In a rare volume, Barth presents his lecture on "The Holy Spirit and the Christian Life", in which he insists there is no way to get behind or beyond the fact that God is revealed to us in three distinct ways, yet with a unity that cannot be divided.
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Physical models have been, and continue to be used by engineers when faced with unprecedented challenges, when engineering science has been non-existent or inadequate, and in any other situation when the engineer has needed to raise their confidence in a design proposal to a sufficient level to begin construction. For this reason, models have mostly been used by designers and constructors of highly innovative projects, when previous experience has not been available. The book covers the history of using of physical models in the design and development of civil and building engineering projects including bridges in the mid-18th century, William Fairbairn?s Britannia bridge in the 1840s, the masonry Aswan Dam in the 1890s, concrete dams in the 1920s, thin concrete shell roofs and the dynamic behaviour of tall buildings in earthquakes from the 1930s, tidal flow in estuaries and the acoustics of concert halls from the 1950s, and cable-net and membrane structures in the 1960s. Traditionally, progress in engineering has been attributed to the creation and use of engineering science, the understanding materials properties and the development of new construction methods. The book argues that the use of reduced scale models have played an equally important part in the development of civil and building engineering. However, like the history of engineering design itself, this crucial contribution has not been widely reported or celebrated. The book concludes with reviews of the current use of physical models alongside computer models, for example, in boundary layer wind tunnels, room acoustics, seismic engineering, hydrology, and air flow in buildings.
Karl Ludwig Schmidt’s classic Die Stellung der Evangelien der allgemeinen Literaturgeschichte was one of a handful of twentieth-century essays on the New Testament to set the agenda for an entire generation of New Testament scholars. First published in 1923, the text laid out Schmidt’s contention that the gospels represent a literary genre that does not derive from others in the ancient world. In portraying the gospels as the written record of an oral tradition rather than as biographical or historical text, the German scholar found points of comparison with Sayings of the Desert Fathers and the later collections of Faust legends. Schmidt’s powerful argument has commanded attention in Germany for decades but has never before been fully available in English. In recent years the question of gospel genre has reemerged as an issue of debate. With this translation, Byron R. McCane enables a new generation of English-speaking scholars to engage with Schmidt’s classic perspective on an enduring question. In an introduction to the volume, John Riches places Schmidt’s landmark study in its context. He locates the text among the writings of the form critics, with whom Schmidt allied himself, and relates it to Schmidt’s own still untranslated study of the topography and chronology of the gospels. He documents the essay’s reception in the English-speaking world and critically examines the way Schmidt is understood in present-day discussion of the genre of the gospels. Riches also explores how recent efforts to classify the gospels as ancient biographies have in many ways misread and misrepresented Schmidt’s views - errors that this translation will help rectify.
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