This manual gives information on the causative organisms, epidemiology and clinical features of all important childhood infections. It includes guidance on the clinical management of the infections and on steps to be taken to prevent future cases.
This manual gives information on the causative organisms, epidemiology and clinical features of all important childhood infections. It includes guidance on the clinical management of the infections and on steps to be taken to prevent future cases.
“A wickedly wonderful storyteller.” —Jocelynn Drake “A brilliant new voice in paranormal romance.” —Christina Dodd Author Karina Cooper enthralls with her stunning new series, The St. Croix Chronicles. Cooper, whose haunting Dark Mission novels set a new standard for paranormal romance, carries readers into the shadows of a very different Victorian London, where science skirts the line between magic and mechanics. A magnificent talent writing in the vein of such paranormal and urban fantasy superstars as J.R. Ward, Jeaniene Frost, Gail Carriger, and Meljean Brook, Cooper introduces readers to a truly remarkable heroine: Cherry St. Croix. Debutante by day and bounty hunter by night, Cherry makes a truly smashing debut in Tarnished, as she trawls the seedy underbelly of an alternate London in search of a killer…and finds herself at odds with the dangerous—and dangerously handsome—criminal kingpin, Micajah Hawke, ruler of the Midnight Menagerie.
The untold story of how Germany's top aristocrats contributed to Hitler's secret diplomacy during the Third Reich, providing a direct line to their influential contacts and relations across Europe, especially in Britain.
This book addresses the 'autobiographical' literature, visual, and performance art of postcolonial women from Maghreb and Southeast Asia including Leila Sebbar, Assia Djebar, and Theresa Hak Kyung Cha. Karina Eileraas critically examines how contemporary postcolonial artists participate in the violence of representation in order to re-imagine the relationship between image and identity.
Assembling Archaeology provides a radical rethinking of the relationships between teaching, researching, digging, and practicing as an archaeologist in the 21st century. The issues addressed here are global and applicable wherever archaeology is taught, practiced, and researched. At its heart this book addresses the undervaluation of teaching, demonstrating that this affects the fundamentals of contemporary archaeological practice and is particularly connected to the lack of diversity in disciplinary demographics. It proposes a solution which is grounded in a theoretical rethinking of archaeological teaching, training, and practice by advocating a holistic 'assemblage' approach which challenges traditional power structures and the global marketization of the higher education system. Drawing on insights from archaeology's current material turn, this book approaches the discipline as a subject of investigation and offers a new perspective founded upon the notion of the learning assemblage, which resituates teaching and learning as a central focus and contributes to broader discourses on critical pedagogy and rhizomatic learning. It ultimately argues for a robust archaeological pedagogy that is rooted in and emergent from the material realities of the profession, and will be valuable to everyone from academia to Cultural Resource Management (CRM), heritage professional to undergraduate student.
Survival and Witness at Europe's Border focuses on one of the most mediatized migrant disasters in Europe. On October 3, 2013, an overcrowded fishing boat carrying Eritrean refugees caught fire near Lampedusa, Italy, where 368 people died. Karina Horsti shows with empathy and passion how this disaster produced a kaleidoscope of afterlives that continue to assume different forms depending on the position of the witness or survivors. Pasts and futures intersect in the present when people who were touched by the disaster engage with its memory and politics. Horsti underscores how the perspective of survival can envision a way forward from a horrific unsustainable present. Survival and Witness at Europe's Border develops the concept of survival to rethink border deaths beyond the structures and processes that produce the murderous border and constitute the focus of critical migration studies. It demonstrates how the process of survival transforms people and societies. Survival is productive, Horsti argues, shifting the focus in migration studies from apparatuses of control to emphasize the agency and subjectivity of refugees.
Studies in the Rhetoric of Fiction investigates the contemporary novel’s relation to its forerunners, the picaresques, romances and sentimental novels of the 18th century. Henry Fielding, Laurence Sterne and Jane Austen are stable landmarks, while, of the contemporary practitioners, a handful recur from one chapter to the next, particularly Julian Barnes, Ian McEwan and Kazuo Ishiguro. The chapters share an interest in the rhetoric of fiction, broadly understood as the way in which fictional works achieve their effects on readers, whether by directly addressing a hypothetical reader, using irony and parody, orchestrating competitions between divergent narratives, imitating musical structures, inviting intertextual readings, or openly taking issue with traditional conventions and expectations. Chapters focusing on narrative strategy and metanarrative comment, therefore, alternate with those interrogating reading practices and readerly participation in the rhetorical interchange. This collection of essays however does not propose a consistent theory of the rhetoric of fiction; nor does it claim any generalisable validity for its findings. Rather, it consists of a series of readings that address various formal aspects of the novels they focus on, showing rhetoric in action, pointing out the complex ways in which its means and strategies change in time and across genres and media. It restores a sense that whatever old tricks the author or narrator is perceived to be up to, they are an invitation to the reader to take part in the fun. The book will appeal to students and scholars in the early stages of their research, encouraging readings that identify rhetorical strategies that challenge conventional forms and expectations. It is, therefore, largely free of rhetorical terminology, making sparing use of it when distinctions must be drawn and the more technical aspects of novels are interrogated.
It should have been a cushy job: Vern, the dragon detective, and his partner, the mage Sister Grace, are given an all-expense paid trip to Florida to chaperone a group of Magicals at a Mensa convention. Then the pixies start pranking, the Valkyrie starts vamping and a dwarf goes to Billy Beaver's Fantasyland hoping to be "discovered." Environmentalists protest Vern's "disrupting the ecosystem," while clueless tourists think he's animatronic. When the elves get high on artificial flavorings and declare war on Florida, it turns into the toughest case they aren't getting paid for. Based loosely on the award-winning serial mystery, Magic, Mensa and Mayhem will keep you laughing wherever you rank on the IQ scale. ...."Wisdom of the Ages, Knowledge of Eternity, and I end up a babysitter at the Smart Humans' Convention."-Vern
Engendering objects explores social and cultural dynamics among Maisin people in Collingwood Bay (Papua New Guinea) through the lens of material culture. Focusing upon the visually stimulating decorated barkcloths that are used as male and female garments, gifts, and commodities, it explores the relationships between these cloths and Maisin people. The main question is how barkcloth, as an object made by women, engenders people’s identities, such as gender, personhood, clan and tribe, through its manufacturing and use. This book describes in detail how barkcloth (tapa) not only visualizes and expresses, but also materializes and defines, people’s multiple identities. By ‘following the object’ and how it is made and used in the performance of life-cycle rituals, in exchanges and in church festivities, this interaction between people and things, and how they are mutually constituted, becomes visible. How are women’s bodies and minds linked with the production of barkcloth? How do cloths produced by women both establish and contest clan identity? In what ways is the commodification of barkcloth related to gender dynamics? Barkcloth and its associated designs show how gender ideologies and the socio-material constructions of identity are performed and, as such, developed, established and contested. The narratives of both men and women reveal the ways in which barkcloth provides a link with the past and dreams for the future. The author argues that the cloths and their designs embody dynamics of Maisin culture and in particular of Maisin gender relations. In contributing to the current debates on the anthropology of ‘art’, this study offers an alternative way of understanding the significance of an object, like decorated barkcloth, in shaping and defining people’s identities within a local colonial and postcolonial setting of Papua New Guinea. “Engendering Objects is among the most comprehensive and innovative new works emerging from Melanesia examining the intimate connections between material culture, cultural identity and gendered personhood. Drawing upon extensive ethnographic fieldwork, archival research and examination of museum collections, Anna-Karina Hermkens traces the enduring yet innovative place of tapa (barkcloth) among the Maisin people. Written with warm compassion and immediacy, the book is a theoretically provocative, accessible and compelling portrait of changing life in a Papua New Guinean village society.” – John Barker, University of British Columbia “This book makes a most welcome contribution to the study of the materiality by showing how gender is performed in the sensuous terms of clothing, food, and the exchange of objects. Anna-Karina Hermkens accomplishes this with enviable care and intellectual resources, and a prose and ethnography that make the book a pleasure to read.” – David Morgan, Duke University “Anna-Karina Hermkens takes us to look at designs on bark cloth from Papua New Guinea through a magnifying glass. A fascinating perspective on material culture evolves. Beyond the art work we discover individuals – mainly women – painting their stories about who they and their beloved are as women and men, as traditional members of a clan, and also what they head for as strugglers in a new economy driven world.” – Christian Kaufmann, Honorary Research Associate, Sainsbury Reseach Unit, University of East Anglia, Norwich UK, former curator for Oceania at the Museum der Kulturen Basel
Drastic changes in lay religiosity during the High Middle Ages spurred anxiety about women forsaking their secular roles as wives and mothers for religious ones as nuns and beguines. This anxiety and the subsequent need to model an ideal of feminine behavior for the laity is particularly expressed in the German versions of Latin and French narratives. Using thirteenth-century penitentials, monastic exempla, and sermons, Karina Marie Ash clarifies how secular wifehood was recast as a quasi-religious role and, in German epics and romances from the late twelfth and early thirteenth centuries, how female characters are adapted to promote the salvific nature of worldly love in ways that echo the pastoral reevaluation of women at that time. Then she argues that mid and late thirteenth-century German literature not only reflects this impulse to idealize women's roles in lay society but also to promote an alternative model of femininity that deploys ways of privileging secular roles for women over religious ones. These continuously evolving readaptations of female protagonists across cultures and across centuries reflect fictive solutions for real historical concerns about women that not only complement contemporary pastoral and legal reforms but are also unique to medieval German literature.
A starter pack of first-in series romances from award-winning author, Karina Bliss. With BONUS book. Mr. Imperfect (Lost Boys #1) It takes a funeral to drag bad-boy billionaire Christian Kelly back to his rural New Zealand hometown. Now thanks to an ancient IOU, he’s stuck there trying to save the inheritance of the only woman who ever dumped him. Romantic Book of the Year (RuBY) winner Australia The Soldier’s Wedding (Special Forces #1) Special Forces soldier Dan Jansen has come home from Afghanistan with one objective: to marry Josephine Swann. First he has to convince his childhood friend that their marriage ‘agreement,’ a tipsy scrawl on a beer coaster three years ago, is binding. “Karina Bliss is an excellent writer whose plots are so complex and her characters so realistic that readers are given much more than cookie cutter rehashes of classic stories. Also, her solutions to the problems are unique…” ~Desert Isle Keeper. All About Romance. What The Librarian Did (a ROCK SOLID Romance curtain-raiser) Is Rachel Robinson the only one on campus who doesn’t know who Devin Freedman is? No big deal except that the bad-boy rock star gets a kick out of Rachel’s refusal to worship at his feet. And that seems to have provoked his undivided attention. “Romance readers have a noise we make when we mention a book that’s tremendously good. It’s somewhere between a gasp and a sigh…” ~Smart Bitches, Trashy Books Best Romance BONUS BOOK - Rise (a ROCK SOLID romance #1) Elizabeth Winston is an award-winning biographer with no interest in writing about celebrities. But when she winds up working with gorgeous rock star Zander, the chemistry between them is sizzling hot… When in her life will she get another chance to work with a living legend? But saying yes to one temptation soon leads to another. Suddenly she’s having heated fantasies about her subject, fantasies this blue-eyed devil is only too willing to stoke. “If you like your romance fiction intelligent, intense, and unforgettable, add this one to your must-read list immediately.” ~The Romance Dish
WHERE SPIRITS DWELL unearths the creaking, spine-chilling moments when ghosts appear in suburbia. Alongside infamous Australian haunted homes, like Junee?s Monte Cristo Homestead and Annandale?s haunted Abbey, WHERE SPIRITS DWELL also takes readers inside other haunted dwellings including schools, pubs and even shopping centres. As she did in her bestselling book SPIRIT SISTERS, described as 'addictive reading' by the Daily Telegraph and 'fascinating and thought-provoking' by the Sun Herald, Karina Machado spins a such web of wonder that often the interviewees? lives prove just as fascinating as the spooky experiences they?re sharing with her. Along with these real-life experiences, Machado also investigates the haunted house in history, literature and popular culture in this intriguing book. WHERE SPIRITS DWELL is a book to read with ALL the lights on!
Touching Void… Surviving a Car Accident is the courageous real-life story of the author who had miraculously survived a horrific car accident as a child, and has lived to tell the tale of a debilitating head injury. A must read for all those who have gone through any type of traumatic experience. A very heart-warming read!
Croucher explores what mortuary practices can reveal about the living populations in the Neolithic Near East. Incorporating evidence from excavations, she provides an overview of the period and offers a unique insight into changing attitudes towards the human body, identity, and the experiences of the lived populations of the Neolithic Near East.
Where do our conventional understandings of health, illness, and the body stem from? What makes them authoritative? How are the boundaries set around these areas of life unsettled in the changing historical and political contexts of science, technology, and health care delivery? These questions are at the heart of Troubling Natural Categories, a collection of essays honouring the tradition of Margaret Lock, one of the preeminent medical anthropologists of our time. Throughout her career, Lock has investigated how medicine sets boundaries around what is deemed "normal" and "natural," and how, in turn, these ideas shape our technical and moral understandings of life, sickness, and death. In this book, nine established medical anthropologists - all former students of Lock - critically engage with her work, offering ethnographic and historical analyses that problematize taken-for-granted constructs in health and medicine in a range of global settings. The essays elaborate cutting-edge themes within medical anthropology, including the often disturbing, inherently political nature of biomedicine and biotechnology, the medicalization of mental health processes, and the formation of uniquely "local biologies" through the convergence of bodily experience, scientific discourse, and new technologies of care. Troubling Natural Categories not only affirms Margaret Lock's place at the forefront of scholarship but, with these essays, carves out new intellectual directions in the medical social sciences. Contributors include Sean Brotherton, Vinh-Kim Nguyen, Junko Kitanaka, Stephanie Lloyd, Dominique Behague, and Annette Leibing.
Twenty years famous and facing ruin... I’m gambling everything on my band’s Resurrection Tour. And praying my golden voice holds out. First, my hell-raising reputation needs the mother of all makeovers. I’ve handpicked my biographer, Elizabeth Winston. All this stubborn academic has to do is write down what I tell her. Not pry my secrets loose. Or encourage the good guy struggling to get out. Having an affair was supposed to quench the attraction, instead I'm throwing gasoline on the fire. Now I’m falling in love for the first time in my life. I could be her better man. But that would mean telling her the truth. And once this, preacher’s daughter knows who I really am? I’ll lose her. “Books like Rise are the reason I read romance.” Loveaffairwithanereader “If you like your romance fiction intelligent, intense, and unforgettable, add this one to your must-read list immediately.” The Romance Dish Buy Rise now for a rock ‘n rollercoaster of a love story. “This series is my favorite series about rock stars, with realistic characters and stories, and Bliss’s writing is simply amazing.” Way Too Hot Books THE ROCK SOLID SERIES Rise Fall Play Redemption Resurrection * Fall and Play can be read in any order as the action happens simultaneously.
From rock icon to house husband. From academic historian to tell-all memoirist. They changed their lives for each other. Now they need to change them back. What follows happily-ever-after? Love gets real. Like every woman newly and emphatically in love, academic Elizabeth Winston figured she’d fix her rockstar lover’s emotional problems with her shiny, all-encompassing acceptance. Oh boy. Even though she’d heard her minister father counsel couples throughout her childhood, she forgot the take-away. You can’t force someone to heal before they’re ready. Now she’s five thousand miles from the man she loves and hawking intimate details of their relationship to salvage his iconic legacy. Struggling to keep her own identity, and increasingly unsure whether Zander’s even on board. Can she redeem his reputation while holding onto her career, or is she making things worse on all fronts? And that’s before she makes a mistake that changes everything. He gave up the world for love. The world isn’t ready to let him go. Fame is a destroyer. Which is why Zander Freedman quit music. These days its moderation in all things, except Elizabeth Winston. But building an ordinary life with an extraordinary woman isn’t easy. For one, she’s deep in the snake pit he left behind. For two, he has a stalker that stops him being by her side. Loving her is easy. Letting her love him is something he works on every day. How hard does Elizabeth’s life have to be before she regrets choosing him? THE ROCK SOLID SERIES What The Librarian Did (opening act) Rise Fall Play Redemption Resurrection Note: Fall and Play can be read in any order. Redemption continues the story of Zander and Elizabeth (Rise) but can also be read as a standalone.
Unable are the loved to die. For love is immortality." - Emily Dickinson This is a book about the indestructability of love. Journalist and author Karina Machado spoke to over 60 Australians with stories of post-death contact. She shares their life-shattering experience of loss, and shows how their spiritual contact with a deceased lover, friend or family member brought peace, hope and the solace of knowing that their connection lives on. There is the story of a teenage boy who appears in bodily form on the eve of his funeral to bring comfort to his sister. A young husband returns to his widow in time to prevent another tragedy. A grandmother arrives to lovingly care for the infant children of her grief-stricken daughter. A man soothes his heartbroken brother with an otherworldly embrace. Written with grace and compassion, Love Never Dies is as much about the power of loving relationships as it is the phenomenon of the survival of consciousness beyond death.
Toni Morrison’s Playing in the Dark: Whiteness and the Literary Imagination is a seminal piece of literary criticism, and a masterclass in the critical thinking skill of interpretation. Interpretation plays a vital role in critical thinking: it focuses on interrogating accepted meanings and laying down clear definitions on which a strong argument can be built. Both history and literary history in the US have frequently revolved around understanding how Americans define themselves and each other, and Morrison’s work seeks to investigate, question, and redefine one of the central concepts in American history and American literary history: color.. Morrison turned to the classics of American literature to ask how authors had chosen to define the terms ‘black’ and ‘white.’ Instead of accepting traditional interpretations of these works, Morrison examined the way in which ‘whiteness’ defines itself through ‘blackness,’ and vice versa. Black bondage and the myths of black inferiority and savagery, she showed, allowed white America to indulge its own defining myths – viewing itself as free, civilized, and innocent. A classic of subtle and incisive interpretation, Playing in the Dark shows just how crucial and how complex simple-looking definitions can be.
A remarkable and important story" BBC Radio 4 Woman's Hour "Unputdownable . . . Urbach has also retold the tragic Holocaust story in quite unforgettable lines" A.N. Wilson "In a remarkable new book, Alice's granddaughter Karina, a noted historian, has traced what happened to her family but also what happened to the cookbook" Daniel Finkelstein "This fascinating book, by Alice's granddaughter Karina Urbach, shines a spotlight on this lesser-known aspect of Nazi looting" The Times "A gripping piece of 20th-century family history but also something much more original: a rare insight into the 'Aryanisation' of Jewish-authored books during the Nazi regime" Financial Times What happened to the books that were too valuable to burn? Alice Urbach had her own cooking school in Vienna, but in 1938 she was forced to flee to England, like so many others. Her younger son was imprisoned in Dachau, and her older son, having emigrated to the United States, became an intelligence officer in the struggle against the Nazis. Returning to the ruins of Vienna in the late 1940s, she discovers that her bestselling cookbook has been published under someone else's name. Now, eighty years later, the historian Karina Urbach - Alice's granddaughter - sets out to uncover the truth behind the stolen cookbook, and tells the story of a family torn apart by the Nazi regime, of a woman who, with her unwavering passion for cooking, survived the horror and losses of the Holocaust to begin a new life in America. Impeccably researched and incredibly moving, Alice's Book sheds light on an untold chapter in the history of Nazi crimes against Jewish authors. "As this engaging memoir makes clear, the theft of the cookbook remained for Alice's entire life the symbol of everything that had been taken from her" TLS Translated from the German by Jamie Bulloch
Vision and Difference, published in 1988, is one of the most significant works in feminist visual culture arguing that feminist art history of is a political as well as academic endeavour. Pollock expresses how images are key to the construction of sexual difference, both in visual culture and in broader societal experiences. Her argument places feminist theory at the centre of art history, proffering the idea that a feminist understanding of art history is an analysis of art history itself. This text remains key not only to understand feminine art historically but to grasp strategies for representation in the future and adding to its contemporary value.
Why do civilians suffer most during times of violent conflict? Why are civilian fatalities as much as eight times higher, calculated globally for current conflicts, than military fatalities? In Why They Die, Daniel Rothbart and Karina V. Korostelina address these questions through a systematic study of civilian devastation in violent conflicts. Pushing aside the simplistic definition of war as a guns-and-blood battle between two militant groups, the authors investigate the identity politics underlying conflicts of many types. During a conflict, all those on the opposite side are perceived as the enemy, with little distinction between soldiers and civilians. As a result, random atrocities and systematic violence against civilian populations become acceptable. Rothbart and Korostelina devote the first half of the book to case studies: deportation of the Crimean Tatars from the Ukraine, genocide in Rwanda, the Lebanon War, and the war in Iraq. With the second half, they present new methodological tools for understanding different types of violent conflict and discuss the implications of these tools for conflict resolution.
Rosie Royce is trying to live her best life. Really, she is. But it seems like life hasn't gotten the memo. It's been six years since childhood sweetheart Wes Preston jumped on a plane and never looked back, and Rosie spends most nights spooning her laptop. If she has to swipe on one more bloke posing with a sedated tiger, she'll scream. An impulse move to the idyllic country town of Mudgee is the fresh start Rosie needs, as she trades in her high-pressure marketing career for a laidback gig in local radio. Hell, she may even meet one of those dreamy farmers she's seen on TV. But the universe isn't done messing with Rosie just yet. Her new job comes with a handsome but infuriating co-host, Dr Markus Abrahams, while a school reunion brings Wes back into her orbit. When Rosie's work whisks her to vibrant, chaotic India - well and truly out of her comfort zone - a world of possibility opens up. Does 'never ever' really have to be forever? Or is Rosie finally ready to risk everything for a second shot at love? Praise for Never Ever Forever 'Chatty, charming and totally unique ... Never Ever Forever will leave you hungry for travel, adventure and BIG romance.' Clare Fletcher 'Never Ever Forever is utterly delicious. It's the perfectly brewed blend of emotional reality and soap operatic coincidence ... Simply could not put it down!' Jodi McAlister
This book explores the ways in which memory sites contribute to the dynamics of identity-based conflicts, fueling fears and sharpening divisions, or promoting commonalities and reducing violence. Through an analysis of the dynamics of identity-based conflicts, the book shows how memory sites become intertwined with the transformations of social boundaries and perceptions of relative deprivation, outgroup threat, collective axiology, and power relations. It posits that these two sets of factors – the functioning of collective memory as an ideological construct and the transformation of conflictual social relations – define the role and influence of memory sites in the dynamics of identity-based conflicts. Through multiple case studies representing different dynamics – dealing with fascist and communist pasts in Italy, post-colonial relations between South Korea and Japan, ethnic conflict in Kosovo, and tribal acknowledgment for Native American Nations – the book discusses how memory sites contribute to competition over ownership, fights for legitimacy, claims of entitlements, and negative portrayals of the Other. In doing so, it outlines four major functions of memory sites – enhancing, ascribing, interacting, and legitimizing – and shows how they contribute to and shape the structure and dynamics of conflict. Concentrating on the linkages between memory sites, violence prevention, and reconciliation, the book proposes solutions for promoting peace, including the focus on plurality of heritage, recognition of fluidity of meanings, and resistance to singular interpretations and manipulations by identity entrepreneurs. This volume will be of much interest to students of peace and conflict studies, memory studies, and International Relations in general.
Since 2009, CSR International has been identifying and summarising the best research on corporate sustainability, social responsibility and business ethics and sharing it through monthly Research Digests. Now, for the first time, CSR International are bringing together all of the research summaries since 2009 into three thematic volumes: on Governance, Environment, and Society. This Compendium will serve as an invaluable resource for academics, students, researchers and professionals around the world who share an interest and passion for social responsibility, sustainability, business ethics and corporate accountability. The first volume on Governance profiles over 450 research publications between 2009 and 2014 - including practitioner reports, market surveys and academic papers - from over 300 authors and more than 250 organisations. Specifically, it contains research abstracts on the following governance-related topic areas - Accountability, Transparency, Ethical Behaviour, Responsible Investment, Stakeholder Interests, Fair Operating Practices.
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