In 1912, R. A. S. Macalister published reports on his PEF excavations at Tell Gezer in central Israel, including notice of having traced more than 1,400 meters (almost a full mile) of defense walls around the site. Now, a century later, a detailed reassessment of these fortifications is provided in the publication of Gezer VII: The Middle Bronze and Later Fortifications in Fields II, IV, and VIII, edited by Joe D. Seger and James W. Hardin. This volume features work at Gezer sponsored by Hebrew Union College and Harvard University between 1968 and 1974, reporting on excavations at Macalister’s “Southern Gate” (Field IV) and along his “Inner” and “Outer” wall systems both on the southern (Field II) and northern (Field VIII) flanks of the site. These excavations produced much new data, enabling a confident dating of the Southern Gate complex and the Inner Wall system to the latter part of the Middle Bronze period (1700–1500 B.C.E.) and of the Outer Wall to the Late Bronze II and subsequent Hellenistic eras. Among a rich array of cultural remains, intramural occupation of the Middle Bronze Age yielded a gold jewelry hoard and early evidence of alphabetic writing.
This seventh volume of final reports of the Lahav Research Project’s efforts at Tell Halif in Southern Israel focuses on the team’s excavations and related regional ethnographic research at adjacent Khirbet Khuweilifeh, an early twentieth-century settlement of Bedouin and Arab fellahin clients. These efforts illustrate the symbiosis between the itinerant Bedouin and their seasonal sharecropper neighbors along the northern flanks of the Negev desert during and following the First World War in southern Palestine. The stratigraphic excavation and recovery of material culture from Cave Complex A revealed a pattern of occupation dating from the late nineteenth century C.E. up to the mid-1940s and produced hundreds of artifacts and samples, giving testimony to the lifeways of the fellahin who had inhabited the complex. The associated ethnographic research with Bedouin sheikhs and Hebron-area merchant informants established that the Complex’s most recent occupants were the family of a plow maker named Khalil al-Kaayke. The studies elucidated in this volume articulate in more detail the family’s patterns of subsistence, showing the interdependence of the Bedouin and fellahin partners. Examination of the pottery remains provides a profile of the site’s Stratum I, early twentieth-century ceramic forms and also reveals earlier Islamic-period and pre-Islamic traces. Over the past century the lifeways of these early twentieth-century Bedouin and their fellahin village neighbors in southern Palestine have been rapidly disappearing. This volume serves to chronicle and preserve data on their waning history and culture.
Documents the Lahav Research Project's work at Tell Halif in Southern Israel, focusing on the team's excavations and related regional ethnographic research at adjacent Khirbet Khuweilifeh, an early twentieth-century settlement of Bedouin and Arab fellahin clients.
This seventh volume of final reports of the Lahav Research Project’s efforts at Tell Halif in Southern Israel focuses on the team’s excavations and related regional ethnographic research at adjacent Khirbet Khuweilifeh, an early twentieth-century settlement of Bedouin and Arab fellahin clients. These efforts illustrate the symbiosis between the itinerant Bedouin and their seasonal sharecropper neighbors along the northern flanks of the Negev desert during and following the First World War in southern Palestine. The stratigraphic excavation and recovery of material culture from Cave Complex A revealed a pattern of occupation dating from the late nineteenth century C.E. up to the mid-1940s and produced hundreds of artifacts and samples, giving testimony to the lifeways of the fellahin who had inhabited the complex. The associated ethnographic research with Bedouin sheikhs and Hebron-area merchant informants established that the Complex’s most recent occupants were the family of a plow maker named Khalil al-Kaayke. The studies elucidated in this volume articulate in more detail the family’s patterns of subsistence, showing the interdependence of the Bedouin and fellahin partners. Examination of the pottery remains provides a profile of the site’s Stratum I, early twentieth-century ceramic forms and also reveals earlier Islamic-period and pre-Islamic traces. Over the past century the lifeways of these early twentieth-century Bedouin and their fellahin village neighbors in southern Palestine have been rapidly disappearing. This volume serves to chronicle and preserve data on their waning history and culture.
Karen F. Stein University of Rhode Island, Kingston, USA Rachel Carson is the twentieth century’s most significant environmentalist. Her books about the sea blend science and poetry as they invite readers to share her celebration of the ocean’s wonders. Silent Spring, her graphic and compelling exposé of the damage caused by the widespread aerial spraying of persistent organic pesticides such as DDT, opened our eyes to the interconnectedness of all living beings and the ecological systems we inhabit. Carson’s work challenges our belief that science and technology can control the natural world, asks us to recognize our place in the world around us, and inspires us to treat the earth respectfully. She calls us to rekindle our sense of wonder at nature’s power and beauty, and to tread lightly on the earth so that it will continue to sustain us and our descendants. This book guides readers on a journey through Carson’s life and work, considers Carson’s legacies, and points to some of the continuing challenges to sustainability. It provides a listing of resources for reading, learning, or teaching about the environment, about nature writing, and about Carson and the crucial issues she addressed.
Go into the vault and get the big bills, John commanded. Lisa hesitated. Her eyes moved anxiously to the open vault door; its heavy hinges cast shadows that blended into the darkness of the interior. She said in a soft voice, I dont like the vault. It gives me nightmares. John laughed cruelly. Do you really expect me to believe youre a bank teller whos scared of bank vaults? Lisa nodded her head. John waved his gun at her. This is a robbery, and this gun is not a dream. Lisa Reilly, teller at First National Consumer Bank in Rhode Island, ballroom dancer, and hopeful romantic, is a dreamer. She experiences lucid dreams now and again, and she hopes to harness them, making the plots of her dreams bend to her will. She also has terrible nightmares of being stuck inside the vault at the bank and sometimes dreams of having a boyfriend too. Lisa never really thought shed be a victim in an actual armed robbery, but when she suddenly finds herself moving toward the vault, trying to survive a real-life bank robbery, her worst nightmares are realized. Will Lisa ever be able to have a lucid dream where she is in control? Will she be able to overcome her bank vault nightmares? Will she survive the real-life robbery? Find out as you travel through Lisas dreams and reality, crossing the bridge between the two worlds in Dr. Karen Petits exciting and romantic novel, Banking on Dreams.
This “lively” dual biography is “an enormously rich book, offering an absorbing portrait of the world of anarchists in turn-of-the-century America” (The New York Times Book Review). In 1889 two Russian immigrants, Emma Goldman and Alexander Berkman, met in a coffee shop on the Lower East Side. Over the next fifty years Emma and Sasha would be fast friends, fleeting lovers, and loyal comrades. This dual biography offers an unprecedented glimpse into their intertwined lives and the lasting influence of the anarchist movement they shaped. Berkman shocked the country in 1892 with “the first terrorist act in America,” the failed assassination of the industrialist Henry Clay Frick for his crimes against workers. Passionate and pitiless, gloomy yet gentle, Berkman remained Goldman’s closest confidant though the two were often separated—by his fourteen-year imprisonment and by Emma’s growing fame as a champion of causes from sexual liberation to freedom of speech. The blazing sun to Sasha’s morose moon, Emma became known as “the most dangerous woman in America.” Through an attempted prison breakout, multiple bombing plots, and a dramatic deportation from America, these two unrelenting activists insisted on the improbable ideal of a socially just, self-governing utopia, a vision that has shaped movements across the past century, most recently Occupy Wall Street. Sasha and Emma is the culminating work of acclaimed historian of anarchism Paul Avrich. Before his death, Avrich asked his daughter to complete his magnum opus. The resulting collaboration, epic in scope, intimate in detail, examines the possibilities and perils of political faith and protest, through a pair who both terrified and dazzled the world. “A narrative laced with irony details the remarkable reorientation of this pair after they were deported to a Soviet Russia they had lauded as a utopia but soon fled as a monstrous dystopia. A fully human portrait of two tightly linked yet forever fiercely independent spirits.” —Booklist (starred review) “An in-depth look at a lesser-known chapter of American and world history.” —Pittsburgh Post-Gazette
The Oxford Handbook of Organizational Climate and Culture presents the breadth of topics from Industrial and Organizational Psychology and Organizational Behavior through the lenses of organizational climate and culture. The Handbook reveals in great detail how in both research and practice climate and culture reciprocally influence each other. The details reveal the many practices that organizations use to acquire, develop, manage, motivate, lead, and treat employees both at home and in the multinational settings that characterize contemporary organizations. Chapter authors are both expert in their fields of research and also represent current climate and culture practice in five national and international companies (3M, McDonald's, the Mayo Clinic, PepsiCo and Tata). In addition, new approaches to the collection and analysis of climate and culture data are presented as well as new thinking about organizational change from an integrated climate and culture paradigm. No other compendium integrates climate and culture thinking like this Handbook does and no other compendium presents both an up-to-date review of the theory and research on the many facets of climate and culture as well as contemporary practice. The Handbook takes a climate and culture vantage point on micro approaches to human issues at work (recruitment and hiring, training and performance management, motivation and fairness) as well as organizational processes (teams, leadership, careers, communication), and it also explicates the fact that these are lodged within firms that function in larger national and international contexts.
In The Art of Adapting Victorian Literature, 1848-1920, Karen E. Laird alternates between readings of nineteenth-century stage and twentieth-century silent film adaptations to investigate the working practices of the first adapters of Victorian fiction. Laird’s juxtaposition between stage and screen brings to life the dynamic culture of literary adaptation as it developed throughout the long nineteenth-century. Focusing on Charlotte Brontë’s Jane Eyre, Charles Dickens’s David Copperfield, and Wilkie Collins’s The Woman in White, Laird demonstrates how adaptations performed the valuable cultural work of expanding the original novel’s readership across class and gender divides, exporting the English novel to America, and commemorating the novelists through adaptations that functioned as virtual literary tourism. Bridging the divide between literary criticism, film studies, and theatre history, Laird’s book reveals how the Victorian adapters set the stage for our contemporary film adaptation industry.
In The Art of Adapting Victorian Literature, 1848–1920, Karen E. Laird alternates between readings of nineteenth-century stage and twentieth-century silent film adaptations to demonstrate the working practices of the first adapters of Victorian fiction. Focusing on Charlotte Brontë’s Jane Eyre, Charles Dickens’s David Copperfield, and Wilkie Collins’s The Woman in White, Laird charts a new cultural history of literary adaptation as it developed throughout the long nineteenth-century.
NEW YORK TIMES BESTSELLER • The epic true crime story of the most successful bootlegger in American history and the murder that shocked the nation, from the New York Times bestselling author of Sin in the Second City and Liar, Temptress, Soldier, Spy “Gatsby-era noir at its best.”—Erik Larson An ID Book Club Selection • NAMED ONE OF THE TEN BEST HISTORY BOOKS OF THE YEAR BY SMITHSONIAN In the early days of Prohibition, long before Al Capone became a household name, a German immigrant named George Remus quits practicing law and starts trafficking whiskey. Within two years he's a multi-millionaire. The press calls him "King of the Bootleggers," writing breathless stories about the Gatsby-esque events he and his glamorous second wife, Imogene, host at their Cincinnati mansion, with party favors ranging from diamond jewelry for the men to brand-new cars for the women. By the summer of 1921, Remus owns 35 percent of all the liquor in the United States. Pioneering prosecutor Mabel Walker Willebrandt is determined to bring him down. Willebrandt's bosses at the Justice Department hired her right out of law school, assuming she'd pose no real threat to the cozy relationship they maintain with Remus. Eager to prove them wrong, she dispatches her best investigator, Franklin Dodge, to look into his empire. It's a decision with deadly consequences. With the fledgling FBI on the case, Remus is quickly imprisoned for violating the Volstead Act. Her husband behind bars, Imogene begins an affair with Dodge. Together, they plot to ruin Remus, sparking a bitter feud that soon reaches the highest levels of government--and that can only end in murder. Combining deep historical research with novelistic flair, The Ghosts of Eden Park is the unforgettable, stranger-than-fiction story of a rags-to-riches entrepreneur and a long-forgotten heroine, of the excesses and absurdities of the Jazz Age, and of the infinite human capacity to deceive. Praise for The Ghosts of Eden Park “An exhaustively researched, hugely entertaining work of popular history that . . . exhumes a colorful crew of once-celebrated characters and restores them to full-blooded life. . . . [Abbott’s] métier is narrative nonfiction and—as this vibrant, enormously readable book makes clear—she is one of the masters of the art.”—The Wall Street Journal “Satisfyingly sensational and thoroughly researched.”—The Columbus Dispatch “Absorbing . . . a Prohibition-era page-turner.”—Chicago Tribune
The first ever overview of women's contributions to the dawn of cinema looking at a variety of roles from writers and directors to film editors and critics. Why have women such as Alice Guy-Blache, the creator of narrative cinema, been written out of film history? Why have so many women working behind the scenes in film been rendered invisible and silent for so long? Silent Women, pioneers of cinema explores the incredible contribution of women at the dawn of cinema when, surprisingly, more women were employed across the board in the film industry than they are now. It also looks at how women helped to shape the content, style of acting and development of the movie business in their roles as actors, writers, editors, cinematographers, directors and producers. In addition, we describe how women engaged with and influenced the development of cinema in their roles as audience, critics, fans, reviewers, journalists and the arbiters of morality in films. And finally, we ask when the current discrimination and male domination of the industry will give way to allow more women access to the top jobs. In addition to its historical focus on women working in film during the silent film era, the term silent also refers to the silencing and eradication of the enormous contribution that women have made to the development of the motion picture industry. “The surprise of the essays collected here is their sheer volume in every corner of a business apparently better able to accommodate female talent then than now..” Danny Leigh, Financial Times, July 2016 “ It's a fascinating journey into the untold history of a largely lost era of film..” Greg Jameson, Entertainment Focus, March 2016 "This book shows how women's voices were heard and helped create the golden age of silent cinema, how those voices were almost eradicated by the male-dominated film industry, and perhaps points the way to an all-inclusive future for global cinema..” Paul Duncan, Film Historian “Inspirational and informative, Silent Women will challenge many people's ideas about the beginnings of film history. This fascinating book roams widely across the era and the diverse achievements and voices of women in the film industry. These are the stories of pioneers, trailblazers and collaborators - hugely enjoyable to read and vitally important to publish.” Pamela Hutchinson, Silent London “Every page begs the question - how on earth did these amazing women vanish from history in the first place? I defy anyone interested in cinema history not to find this valuable compendium a must-read. It's also a call to arms for more research into women's contribution and an affirmation of just how rewarding the detective work can be.” Laraine Porter, Co-Artistic Director of British Silent Film Festival “An authoritative and illuminating work, it also lends a pervasive voice to the argument that discrimination and not talent is the barrier to so few women occupying the most prominent roles within the industry." Jason Wood, Author and Visiting Professor at MMU “I was amazed to discover just how crucially they were involved from not just in front of the camera but in producing, directing, editing and much, much more. An essential read.” Neil McGlone. The Criterion Collection
The NIV Application Commentary helps you communicate and apply biblical text effectively in today's context. To bring the ancient messages of the Bible into today's world, each passage is treated in three sections: Original Meaning. Concise exegesis to help readers understand the original meaning of the biblical text in its historical, literary, and cultural context. Bridging Contexts. A bridge between the world of the Bible and the world of today, built by discerning what is timeless in the timely pages of the Bible. Contemporary Significance. This section identifies comparable situations to those faced in the Bible and explores relevant application of the biblical messages. The author alerts the readers of problems they may encounter when seeking to apply the passage and helps them think through the issues involved. This unique, award-winning commentary is the ideal resource for today's preachers, teachers, and serious students of the Bible, giving them the tools, ideas, and insights they need to communicate God's Word with the same powerful impact it had when it was first written.
SHIFT HAPPENS: A MEMOIR IN SHORT STORIES is a compilation of short, to-the-point essays that take a look at a courageous, creative, and irreverent life. From Karen White: "In most of my stories I find myself humbled and perplexed by the world and my experiences. At times those experiences have got the better of me. Sometimes, though, I've found myself encouraged by the surprises that life sent my way.
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