This challenging study analyzes nearly forty superb stories, from mythic narratives predating Columbus to contemporary American Indian fiction, representing every traditional Native American culture area. Developing recent ethnopoetic scholarship and drawing on the critical ideas of Mikhail Bakhtin and Pierre Bourdieu, Karl Kroeber reveals how preconceptions deriving from our hypervisual, print-dominated culture distort our understanding of essential functions and forms of oral storytelling. Kroeber demonstrates that myths do not merely preserve tradition but may transform it by performatively reenacting the concealed sociological and psychological conflicts that give rise to social institutions. Showing how the variability of mythic narrative fosters communal self-renewal, Kroeber offers startling insight into Native Americans' perception of animals as "cultured, " their creation of visually unrepresentable tricksters by aural imagining, and the rhetorical means through which oral narratives may not only reflect but even redirect political change. By making understandable the forgotten artistry of oral storytelling, Kroeber enables modern readers to appreciate fully the tragic emotions, hilarious ribaldry, and haunting beauty in these astonishing Native American mythic narratives. Karl Kroeber is Mellon Professor of Humanities at Columbia University. His most recent books are Ecological Literary Criticism: Romantic Imagining and the Biology of the Mind and Retelling/Rereading: The Fate of Storytelling in Modern Times.
Kroeber argues that literary criticism needs to reestablish connections to a wide range of social activities, especially the thinking of contemporary scientists. This new kind of criticism, "ecological literary criticism," sets out to correct the abstractions of current theorizing about literature, and to make humanistic studies more socially responsible. Though applicable to any writer of any period, Kroeber points out that the proto-ecological tendencies of the English Romantic poets make them especially useful as a starting point for this approach. Since the Romantics believed that people were, and should be, at home in the natural world. Ecological Literary Criticism asks that we examine poetry from a perspective that assumes that the imaginative acts of cultural beings offer valuable insights into how and why cultural and natural phenomena have interrelated in the past and how they could more advantageously interrelate in the future. Kroeber argues that this approach to criticism will help us to develop mutually enriching links between humanistic and scientific modes of understanding humankind and the earth we inhabit.
This study provides the first detailed contrast between the experiences of reading a novel and watching a movie. Kroeber shows how fiction evokes morally inflected imagining, and how movies reveal through magnification of human movements and expression subjective effects of complex social changes.
In this passionate, erudite, and far-ranging book, Kroeber renews for our multi-cultural age a fundamental argument: the stories we tell, hear, read, and see make a difference to the lives we read."--Jonathan Arac, University of Pittsburgh In this highly readable and thoroughly original book, Karl Kroeber questions the assumptions about storytelling we have inherited from the exponents of modernism and postmodernism. These assumptions have led to overly formalistic and universalizing conceptions of narrative that mystify the social functions of storytelling. Even "politically correct" critics have Eurocentrically defined story as too "primitive" to be taken seriously as art. Kroeber reminds us that the fundamental value of storytelling lies in retelling, this paradoxical remaking anew that constitutes story's role as one of the essential modes of discourse. His work develops some recent anthropological and feminist criticism to delineate the participative function of audience in narrative performances. In depicting how audiences contribute to storytelling transactions, Kroeber carries us into a surprising array of examples, ranging from a Mesopotamian sculpture to Derek Walcott's Omeros; startling juxtapositions, such as Cervantes to Vermeer; and innovative readings of familiar novels and paintings. Tom Wolfe's comparison of his Bonfire of the Vanities to Vanity Fair is critically analyzed, as are the differences between Thackeray's novel and Joyce's Ulysses and Flaubert's Madame Bovary. Other discussions focus on traditional Native American stories, Henry James's The Ambassadors, Calvino's If on a winter's night a traveler, and narrative paintings of Giotto, Holman Hunt, and Roy Lichtenstein. Kroeber deploys the ideas of Ricoeur and Bakhtin to reassess dramatically the field of narrative theory, demonstrating why contemporary narratologists overrate plot and undervalue story's capacity to give meaning to the contingencies of real experience. Retelling/Rereading provides solid theoretical grounding for a new understanding of storytelling's strange role in twentieth-century art and of our need to develop a truly multicultural narrative criticism.
With the aid of new analytic techniques, including the computer, Karl Kroeber examines the fictional styles of three consecutive English novelists, presenting an objective and systematic comparison of the stylistic coherence of their work. Originally published in 1971. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Margret Stewart's family has been ripped apart by a secret government experiment which gave them telekinetic powers. This experiment's success has drawn the attention not only of powerful government forces who want to capture, imprison and use them for their own purposes, but also supernatural powers that see the family as a vital link in the war between good and evil. It is written that they will have a child who will be The Shaker of Worlds. In a chilling and horrifying story that moves between Earth and Purgatory, the family is hunted by a secret government agency called the Gray Department, as well as dangerous supernatural forces sent to kill or seduce them. The fugitives find themselves at the center of the ultimate struggle between the forces of good and evil.
With the aid of new analytic techniques, including the computer, Karl Kroeber examines the fictional styles of three consecutive English novelists, presenting an objective and systematic comparison of the stylistic coherence of their work. Originally published in 1971. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
In this passionate, erudite, and far-ranging book, Kroeber renews for our multi-cultural age a fundamental argument: the stories we tell, hear, read, and see make a difference to the lives we read."--Jonathan Arac, University of Pittsburgh In this highly readable and thoroughly original book, Karl Kroeber questions the assumptions about storytelling we have inherited from the exponents of modernism and postmodernism. These assumptions have led to overly formalistic and universalizing conceptions of narrative that mystify the social functions of storytelling. Even "politically correct" critics have Eurocentrically defined story as too "primitive" to be taken seriously as art. Kroeber reminds us that the fundamental value of storytelling lies in retelling, this paradoxical remaking anew that constitutes story's role as one of the essential modes of discourse. His work develops some recent anthropological and feminist criticism to delineate the participative function of audience in narrative performances. In depicting how audiences contribute to storytelling transactions, Kroeber carries us into a surprising array of examples, ranging from a Mesopotamian sculpture to Derek Walcott's Omeros; startling juxtapositions, such as Cervantes to Vermeer; and innovative readings of familiar novels and paintings. Tom Wolfe's comparison of his Bonfire of the Vanities to Vanity Fair is critically analyzed, as are the differences between Thackeray's novel and Joyce's Ulysses and Flaubert's Madame Bovary. Other discussions focus on traditional Native American stories, Henry James's The Ambassadors, Calvino's If on a winter's night a traveler, and narrative paintings of Giotto, Holman Hunt, and Roy Lichtenstein. Kroeber deploys the ideas of Ricoeur and Bakhtin to reassess dramatically the field of narrative theory, demonstrating why contemporary narratologists overrate plot and undervalue story's capacity to give meaning to the contingencies of real experience. Retelling/Rereading provides solid theoretical grounding for a new understanding of storytelling's strange role in twentieth-century art and of our need to develop a truly multicultural narrative criticism.
With the aid of new analytic techniques, including the computer, Karl Kroeber examines the fictional styles of three consecutive English novelists, presenting an objective and systematic comparison of the stylistic coherence of their work. Originally published in 1971. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
This challenging study analyzes nearly forty superb stories, from mythic narratives predating Columbus to contemporary American Indian fiction, representing every traditional Native American culture area. Developing recent ethnopoetic scholarship and drawing on the critical ideas of Mikhail Bakhtin and Pierre Bourdieu, Karl Kroeber reveals how preconceptions deriving from our hypervisual, print-dominated culture distort our understanding of essential functions and forms of oral storytelling. Kroeber demonstrates that myths do not merely preserve tradition but may transform it by performatively reenacting the concealed sociological and psychological conflicts that give rise to social institutions. Showing how the variability of mythic narrative fosters communal self-renewal, Kroeber offers startling insight into Native Americans' perception of animals as "cultured, " their creation of visually unrepresentable tricksters by aural imagining, and the rhetorical means through which oral narratives may not only reflect but even redirect political change. By making understandable the forgotten artistry of oral storytelling, Kroeber enables modern readers to appreciate fully the tragic emotions, hilarious ribaldry, and haunting beauty in these astonishing Native American mythic narratives. Karl Kroeber is Mellon Professor of Humanities at Columbia University. His most recent books are Ecological Literary Criticism: Romantic Imagining and the Biology of the Mind and Retelling/Rereading: The Fate of Storytelling in Modern Times.
Kroeber argues that literary criticism needs to reestablish connections to a wide range of social activities, especially the thinking of contemporary scientists. This new kind of criticism, "ecological literary criticism," sets out to correct the abstractions of current theorizing about literature, and to make humanistic studies more socially responsible. Though applicable to any writer of any period, Kroeber points out that the proto-ecological tendencies of the English Romantic poets make them especially useful as a starting point for this approach. Since the Romantics believed that people were, and should be, at home in the natural world. Ecological Literary Criticism asks that we examine poetry from a perspective that assumes that the imaginative acts of cultural beings offer valuable insights into how and why cultural and natural phenomena have interrelated in the past and how they could more advantageously interrelate in the future. Kroeber argues that this approach to criticism will help us to develop mutually enriching links between humanistic and scientific modes of understanding humankind and the earth we inhabit.
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