“The person pulled paper cash from the briefcase while spitting more words into D.C. Cat’s face and pushing Cat’s shoulders and fighting paws into the case, which was scratched by Cat’s claws.” Like some of the other poems in AMAZING HOLIDAY PAWS, “Political Scratches from D.C.’s Dreaming Cat on National Cat Day” includes an animal’s point of view: “Atop other tables stood people and cats; their noses shifted round while sniffing for rats.” D.C. Cat—while homeless, dreaming, and wanting change—has a name; Cat interacts with people who have no names. Many animal views are visible in AMAZING HOLIDAY PAWS. The different viewpoints include ferrets on New Year’s Day, a groundhog’s view of climate change, a cat adopting a cat, a spy dog in Washington D.C.’s International Spy Museum, bees working on Labor Day, pets receiving gifts, and pets being gifts. In some of the poems, people do have viewpoints and names. Many interactions between animals and people also happen. For example, in the poem “Gifts of Pets on a Birthday,” a dog and a cat are presented as gifts to twin children. The parents show their children how to integrate the pets with each other and with their new environment. AMAZING HOLIDAY PAWS has rhythms, rhymes, alliteration, metaphors, animal pictures, and photos taken in Washington, D.C. This book has maze poems, prayer poems, sonnets, narratives, and content about holidays, animals, and United States history. “Rainbows on Veterans Day” refers to Sergeant Stubby, and “An American Dream on Washington’s Birthday” references George Washington’s animals.
Paw Learning Mazes has maze poems, sonnets, and narrative poems with a lot of action and interaction between people and animals. Action also happens between animals and animals, as this stanza from the poem “Paws Learning in a Jungle” shows: “The mother was the first monkey to smell and to see the tiger that had been hiding in a different tree, but now was moving toward the mother’s only child that was too scared to run off into a jungle wild.” Different kinds of learning happen in Paw Learning Mazes, including writing, reading, financial literacy, STEM, visual, aural, historic, and multi-modal. People and animals can also learn within their dreams and from each other, as illustrated in “A Cat Learning How to Fly,” “Hissing for Free Space,” and “A Cat and a Dog Competing to Write Faster.” Team learning is seen in multiple poems, such as in “Team Learning for Ants.” Interaction between animals and people happens in “Learning with Birds in Roger Williams Park,” “A Dog Helping Her Owner to Read Fast,” “Pigeons Flying to Financial Literacy,” “Cats Grading Essays,” “A STEM Dream about an Egret,” and many other poems in this book. Paw Learning Mazes has thirty-four mazes, which are parts of eight maze poems. These mazes and eighteen pictures add to the multi-modal elements of this book’s poetry.
The left shoe angrily kicked the right shoe’s heel; it wanted to step into its space ideal instead of being forced to move sideways and switch its preplanned straight path into a maze. In the narrative poem “The Joys of Learning on Graduation Day,” two shoes have stage rage. Like these shoes, we may occasionally want only a single straight path. Most times, though, the mazes of our lives completely amaze us. Especially on a holiday or a celebration, we love having the freedom to choose our way amid diverse pathways. Holidays Amaze has different kinds of poetry: maze poems, prayer poems, shaped poems, sonnets, and narratives. The varied poems are enhanced by Christian content, historic elements, dream/reality sections, and amazing interactions among family members, friends, and animals. In Holidays Amaze, success often happens, such as with resolutions on New Year’s Day, an unblocked writer’s block, a reduction of anxiety, and a decrease in impatience while waiting in line. Multimodal elements add to the amazing content of Holidays Amaze. Images are visible in the mazes, photos, metaphors, formats, shapes, and icons. Aural components can be heard in the rhythms, rhymes, alliteration, and other sound elements.
One of the poems in PAW DREAM MAZES, “A Trasher Trashed,” has a kitten that was trashed and is dreaming a nightmare. This part of her dream is directly connected to her reality: The person who often did trash his cats had placed his face next to three thrashing rats, opened his mouth to scrunch his metal-like teeth, and scared the rats that were above and beneath. All the poems in PAW DREAM MAZES have dream/reality connections, animal content, rhymes, rhythms, alliteration, and metaphors. The dreamers include animals, people, and aliens from outer space. A few poems in this book reference COVID-19 experiences. PAW DREAM MAZES has sonnets, two prayer poems, narrative poems with a lot of action, ten pictures, and twenty-four mazes with content from five maze poems: “Mazes in Dreams,” “Dreams of Rescue,” “Cat Grammar,” “A Hungry Mouse in a Dream Maze,” and “Polydactyl Reality and Dreams.” Connections to our history are referenced in several poems: “Two Mayflower Dogs,” “A Banished Dog,” and “President Abraham Lincoln’s Pets.” Three poems have sci-fi content. “Tigurrrs of Space” has multiple alien tigurrrs that all love their own space and kidnap one of Earth’s tigers from a zoo. “Alien Bears in Pairs” has alien bears that interact with campers, police officers, a bear, and a dog. “Pawsing Time and Space” has aliens who visit the minds of dreaming animals and a senator on Earth.
Deep inside the common house, William Bradford coughed and wheezed. His face was as gray as the smoke from the fire. His right hand tried to roll a large barrel of gunpowder toward the door while his left hand pressed against the wall for support. Pieces of smoldering straw fell down from the roof, landing on him and the barrel. Thou art too sick to move that barrel. Let us help thee. Before, during, and after the 1620 voyage on the Mayflower, the Pilgrims experienced a common house fire, other challenges, and many accomplishments. Their journey is explored by Rose Hopkins when she travels backward in time and meets her ancestors through Mayflower Dreams. Within her reality and dreams, Rose finds that her modern life connects to Pilgrim history and culture. In her reality, Rose has problems living in the present. She is often late and is separated from her husband. She connects to her ancestors as she uses a sampler to look for a watch. Her journey includes visiting Pilgrim Hall Museum, Plymouth Rock, Plimoth Plantation, and the Mayflower II. In her dreams, Rose uses lucid dreaming techniques to create a dream story. She meets many Pilgrims, including John Robinson, the pastor of the Puritans. The Pilgrim history, lifestyle, dialogue, and dreams of religious freedom are realistically displayed within Roses dream story.
Youre banished! Its the twenty-first century. You cant banish me like Roger Williams was. Its our elevator. We can do what we want to! Fred reached into his pocket and took out a gun. When he pointed it upward toward Kate, she jumped away from the top of the shaking elevator and moved over to the ladder. As she gripped one of the rusty metal rungs, she felt a rush of wind behind her. The sounds of screaming voices and scraping metal fell downward with the elevator through the shaft. As the protagonist of Roger Williams in an Elevator, Kate Odyssey is a resident of Rhode Island and a descendant of Roger Williams. After she becomes trapped in a partially destroyed building, she helps people who are trapped inside of eight different elevators: yelling, accounting, liberty, watery, fiery, falling, sharing, and hidden. The different elevator communities create their own rules and freedoms. Events from these communities are connected to Roger Williamss seventeenth-century search for freedom. In her dreams and reality, Kate meets Roger Williams and his legacy. During her journey, she sees statues of Roger Williams and historic items in the Rhode Island State House. Photos of these attractions appear in Roger Williams in an Elevator.
Go into the vault and get the big bills, John commanded. Lisa hesitated. Her eyes moved anxiously to the open vault door; its heavy hinges cast shadows that blended into the darkness of the interior. She said in a soft voice, I dont like the vault. It gives me nightmares. John laughed cruelly. Do you really expect me to believe youre a bank teller whos scared of bank vaults? Lisa nodded her head. John waved his gun at her. This is a robbery, and this gun is not a dream. Lisa Reilly, teller at First National Consumer Bank in Rhode Island, ballroom dancer, and hopeful romantic, is a dreamer. She experiences lucid dreams now and again, and she hopes to harness them, making the plots of her dreams bend to her will. She also has terrible nightmares of being stuck inside the vault at the bank and sometimes dreams of having a boyfriend too. Lisa never really thought shed be a victim in an actual armed robbery, but when she suddenly finds herself moving toward the vault, trying to survive a real-life bank robbery, her worst nightmares are realized. Will Lisa ever be able to have a lucid dream where she is in control? Will she be able to overcome her bank vault nightmares? Will she survive the real-life robbery? Find out as you travel through Lisas dreams and reality, crossing the bridge between the two worlds in Dr. Karen Petits exciting and romantic novel, Banking on Dreams.
Now its my turn, Moe said. His index finger had the angry strength of steel even before he moved it onto the machine guns trigger. Heidis anxious hands became stronger as she clasped them together in prayer. When she opened her eyes, she stared briefly at the blood residue on Joes forearm. She then ran out of the store while yelling, You should catch me first. Im the one who gave those men their weapons. Heidi, a descendant of William Brewster and Gregory Dexter, is a new HIDE agent. When she becomes attached by a rope to a shooter, she sacrifices her own freedom in order to help others. During her journey, Heidi must sometimes run, hide, and fight. At other times, she stands her ground, becomes visible, and shares her faith and her love. Heidi occasionally remains quiet while sometimes speaking freely about her love for Kevin, her faith, and her ideas for dealing with shooters. Her hidden speech and free speech happen with words, body language, security glasses, and symbols. Unhidden Pilgrims connects free speech to religious freedom, dreams to reality, and the present to the past with action-filled scenes and pictures of historic items in Providence, Rhode Island, and Plymouth, Massachusetts.
Adventurous Ivy, part Chow and part Labrador retriever, and the other "Shandon's Ivy League" sleuths seeks to discover why the lodge at Foggy Bottom Lake is the target of mysterious happenings.
Adventurous Ivy, part Chow and part Labrador retriever, enlists the help of her animal friends to solve a rash of jewelry thefts in the neighborhood that appear to involve a mysterious screeching creature.
Adventurous Ivy, part Chow and part Labrador retriever, and the other "Shandon's Ivy League" sleuths try to solve the disappearance of a courageous racehorse.
Lady Louise travels to the North Pole where she discovers Mrs. Claus oversees the production of gifts for rescued pets. A last-minute order challenges Lady Louise to make a critical decision on what she can to do to help a rescued dog! The answer comes from her heart! Sweet story and full-color illustrations make this a captivating holiday book!
Petit gives readers the real, behind-the-scenes story of how an amazing dog named Ivy came into her life unexpectedly and inspired her to write the Shandon's Ivy League Mystery Series. The story will tug at readers' hearts and make them laugh and cheer for the crime-solving pets and for Ivy.
Lady Louise, Adventures in Paris" is the second in the series about a Standard Poodle from the Land of Poodle Loo who longs to travel the world. Paris is her first real adventure outside of Poodle Loo.
SHIFT HAPPENS: A MEMOIR IN SHORT STORIES is a compilation of short, to-the-point essays that take a look at a courageous, creative, and irreverent life. From Karen White: "In most of my stories I find myself humbled and perplexed by the world and my experiences. At times those experiences have got the better of me. Sometimes, though, I've found myself encouraged by the surprises that life sent my way.
Naturally, your little darlings need exposure to the finer things in life. Why wait? The formative years present a prime window of opportunity to give children the competitive advantage they will need for the days ahead. This Petit Connoisseur series debut provides your prodigy with the basics they need-MOMA, Dada, Dali-that will help them leap successfully from play date to gallery gala. Perfect artful gift for connoisseurs of any age. Stay tuned for FASHION!
Announcing the completely revised and updated edition of The Wine Bible, the perennial bestselling wine book praised as “The most informative and entertaining book I’ve ever seen on the subject” (Danny Meyer), “A guide that has all the answers” (Bobby Flay), “Astounding” (Thomas Keller), and “A magnificent masterpiece of wine writing” (Kevin Zraly). Like a lively course from an expert teacher, The Wine Bible grounds the reader deeply in the fundamentals while layering on informative asides, tips, amusing anecdotes, definitions, glossaries, photos (all new for this edition), maps, labels, and recommended bottles. Karen MacNeil’s information comes directly through primary research; for this second edition she has tasted more than 10,000 wines and visited dozens of wine regions around the world. New to the book are wines of China, Japan, Mexico, and Slovenia. And through it all the reader becomes ever more informed—and, because of the author’s unique voice, always entertained: “In great years Pétrus is ravishing, elegant, and rich—Ingrid Bergman in red satin.” Or, describing a Riesling: “A laser beam. A sheet of ice. A great crackling bolt of lightning.”
It’s America’s bestselling wine book, now fully revised, updated, and in color! Beloved and trusted by everyone, from newcomers starting their wine journey to oenophiles, sommeliers, restaurateurs, and industry insiders, The Wine Bible is comprehensive, entertaining, authoritative, beautifully written, and endlessly interesting. Page after page grounds the reader deeply in the fundamentals—vineyards and varietals, climate and terroir—while layering on passionate asides, tips, anecdotes, definitions, illustrations, maps, labels, and over 400 photographs in full-color. Plus this completely updated 3rd edition offers: New chapters on Great Britain, Croatia, Israel. A new section called In the Beginning… Wine in the Ancient World. New fully revised Great Wines section with recommended bottles to try for each country and region. Expanded chapters on France, Italy, Australia, South America, and the U.S. A deeper grape glossary including 400-plus varieties, and an expanded Mastering Wine Section incorporating latest science on taste and smell.
Grounded in a close reading of the records of Joan's trial and rehabilitation, on the early letters announcing her arrival at Chinon, and on three literary works; Christine de Pizan's Ditié, Martin le Franc's Le Champion des dames, and Alain Chartier's, Traité de l’Esperance, this controversial work argues that serious historians should accept that Joan was trained. It proposes that she was identified and taught how to behave in the expectation of the fulfillment of the Charlemagne Prophecy and other prophecies from the Joachite tradition. It explores the possibility that Christine de Pizan, who had been promoting these prophecies from the beginning of the century, had some hand in the process that resulted in Joan's appearance and demonstrates, at the very least, that there are many links connecting Christine de Pizan to the knights who fought with Joan.
In Culinary Artistry...Dornenburg and Page provide food and flavor pairings as a kind of steppingstone for the recipe-dependent cook...Their hope is that once you know the scales, you will be able to compose a symphony." --Molly O'Neil in The New York Times Magazine. For anyone who believes in the potential for artistry in the realm of food, Culinary Artistry is a must-read. This is the first book to examine the creative process of culinary composition as it explores the intersection of food, imagination, and taste. Through interviews with more than 30 of America's leading chefsa including Rick Bayless, Daniel Boulud, Gray Kunz, Jean-Louis Palladin, Jeremiah Tower, and Alice Watersa the authors reveal what defines "culinary artists," how and where they find their inspiration, and how they translate that vision to the plate. Through recipes and reminiscences, chefs discuss how they select and pair ingredients, and how flavors are combined into dishes, dishes into menus, and menus into bodies of work that eventually comprise their cuisines.
An English translation of The Book of Peace, written between 1412 and 1414 by Christine de Pizan, one of the earliest known women authors. Translated material is side by side with the original French text"--Provided by publisher.
This book and accompanying compact disc provide a rare excursion in the innovative ways a community of Haitian migrants to South Florida has maintained religious traditions and familial connections. It demonstrates how religion, ritual, and aesthetic practices affect lives on both sides of the Caribbean, and it debunks myths of exotic and primitive vodou (often spelled "voodoo"), which have long been used against Haitians. As Karen Richman shows, Haitians at home and in migrant settlements make ingenious use of audio and video tapes to extend the boundaries of their ritual spaces and to reinforce their moral and spiritual anchors to one another. The book and CD were produced in collaboration to give the reader intimate access to this new expressive media. Sacred songs are recorded on tapes and circulated among the communities. Migrants are able to hear not only the performance sounds--drumming, singing, and chatter--but also a description, as narrators tell of offerings, sacrifices, prayers, and the exchange of possessions. Spirits who inhabit the bodies of ritual actors are aware of the recording devices and personally address the absent migrants, sometimes warning them of their financial obligations to family members in Haiti. The migrants’ dependence on their home village is dramatically reinforced while their economic independence is restricted. Using standard ethnographic methods, Richman’s work illuminates the connections among social organization, power, production, ritual, and aesthetics. With its transnational perspective, it shows how labor migration has become one of Haiti’s chief economic exports. A volume in the series New World Diasporas, edited by Kevin A. Yelvington
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