Philosophy as Passion refutes the commonly held view of Simone de Beauvoir as no more than an acolyte of Jean-Paul Sartre. Karen Vintges delineates Beauvoir's independent, original ethics and philosophy, drawing on the moral-philosophical treatises of the 1940s and '50s, The Second Sex, The Mandarins, and her autobiographical works. Vintges shows that Beauvoir's unique notions added an ethical dimension to existentialist philosophy. Drawing on Foucault's concept of ethics as an "art of living," Vintges shows how Beauvoir developed an individual ethic as an intellectual woman. Philosophy as Passion illustrates how closely Beauvoir's life and work were intertwined--how she lived her philosophy and philosophized her life.
Philosophy as Passion refutes the commonly held view of Simone de Beauvoir as no more than an acolyte of Jean-Paul Sartre. Karen Vintges delineates Beauvoir's independent, original ethics and philosophy, drawing on the moral-philosophical treatises of the 1940s and '50s, The Second Sex, The Mandarins, and her autobiographical works. Vintges shows that Beauvoir's unique notions added an ethical dimension to existentialist philosophy. Drawing on Foucault's concept of ethics as an "art of living," Vintges shows how Beauvoir developed an individual ethic as an intellectual woman. Philosophy as Passion illustrates how closely Beauvoir's life and work were intertwined--how she lived her philosophy and philosophized her life.
Tracing her intellectual development from her university years, when she was trained in a Cartesian and neo-Kantian philosophical tradition, to her final decade, during which she was recognised as having inspired the emerging strands of late twentieth-century feminism, Beauvoir is shown to have been among the most influential philosophical voices of the mid twentieth century. Countering the recent trend to read her in isolation from Sartre, she is shown to have both adopted, adapted, and influenced his philosophy, most importantly through encouraging him to engage with Hegel and to consider our relations with others. The Second Sex is read in the light of her existentialist humanism and ultimately faulted for having succumbed too uncritically to the masculine myth that it is men who are solely responsible for society's intellectual and cultural history.
Karen F. Stein University of Rhode Island, Kingston, USA Rachel Carson is the twentieth century’s most significant environmentalist. Her books about the sea blend science and poetry as they invite readers to share her celebration of the ocean’s wonders. Silent Spring, her graphic and compelling exposé of the damage caused by the widespread aerial spraying of persistent organic pesticides such as DDT, opened our eyes to the interconnectedness of all living beings and the ecological systems we inhabit. Carson’s work challenges our belief that science and technology can control the natural world, asks us to recognize our place in the world around us, and inspires us to treat the earth respectfully. She calls us to rekindle our sense of wonder at nature’s power and beauty, and to tread lightly on the earth so that it will continue to sustain us and our descendants. This book guides readers on a journey through Carson’s life and work, considers Carson’s legacies, and points to some of the continuing challenges to sustainability. It provides a listing of resources for reading, learning, or teaching about the environment, about nature writing, and about Carson and the crucial issues she addressed.
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