The brutal murder of a Swedish carpet dealer on a business trip to Turkey is the start of a story about an unknown daughter, an exclusive carpet and—as always when Karin Wahlberg writes—the everyday life and dreams of the people we meet in her stories.
The brutal murder of a Swedish carpet dealer on a business trip to Turkey is the start of a story about an unknown daughter, an exclusive carpet and—as always when Karin Wahlberg writes—the everyday life and dreams of the people we meet in her stories.
Implementing Continuity of Care in Breast Feeding emphasizes quality and continuity of care; management issues; and policies and procedures that support breastfeeding in the hospital setting whether in the inpatient maternity, NICU, or ambulatory care.
Meta-X is a user-friendly computer program that allows students, teachers, and researchers to perform a metapopulation viability analysis i.e. to assess the extinction risk of (meta)populations on discrete, partially isolated patches of habitat, in a comfortable way. The CD comes with an extensive handbook which explains the basic concept of the program and takes you on a guided tour through a model experiment. It further provides the necessary scientific background on both metapopulation dynamics and population viability analysis. A special feature of Meta-X is that it supports comparative analyses of alternative scenarios. This predestines Meta-X to serve as an aid for decision making in conservation management and landscape planning. Furthermore, handbook and software together provide an invaluable help in research and teaching.
A complete survey of the life and work of master designer Bruno Mathsson, whose archetypal Modernist chair is admired worldwide The sensuously undulant lines of Bruno Mathsson's furniture designs made him one of the leading figures of Swedish modernism in the 1930s. Chairs that adapted to their occupant with graceful natural curves became his trademark and have been in continuous production for more than fifty years. In his less familiar architectural work, Mathsson (1907-1988) applied the same principles of innovative comfortable living. Throughout his work the connections between design and ergonomics, aesthetics and innovative materials, energy saving and environmental concerns resonate for designers today. This book surveys Mathsson's output as an architect and designer as well as his relationships with American architects and designers including Frank Lloyd-Wright, Charles and Ray Eames, and Hans Knoll. Extensive illustrations include unpublished photographs of his Mathsson's work in situ.
In 'Karin Davie: Underworlds', the artist's first Canadian solo exhibition, her breakthrough 'In Out In out paintings of the 1990s were paired with new works from the 'Chinatownblues' series. In addition to these two bodies of work is a third: the artist's private performance photographs offer a key to the conceptual and aesthetic concerns that drive her painting practice and its compelling evocation of stamina, evasion, and voracious sensuality.
A Boston Globe Best Book of 2015 A Washington Post Notable Nonfiction Pick of 2015 Magisterial in scope, this dual biography examines two complex lives that began alike but ended on opposite sides of the century’s greatest conflict. Born at the dawn of the twentieth century, Leni Riefenstahl and Marlene Dietrich both came of age in Weimar Berlin, a time of great political ferment. Glamour and decadence thrived beside abject poverty, and the German capital’s outpouring of literature, fashion, and film marked it as the most vital European metropolis. As young women of this era, Dietrich and Riefenstahl lived so close to each other that Riefenstahl could see into Dietrich’s apartment from the roof of her building. Both women seized upon the revolutionary energy of the 1920s, seeking careers on the stage and in film. In 1929, filmmakers were casting what would become the iconic role of Lola-Lola (who made "Falling in Love Again" a sensation) in the groundbreaking sound film The Blue Angel. Riefenstahl—whose work in her "mountain films" had already made her a national emblem for the athletic rigor and spirited independence of the New Woman—hoped for the part but didn’t get it. Only a few years later she became the official filmmaker of the Third Reich. Dietrich, however, won the role and the adoration of millions when she moved to Hollywood and redefined the "vixen" for a new era. While Dietrich's slender and androgynous beauty made her a fashion icon whose influence can be seen to this day, Riefenstahl’s own iconography is no less indelible. With her work on two of the most notorious—if artistically sophisticated—propaganda films of all time—Triumph of the Will and Olympia—Riefenstahl was a progenitor of fascist symbolism. After the war she proclaimed her ignorance of Hitler’s motives, but she could never completely distance herself from her Nazi collaboration. Dietrich vehemently condemned Hitler during World War II and found a renewed sense of purpose touring with the USO, but as a result she could never comfortably return to her native Germany. Both women were "prodigies of will, discipline, endurance, self-reinvention, and exaltation of the body in all its muscular, androgynous, pose-striking pagan glory" (James Wolcott), and both had their grand passions, but neither abandoned ambition for the sake of love. As award-winning biographer Karin Wieland shows, in their later years, both women grappled with controlling their image—Riefenstahl by pursuing an additional career in photography, and Dietrich by eventually hiding at home as her famous beauty was ravaged by time. Skillfully juxtaposing these two fascinating lives, Wieland brings to vivid life a time of international upheaval, chronicling radical evolutions of politics, fame, and femininity on a grand stage. Examining the moral responsibility of the artist, Wieland poses questions as deeply relevant to our century as to the last. A magisterial portrait of two diverging but lasting images of the modern woman, Dietrich & Riefenstahl is "a superb" (Die Zeit) panorama of the twentieth century.
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