penetrate a tabletop, perform psychic tricks with coins and bills, much more. No special dexterity needed; no long hours of practice.
Bud Davidson recalls his own 25 years of volunteering. Using interviews, the story builds on the experiences of many others that led a small weekend fly-in to become an international multi-million dollar event. Sources include little known debates that are documented in the minutes of Board and Executive Committee meetings. He has compiled a record of the transition from a small membership convention to an internationally recognized exposition some consider the second largest aviation event in the world. The stories related here have been verified by documents and photos portraying the experiences of volunteers who return each year, something many have done for the entire life of this unique event.
This book presents a new basis for the empirical analysis of film. Starting from an established body of work in film theory, the authors show how a close incorporation of the current state of the art in multimodal theory—including accounts of the syntagmatic and paradigmatic axes of organisation, discourse semantics and advanced ‘layout structure’—builds a methodology by which concrete details of film sequences drive mechanisms for constructing filmic discourse structures. The book introduces the necessary background, the open questions raised, and the method by which analysis can proceed step-by-step. Extensive examples are given from a broad range of films. With this new analytic tool set, the reader will approach the study of film organisation with new levels of detail and probe more deeply into the fundamental question of the discipline: just how is it that films reliably communicate meaning?
In recognition of Karl Barth’s stature as a theologian and public figure in the life of Europe and the West, Swiss publisher Theologischer Verlag Zurich (TVZ) published Conversations, a collection of correspondence, articles, interviews, and other short-form writings by Barth. Collected in three volumes, Conversationsreveals the depth and breadth of Barth’s theological thought as well as his humor and humanity. Now, for the first time in English, the third and final volume is offered here. Volume 3 covers the period from 1964 to 1968, the year of Barth’s death. As such, it represents the culmination of the great theologian’s thoughts on a broad range of subjects, from the challenges of living as the church in an increasingly secular world to the distinctive joys and challenges of the pastoral vocation.
The belly is today a matter of much concern. Modern cultures, particularly in the West, have developed means to cultivate this part of the body: corsets, exercises, revealing fashions. In this compelling exploration of the 'belly' motif, Karl Olav Sandnes asks whether St Paul might be addressing a culture in which the stomach is similarly high on the agenda. The result is a surprising new insight into his writings. Paul twice mentions the enigmatic phrase 'belly-worship' (Phil 3; Rom 16). The proper context for these texts is the moral philosophy debate about mastering the desires, and the reputation of Epicurus' philosophy as promoting indulgence. The belly became a catchword for a life controlled by pleasures. Belly-worship was not only pejorative rhetoric, but developed from Paul's conviction that the body was destined to a future with Christ.
A New York Times Notable Book One of NPR's Best Books of 2021 "Knausgaard is among the finest writers alive.” —Dwight Garner, New York Times The international bestseller from the author of the renowned My Struggle series, The Morning Star is an astonishing, ambitious, and rich novel about what we don't understand, and our attempts to make sense of our world nonetheless One long night in August, Arne and Tove are staying with their children in their summer house in southern Norway. Their friend Egil has his own place nearby. Kathrine, a priest, is flying home from a Bible seminar, questioning her marriage. Journalist Jostein is out drinking for the night, while his wife, Turid, a nurse at a psychiatric care unit, is on a night shift when one of her patients escapes. Above them all, a huge star suddenly appears blazing in the sky. It brings with it a mysterious sense of foreboding. Strange things start to happen as nine lives come together under the star. Hundreds of crabs amass on the road as Arne drives at night; Jostein receives a call about a death metal band found brutally murdered in a Satanic ritual; Kathrine conducts a funeral service for a man she met at the airport – but is he actually dead? The Morning Star is about life in all its mundanity and drama, the strangeness that permeates our world, and the darkness in us all. Karl Ove Knausgaard’s astonishing new novel, his first after the My Struggle cycle, goes to the utmost limits of freedom and chaos, to what happens when forces beyond our comprehension are unleashed and the realms of the living and the dead collide.
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