In this key text in the history of art and aesthetics, Karl Rosenkranz shows ugliness to be the negation of beauty without being reducible to evil, materiality, or other negative terms used it's conventional condemnation. This insistence on the specificity of ugliness, and on its dynamic status as a process afflicting aesthetic canons, reflects Rosenkranz's interest in the metropolis - like Walter Benjamin, he wrote on Paris and Berlin - and his voracious collecting of caricature and popular prints. Rosenkranz, living and teaching, like Kant, in remote Königsberg, reflects on phenomena of modern urban life from a distance that results in critical illumination. The struggle with modernization and idealist aesthetics makes Aesthetics of Ugliness, published four years before Baudelaire's Fleurs du Mal, hugely relevant to modernist experiment as well as to the twenty-first century theoretical revival of beauty. Translated into English for the first time, Aesthetics of Ugliness is an indispensable work for scholars and students of modern aesthetics and modernist art, literary studies and cultural theory, which fundamentally reworks conceptual understandings of what it means for a thing to be ugly.
Beginning with an examination of the relationship between Hegel and Goethe, Löwith discusses how Hegel's students, particularly Marx and Kierkegaard, interpreted----or reinterpreted----their master's thought, and proceeds with an in-depth assessment of the other important philosophers, from Feuerbach, Stirner, and Schelling to Nietzsche.
Martin Heidegger and European Nihilism makes available in English Lowith's major writings concerning the origins of cultural breakdown in Europe that paved the way for the Third Reich. Including incisive discussions of Heidegger and Carl Schmitt, a noted legal theorist of the same period who also supported the Third Reich, Heidegger and European Nihilism helps to illuminate the allure of Nazism for scholars committed to revolutionary nihilism. Lowith's landmark essay on European nihilism is also included in its entirety here, along with two never-before-published letters from Heidegger to Lowith. In a work of impressive historical depth, Lowith traces the abandonment of higher European ideals in favor of a fatal flirtation with nihilism. These essays explore the enthronement of man above God, a trend that had begun to appear in European thought by the mid-nineteenth century in the works of Nietzsche and Marx and one that informed the nihilist philosophies of Heidegger and other theorists of the early twentieth century. An introduction by editor Richard Wolin provides lucid commentary, placing the three essays gathered here in a broad historical context, along with suggestions for further reading. This seminal work of intellectual history sheds light on the fascist impulses of nihilism in the first half of the twentieth century, but also offers unique perspective on the intellectual malaise of today.
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