The Blood Sword Legacy Bound by a brotherhood forged in the hell of a Saracen prison, eight Blood Swords -- mercenary knights for William the Conqueror -- set out to claim their legacies the only way they can: by right of arms, by right of victory, by right of conquest. For Sir Rohan du Luc, known as the Black Sword, enemies fall easily beneath his assault...until he comes face-to-face with a foe more worthy than any battle-hardened knight. Bold and courageous though she is, Saxon maiden Isabel of Alethorpe cannot stop Rohan de Luc from seizing Alethorpe and its people in the name of William the Conqueror. Then Rohan demands not just the manor, but Isabel herself. She vows that her heart will remain her own, even if she is forced to allow him to lay claim to her body. But while the lady's lips say no, Isabel's traitorous body is awakened to desire by the seductive attentions of this potent invader. Can she remain true to her Saxon heritage and her hopes that her brother may have survived the battlefield, or will Sir Rohan's skilled touch capture her unwilling heart as surely as his prowess with his sword captured her father's lands?
Master of Craving, the third book in the Blood Sword Legacy series, is a sensual historical romance that takes readers into the world of medieval knights. Eight mercenary knights, each of them bound by unspeakable torture in a Saracen prison, each of them branded with the mark of the sword for life. Each of their destinies marked by a woman. It was whispered, but only by the bravest of souls, that each Blood Sword was destined to find only one woman who would bear him and only him sons, and until that one woman was found, he would battle and ravage the land. But the darkest secret whispered was that there was one among them whose violent craving for the one woman he could not have would be the spark that would set an entire region on fire, and nearly bring down a kingdom, with the aftermath to be felt for the next thousand years…
Wulfson of Trevelyn, trusted knight of William the Conqueror, has never met a man he could not master. But in the tempestuous young widow Tarian of Trent, known as the Lady Warrior, Wulf may finally have met his match. Ordered by the king to curb an armed dispute between Tarian and her dead husband's uncle, Wulf captures the lady but falls captive himself to her seductive dark beauty. To Lady Tarian's dismay, however, neither her fighting spirit nor her wiles are sufficient to bend Wulfson to her will. She vows she will not be the loser in their passionate battle, but her own desire for this overpowering stranger threatens her body, her life, and her very heart.
New York Times bestselling author Lee Child and the International Thriller Writers, Inc. present a collection of remarkable stories in First Thrills. From small-town crime stories to sweeping global conspiracies, this is a cross section of today's hottest thriller-writing talent. This original collection is now split into four e-book volumes, packed with murder, mystery, and mayhem! First Thrills: Volume 3 contains stories five original stories by: Jeffery Deaver Karin Slaughter Rebecca Cantrell Gregg Hurwitz Theo Gangi At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
The Blood Sword Legacy Bound by a brotherhood forged in the hell of a Saracen prison, eight Blood Swords -- mercenary knights for William the Conqueror -- set out to claim their legacies the only way they can: by right of arms, by right of victory, by right of conquest. For Sir Rohan du Luc, known as the Black Sword, enemies fall easily beneath his assault...until he comes face-to-face with a foe more worthy than any battle-hardened knight. Bold and courageous though she is, Saxon maiden Isabel of Alethorpe cannot stop Rohan de Luc from seizing Alethorpe and its people in the name of William the Conqueror. Then Rohan demands not just the manor, but Isabel herself. She vows that her heart will remain her own, even if she is forced to allow him to lay claim to her body. But while the lady's lips say no, Isabel's traitorous body is awakened to desire by the seductive attentions of this potent invader. Can she remain true to her Saxon heritage and her hopes that her brother may have survived the battlefield, or will Sir Rohan's skilled touch capture her unwilling heart as surely as his prowess with his sword captured her father's lands?
The start of the eighteenth century witnessed the elevation of Prussia to monarchic status, a reflection of the rising importance of the Hohenzollern dynasty within the Empire as well as in Central Europe. In tandem with this, Berlin came to the fore as the capital city of Brandenburg, with the establishment there of the royal court. This volume makes available for the first time a selection of the diverse printed and visual materials relating to these developments. In their introduction to the documents, the editors explore the historical, political and cultural context of the rise of the Hohenzollerns and the significance of the 1701 coronation of Friedrich III as King in Prussia. The materials provided in the original, as well as in English translation, are wide-ranging. Points of focus include the dynasty's cultivation of the arts and learning, its festive culture, the structure of the court and the nature of Friedrich's reign. Particular attention is given to the ceremonial procedure and festivities surrounding his coronation recorded by the court poet, Johann von Besser. This collection of materials acts as a commentary on Baroque kingship, revealing the manner in which the early eighteenth-century monarch wished to present himself to the outside world and enhance his legitimacy among European rulers. It also offers valuable insights into a key stage in the political and cultural history of Brandenburg-Prussia, the consequences of which exercised a crucial impact on the development of Germany and the history of Europe.
Master of Craving, the third book in the Blood Sword Legacy series, is a sensual historical romance that takes readers into the world of medieval knights. Eight mercenary knights, each of them bound by unspeakable torture in a Saracen prison, each of them branded with the mark of the sword for life. Each of their destinies marked by a woman. It was whispered, but only by the bravest of souls, that each Blood Sword was destined to find only one woman who would bear him and only him sons, and until that one woman was found, he would battle and ravage the land. But the darkest secret whispered was that there was one among them whose violent craving for the one woman he could not have would be the spark that would set an entire region on fire, and nearly bring down a kingdom, with the aftermath to be felt for the next thousand years…
This study provides an introduction to the neoclassical debates around how literature is shaped in concert with the thinking and feeling human mind. Three key rules of neoclassicism, namely, poetic justice (the rewards and punishments of characters in the plot), the unities (the coherence of the fictional world and its extensions through the imagination) and decorum (the inferential connections between characters and their likely actions), are reconsidered in light of social cognition, embodied cognition and probabilistic, predictive cognition. The meeting between neoclassical criticism and today's research psychology, neurology and philosophy of mind yields a new perspective for cognitive literary study. Neoclassicism has a crucial contribution to make to current debates around the role of literature in cultural and cognition. Literary critics writing at the time of the scientific revolution developed a perspective on literature the question of how literature engages minds and bodies as its central concern. A Prehistory of Cognitive Poetics traces the cognitive dimension of these critical debates in seventeenth- and eighteenth-century Britain and puts them into conversation with today's cognitive approaches to literature. Neoclassical theory is then connected to the praxis of eighteenth-century writers in a series of case studies that trace how these principles shaped the emerging narrative form of the novel. The continuing relevance of neoclassicism also shows itself in the rise of the novel, as A Prehistory of Cognitive Poetics illustrates through examples including Pamela, Tom Jones and the Gothic novel.
By browsing about 10 000 000 scientific articles of over 200 major journals mainly in a 'cover to cover approach' some 200 000 publications were selected. The extracted data is part of the following fundamental material research fields: crystal structures (S), phase diagrams (also called constitution) (C) and the comprehensive field of intrinsic physical properties (P). This work has been done systematically starting with the literature going back to 1900. The above mentioned research field codes (S, C, P) as well as the chemical systems investigated in each publication were included in the present work. The aim of the Inorganic Substances Bibliography is to provide researchers with a comprehensive compilation of all up to now published scientific publications on inorganic systems in only three handy volumes.
The first biography of an American master The Songs We Know Best, the first comprehensive biography of the early life of John Ashbery—the winner of nearly every major American literary award—reveals the unusual ways he drew on the details of his youth to populate the poems that made him one of the most original and unpredictable forces of the last century in arts and letters. Drawing on unpublished correspondence, juvenilia, and childhood diaries as well as more than one hundred hours of conversation with the poet, Karin Roffman offers an insightful portrayal of Ashbery during the twenty-eight years that led up to his stunning debut, Some Trees, chosen by W. H. Auden for the 1955 Yale Younger Poets Prize. Roffman shows how Ashbery’s poetry arose from his early lessons both on the family farm and in 1950s New York City—a bohemian existence that teemed with artistic fervor and radical innovations inspired by Dada and surrealism as well as lifelong friendships with painters and writers such as Frank O’Hara, Jane Freilicher, Nell Blaine, Kenneth Koch, James Schuyler, and Willem de Kooning. Ashbery has a reputation for being enigmatic and playfully elusive, but Roffman’s biography reveals his deft mining of his early life for the flint and tinder from which his provocative later poems grew, producing a body of work that he calls “the experience of experience,” an intertwining of life and art in extraordinarily intimate ways.
“You’re telling me to vow my eternal love to someone whose name I don’t even know?” Louise, a wholesome girl working in the entertainment capital of the world, Las Vegas, has found herself in a dire situation. She’s on the run from a mafioso after accidentally swallowing a diamond worth millions. If they catch her, it’s off to the chapel and then the operating table for her. But Louise refuses to become the bride of a criminal. Donning a wedding dress, she escapes her captor’s car and bumps into a man on his way back from a friend’s wedding. Without a moment to spare, the two make for the nearest chapel to hide from Louise’s pursuers!
This extensive work dedicated to the unique textile art of Bhutan is an impressive illustration of how closely art, spirituality, and life are interwoven in the last of the Buddhist kingdoms in the Himalayas. It gives new insight into Bhutanese cosmology, worldview, culture, and society, which is associated with a variety of historical, philosophical, religious, social, and artistic perspectives. The remote mountain location, low-key foreign policy, and basic principles of Buddhism has made it possible for Bhutan, the last of the Buddhist kingdoms in the Himalayas, to preserve a remarkable form of textile art that is interwoven with all aspects of life. Karin Altmann shows us Bhutan textiles in their diversity: they are clothes and everyday objects, currency and commodity, mark important events as gifts during life, and are testament to the social status of a person. But they are also an integral aspect of religious festivals, dances, and rituals that provide insight into the mystical and religious beliefs of the Bhutanese people, and reflect the concept of gender in Bhutanese society. The book also tells the story of a country that is searching for a sensitive balance between tradition and progress in a globalized world.
Wulfson of Trevelyn, trusted knight of William the Conqueror, has never met a man he could not master. But in the tempestuous young widow Tarian of Trent, known as the Lady Warrior, Wulf may finally have met his match. Ordered by the king to curb an armed dispute between Tarian and her dead husband's uncle, Wulf captures the lady but falls captive himself to her seductive dark beauty. To Lady Tarian's dismay, however, neither her fighting spirit nor her wiles are sufficient to bend Wulfson to her will. She vows she will not be the loser in their passionate battle, but her own desire for this overpowering stranger threatens her body, her life, and her very heart.
This book explores the relationship between Thomas Hardy’s works and Victorian media and technologies of communication – especially the penny post and the telegraph. Through its close analysis of letters, telegrams, and hand-delivered notes in Hardy’s novels, short stories, and poems, it ties together a wide range of subjects: technological and infrastructural developments; material culture; individual subjectivity and the construction of identity; the relationship between private experience and social conventions; and the new narrative possibilities suggested by modern modes of communication.
Who exactly is Jack Temple? He intruded into Dorothea’s father’s house to steal his map and forcibly dragged her on a search for the legendary Mandylion. Ever since she met Jack, her life has been full of surprises and challenges. Despite siding with her father, she cannot help but feel attracted to Jack. She wants to make peace with her father so she can be honest with her feelings, but Jack doesn’t want to break Dorothea’s heart by telling her that her father is not a true archaeologist but actually a scoundrel who plans to take advantage of her trust and sell the Mandylion!
The truck system was a global phenomenon in the period 1865-1920, where workers were paid through the company store. In Beyond Racism and Poverty Karin Lurvink looks at how this system functioned on plantations in Louisiana in comparison with peateries in the Netherlands. In the United States, the system is often viewed as a 'second slavery' and strongly associated with racism. In the Netherlands, however, not racism but poverty has been seen as the main reason for its continued existence. By using a variety of historical sources and by analyzing the perspectives of both employers and workers, Lurvink provides new insights into how the truck system worked and can be explained. She reveals how the system was not only coercive but had advantages for the workers as well, which should not be overlooked.
The book is an in-depth presentation of the European branch of semiotic theory, originating in the work of Ferdinand de Saussure. It has four parts: a historical introduction, the analysis of langue, narrative theory and communication theory. Part I briefly presents all the semiotic schools and their main points of reference. Although this material is accessible in many other Anglophone publications, the presentation is marked by specific choices aiming to display similarities and differences. The analysis of langue in Part II is also available in Anglophone bibliography, but the book presents Saussurean theory according to a new theoretical rationale and enriched with later developments. In addition, it is orientated so as to offer the foundation for the part that follows. Part III is a presentation of Greimasian narrative theory, well documented in Francophone bibliography but poorly represented in Anglophone publications. The presentation extends the theory in both a qualitative and a new quantitative direction, and includes a great number of examples and two extended textual analyses to help the reader understand and apply it. Part IV, communication theory, combines an extension of Greimasian sociosemiotics with other schools of thought. This original theoretical section discusses fourteen consecutive communication models, the synthesis of which results in a holistic, social semiotic theory of communication.
In Pursuit of Leviathan traces the American whaling industry from its rise in the 1840s to its precipitous fall at the end of the nineteenth century. Using detailed and comprehensive data that describe more than four thousand whaling voyages from New Bedford, Massachusetts, the leading nineteenth-century whaling port, the authors explore the market for whale products, crew quality and labor contracts, and whale biology and distribution, and assess the productivity of the American fleet. They then examine new whaling techniques developed at the end of the nineteenth century, such as modified clippers and harpoons, and the introduction of darting guns. Despite the common belief that the whaling industry declined due to a fall in whale stocks, the authors argue that the industry's collapse was related to changes in technology and market conditions. Providing a wealth of historical information, In Pursuit of Leviathan is a classic industry study that will provide intriguing reading for anyone interested in the history of whaling.
First published in 2000. Women's Anger brings together, in an integrated presentation of anger over the lifespan, theoretical understandings, clinical experiences, empirical research, and the lived experience of anger for women and girls. Women's Anger offers a combined focus of feminist and developmental perspectives on anger, the psychology of emotion, and applied theory. It also focuses on the adaptive and functional aspects of women's anger rather than on the traditional, psychopathology-based models. The reader will be introduced to several clinical illustrations from actual clients as well as to personal accounts of women and girls talking about their own perspectives on anger.
What if fairy-tale characters lived in New York City? What if a superhero knew he was a fictional character? What if you could dispense your own justice with one hundred untraceable bullets? These are the questions asked and answered in the course of the challenging storytelling in Fables, Tom Strong, and 100 Bullets, the three twenty-first-century comics series that Karin Kukkonen considers in depth in her exploration of how and why the storytelling in comics is more than merely entertaining. Applying a cognitive approach to reading comics in all their narrative richness and intricacy, Contemporary Comics Storytelling opens an intriguing perspective on how these works engage the legacy of postmodernism--its subversion, self-reflexivity, and moral contingency. Its three case studies trace how contemporary comics tie into deep traditions of visual and verbal storytelling, how they reevaluate their own status as fiction, and how the fictional minds of their characters generate complex ethical thought experiments. At a time when the medium is taken more and more seriously as intricate and compelling literary art, this book lays the groundwork for an analysis of the ways in which comics challenge and engage readers' minds. It brings together comics studies with narratology and literary criticism and, in so doing, provides a new set of tools for evaluating the graphic novel as an emergent literary form.
Love is played to win in this emotional, high-stakes hockey romance! From playboy… to father and husband? Hunter Torrance, former Demons hockey star, is back now as the team physiotherapist. And while team doctor Charlotte Michaels doesn’t believe he’s changed his playboy ways, the attraction between them is undeniable! Hunter has worked hard at becoming a father to little Alfie, his newly found son. With Charlotte’s help, he knows he can be though she guards her heart as fiercely as he does his. He’s sure they could be a family if only they can take the risk!
“It all began with the bite of a mosquito. Yes, with a bite of this pesky, but seemingly so innocuous little insect that had been sucking her blood. Not just one, but hundreds had punctured her arms and legs with red marks which later swelled to small welts. Who would ever have thought that our family's life would become derailed, that its tightly woven fabric would eventually fray and break—all from the bite of a mosquito?” In November of 1970, the Finell family’s lives were changed forever by a family vacation to Acapulco. Seven-year-old Stephanie fell ill soon after their return to the United States, but her mother, Karin, thinking it was an intestinal disorder, kept her home from school for a few days. She was completely unprepared when Stephanie went into violent convulsions on a Friday morning. Following a series of tests at the hospital, doctors concluded she had contracted viral equine encephalitis while in Mexico. After a string of massive seizures—one leading to cardiac arrest—Stephanie fell into a six-week coma. When she awoke, her world had changed from predictable and comforting to one where the ground was shaking. Due to the swelling of her brain from encephalitis, she suffered serious brain damage. Doctors saw little hope of recovery for Stephanie and encouraged her parents to place her in an institution, but they refused. In Broken Butterfly, Karin Finell recounts the struggles faced by both her and her daughter, as well as the small victories won over the ensuing years. Little was known about brain injuries during that time, and Karin was forced to improvise, relying on her instincts, to treat Stephanie. Despite the toll on the family—alcoholism, divorce, and estrangement—Karin never gave up hope for Stephanie’s recovery. By chance, Karin heard of the Marianne Frostig Center of Educational Therapy, where Dr. Frostig herself took over the “reprogramming” of Stephanie’s brain. This, in time, led her to regain her speech and some motor skills. Unfortunately, Stephanie’s intermittent seizures hung like the proverbial “Sword of Damocles” over their lives. And while Stephanie grew into a lovely young woman, her lack of judgment resulting from her injury led her into situations of great danger that required Karin to rescue her. Karin’s love for her daughter guided her to allow Stephanie to fill her life with as many positive experiences as possible. Stephanie learned and matured through travel and exposure to music and plays,acquiring a knowledge she could not learn from books. Stephanie wished above all to teach other brain injured individuals to never look down on themselves but to live their lives to the fullest. Through Stephanie’s story, her mother has found a way to share that optimism and her lessons with the world.
Women in Music: A Research and Information Guide is an annotated bibliography emerging from more than twenty-five years of feminist scholarship on music. This book testifies to the great variety of subjects and approaches represented in over two decades of published writings on women, their work, and the important roles that feminist outlooks have played in formerly male-oriented academic scholarship or journalistic musings on women and music.
This introduction to studying comics and graphic novels is a structured guide to a popular topic. It deploys new cognitive methods of textual analysis and features activities and exercises throughout. Deploys novel cognitive approaches to analyze the importance of psychological and physical aspects of reader experience Carefully structured to build a sequenced, rounded introduction to the subject Includes study activities, writing exercises, and essay topics throughout Dedicated chapters cover popular sub-genres such as autobiography and literary adaptation
Traces how the German middle class created a unique form of domestic culture that fused consumption with high culture in fashionable forms of entertainment. Entertainment, defined as occasions for creating pleasure, added an important dimension to the lifestyle and self-definition of the German middle class around the turn of the nineteenth century. Modern forms of culture and consumption appearing around this time not only enhanced pleasure in physical sensations but also enabled imaginary sensations in the absence of actual stimuli. Desiring, rather than having, became an important mode of cultural consumption, linking products and practices with self-image, serving to express social identity in an increasingly more anonymous society--a society where the modern freedom of choice brought with it a loss of tradition and the stability attached to it. Fabricating Pleasure traces the creation of this unique form of domestic culture, showing how the bourgeoisie of late-eighteenth- and early-nineteenth-century Germany fused consumption with high culture. Author Karin Wurst illuminates the sociohistorical context and the emergence of the modern middle class, its differentiation, and its conception of culture. In her thoughtful analysis, Wurst reconstructs the roles of Empfindsamkeit (sensibility) and the new love paradigm, examining the change in mentality they fostered through the reconceptualization of pleasure and entertainment. The book also discusses the relationship between print culture (using Bertuch's Journal des Luxus und der Moden as its prime example) and an increase in social mobility. From art and music to fashion and travel, Wurst places these popular forms of entertainment and pleasurable diversion in their social and historical contexts and also shows how they have remarkable bearing on present-day debates on cultural literacy.
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