EMPOWER YOURSELF! No one with lung cancer needs to be alone in their fight against this disease. 100 Questions & Answers About Lung Cancer, Second Edition enables patients and their families to seek out the best treatment possible for early detection of lung cancer. Providing both the doctor's and patient's point of view, this book is a complete guide to understanding treatment options, post-treatment quality of life, sources of support, and much more. Through 100 Questions & Answers About Lung Cancer, Second Edition, expert authors use their experiences with patients to provide support and hope to the tens of thousands of people coping with this disease.
An English translation of The Book of Peace, written between 1412 and 1414 by Christine de Pizan, one of the earliest known women authors. Translated material is side by side with the original French text"--Provided by publisher.
EMPOWER YOURSELF!No one with lung cancer needs to be alone in their fight against this disease. 100 Questions & Answers About Lung Cancer, Second Edition enables patients and their families to seek our the best treatment possible for early detection of lung cancer. Providing both the doctors and patients point of view, this book is a complete guide to understanding treatment options, post-treatment quality of life, sources of support, and much more. Through 100 Questions & Answers About Lung Cancer, Second Edition, expert authors use their experiences with patients to provide support and hope to the tens of thousands of people coping with this disease.
Karen Offen offers a magisterial reconstruction and analysis of the debates around relations between women and men, how they are constructed, and how they should be organized, that raged in France and its French-speaking neighbors from 1870 to 1920. The 'woman question' encompassed subjects from maternity and childbirth, and the upbringing and education of girls to marriage practices and property law, the organization of households, the distribution of work inside and outside the household, intimate sexual relations, religious beliefs and moral concerns, government-sanctioned prostitution, economic and political citizenship, and the politics of population growth. The book shows how the expansion of economic opportunities for women and the drop in the birth rate further exacerbated the debates over their status, roles, and possibilities. With the onset of the First World War, these debates were temporarily placed on hold, but they would be revived by 1916 and gain momentum during France's post-war recovery.
This book explores the development of Robert Lepage’s distinctive approach to stage direction in the early (1984-1994) and middle (1995-2008) stages of his career, arguing that globalisation had a defining effect on shaping his aesthetic and his professional trajectory. In addition to globalisation theory, the book draws on cinema studies, queer theory, and theories of affect and reception. Each of six chapters treats a particular aspect of globalisation, using this as a means to explore one or more of Lepage’s productions. Productions discussed include The Dragon’s Trilogy, Needles and Opium, and The Far Side of the Moon. Making theatre global: Robert Lepage’s original stage productions will be of interest to scholars of contemporary theatre, advanced-level undergraduates, and arts lovers keen for new perspectives on one of the most talked-about theatre artists of the early 21st century.
Generous and full of humour, the work of Laure Prouvost examines the relationships between language, image and perception, placing the visitors in situations of doubt and incomprehension, but also a wonder which is both intellectual and sensorial. These situations become immersive installations, inviting escapism, in a dialogue between films, sculptures, paintings, tapestries, performances. Her exhibition at the Palais de Tokyo, “Ring, Sing and Drink for Trespassing”, operates as an ode to diagonal lines, the transcending of limits and the joy of slipping over a fence to discover a wasteland or, a now-abandoned garden. Book Contents - “Little Bees Behind”: interview between Laure Prouvost and Daria de Beauvais. - “Laure Prouvost: Leaking Language”, by Karen Archey. - “Organs Without a Body”, by Emanuele Coccia. About the authors - Daria de Beauvais is a curator at the Palais de Tokyo. She curated Laure Prouvost’s solo show. - Karen Archey is Curator of Contemporary Art, Time-based Media at the Stedelijk Museum Amsterdam. - Emanuele Coccia is a lecturer at EHESS (Paris). He is the author of Sensible Life (2016), and Goods: Advertising, Urban Space and the Moral Law of the Image (2018). Forthcoming in English: The Life of Plants. A Metaphysics of Mixture. With Giorgio Agamben, he has edited an extensive anthology covering angels in Judaism, Christianity and Islam: Angeli. Giudaismo, Cristianesimo, Islam (2009). A book published on the occasion of Laure Prouvost's solo show at the Palais de Tokyo, 22.06 – 09.09.2018
Spectacular, scientific, and educational cultural practices were used to establish and define public identities in the British colonies of nineteenth-century Canada. In Visibly Canadian, Karen Stanworth argues that visual representations were the era's primary mode of expressing identity, and shows how the citizenry of Quebec and Ontario was - or was not - represented in the visual culture of the time. Through nine case studies, each representing key moments of identity formation and contestation, Stanworth investigates how a broad range of cultural phenomena, from fine arts to institutional histories to public spectacles, were used to order, resist, and articulate identities within specific social and economic contexts. The negotiation and planning underpinning civic culture are evident in rare moments of compromise such as the surprising proposal from the Saint-Jean-Baptiste Society to merge their annual parade with the celebration of Queen Victoria's Diamond Jubilee in 1897. Equally astounding is the scale of nineteenth-century public spectacles; reenactments of Victorian scenes of war often attracted crowds of upwards of 10,000 people. Illustrated with over fifty images, many unseen for over a century, Visibly Canadian establishes the extraordinary significance of artwork and public spectacles in cutting across language, religion, and class to tell stories of nationhood, belonging, and difference.
Narratives of Enlightenment is an interdisciplinary study of cosmopolitan approaches to the past. It reappraises the work of five of the most important narrative historians of the century - Voltaire, David Hume, William Robertson, Edward Gibbon and the historian of the American Revolution, David Ramsay - in the context of political and national debates in France, Scotland, England and America; and it investigates the nature and degree of their intellectual investment in the idea of a common European civilisation. Karen O'Brien combines the methodologies of literary criticism and intellectual history to explore debates about Enlightenments and the political uses of narrative. Where previous studies have emphasised the growth of nationalism in eighteenth-century literature, she reveals the development of cosmopolitan ways of thinking beyond national cultural issues.
Franco-German cultural exchange reached its height at the 1937 Paris World’s Fair, where the Third Reich worked to promote an illusion of friendship between the two countries. Through the prism of this decisive event, Grand Illusion examines the overlooked relationships among Nazi elites and French intellectuals. Their interaction, Karen Fiss argues, profoundly influenced cultural production and normalized aspects of fascist ideology in 1930s France, laying the groundwork for the country’s eventual collaboration with its German occupiers. Tracing related developments across fine arts, film, architecture, and mass pageantry, Fiss illuminates the role of National Socialist propaganda in the French decision to ignore Hitler’s war preparations and pursue an untenable policy of appeasement. France’s receptiveness toward Nazi culture, Fiss contends, was rooted in its troubled identity and deep-seated insecurities. With their government in crisis, French intellectuals from both the left and the right demanded a new national culture that could rival those of the totalitarian states. By examining how this cultural exchange shifted toward political collaboration, Grand Illusion casts new light on the power of art to influence history.
This critical work concentrates on the science fiction writings of Paul Linebarger, who wrote under the pseudonym Cordwainer Smith, as well as other pseudonyms he created to reflect his different writing styles. His writings give voice to concerns about humanity and personal struggle; his ideas about love, loss, alienation, and psychic pain continue to resonate today. This work begins with a brief biographical sketch of Cordwainer Smith, linking elements of his past to his writing and focusing on his contributions to science fiction as well as his concern with humanity. Also discussed are Smith's published and unpublished novel-length non-science fiction, his revision process, the true man-underpeople dichotomy in his published and unpublished short fiction, and his only published novel-length science fiction work Norstrilia.
He would sell his warrior soul to possess her. . . . An alluring laird... He was known throughout the kingdom as Hawk, legendary predator of the battlefield and the boudoir. No woman could refuse his touch, but no woman ever stirred his heart—until a vengeful fairy tumbled Adrienne de Simone out of modern-day Seattle and into medieval Scotland. Captive in a century not her own, entirely too bold, too outspoken, she was an irresistible challenge to the sixteenth-century rogue. Coerced into a marriage with Hawk, Adrienne vowed to keep him at arm's length—but his sweet seduction played havoc with her resolve. A prisoner in time... She had a perfect "no" on her perfect lips for the notorious laird, but Hawk swore she would whisper his name with desire, begging for the passion he longed to ignite within her. Not even the barriers of time and space would keep him from winning her love. Despite her uncertainty about following the promptings of her own passionate heart, Adrienne's reservations were no match for Hawk's determination to keep her by his side. . . .
Ever since the creation of the world's first botanical and zoological gardens five thousand years ago, people have collected, displayed, and depicted plants and animals from lands beyond their everyday experience. Some did so to demonstrate power over distant territories, others to enhance prestige by possessing something no one had seen before. Exotica also satisfied intellectual curiosity, furthered scientific research, and educated and entertained. In addition, exotica, especially their state-sponsored representation, were often instruments of political persuasion, and in turn exerted considerable influence over expansionist policies. More than an account of gardens and menageries from antiquity to the present, Strange and Wonderful explores the imagery of exotic flora and fauna in Western art, seeking answers to certain fundamental and universal questions. How do artists, schooled in traditional modes of rendering the familiar, deal with the new and strange? Why are rare species deliberately introduced into images otherwise devoid of the unusual? What is the pictorialized relationship between exotic reality and artistic imagination? Karen Polinger Foster takes readers on a journey across millennia and around the globe, telling fascinating stories and meeting along the way such characters as Hatshepsut's baboons, Charlemagne's elephant, Dürer's rhinoceros, and Victoria's hippopotamus. What emerges is a sense of just how strong and far-reaching the pull of the unknown and exotic has been across time and space. Ultimately, images of the wonderful reveal as much about the indigenous as they do about the strange, enabling us to glimpse more vividly the power of imagination to mold the unknown to its purposes. This dazzling and richly illustrated volume offers a thoughtful, much-needed inquiry into a very human phenomenon.
This is a revolutionary reinterpretation of the French past from the early fifteenth century to the establishment of the Third Republic, focused on public challenges and defenses of masculine hierarchy in relations between women and men. Karen Offen surveys heated exchanges around women's 'influence'; their exclusion from 'authority'; the increasing prominence of biomedical thinking and population issues; concerns about education, intellect, and the sexual politics of knowledge; and the politics of women's work. Initially, the majority of commentators were literate and influential men. However, as more and more women attained literacy, they too began to analyze their situation in print and to contest men's claims about who women were and should be, and what they should be restrained from doing, and why. As urban print culture exploded and revolutionary ideas of 'equality' fuelled women's claims for emancipation, this question resonated throughout francophone Europe and, ultimately, across the seas.
With her signature blend of sensual fantasy, thrilling adventure, and breathtaking magic, Karen Marie Moning—the #1 New York Times bestselling author of such novels as Shadowfever and Dreamfever—is the reigning queen of paranormal romance. Now in a convenient eBook bundle, here are the seven novels in her spellbinding Highlander series, featuring passionate love stories with a time-travel twist: Beyond the Highland Mist, To Tame a Highland Warrior, The Highlander’s Touch, Kiss of the Highlander, The Dark Highlander, The Immortal Highlander, and Spell of the Highlander. “Highly original . . . sensual, hard-to-put-down romance. Karen Marie Moning is destined to make her mark on the genre.”—Romantic Times, on Beyond the Highland Mist Beyond the Highland Mist He is known throughout medieval Scotland as Hawk. No woman could refuse his touch, but no woman ever stirred his heart—until Adrienne de Simone tumbles out of modern-day Seattle and into Hawk’s legendary bed. To Tame a Highland Warrior He was born to a clan of Highland warriors of supernatural strength, but Gavrael McIllioch abandoned his name to escape the dark fate of his ancestors. Yet even from afar, he watches over Jillian St. Clair. She is the only woman who can tame the beast within him—even as deadly enemies plot to destroy them both. The Highlander’s Touch A trick of fate has sent Lisa seven hundred years back in time and into Scottish warrior Circenn Brodie’s chamber to tempt him with an all-consuming desire. For this woman he burns to possess is also the woman he has foresworn to destroy. Kiss of the Highlander Enchanted by a powerful spell, Highland laird Drustan MacKeltar has slumbered for nearly five centuries, until an unlikely savior, Gwen Cassidy, awakens him. Bound to Drustan, Gwen is swept back to sixteenth-century Scotland where a warrior with the power to change history will defy time itself for the woman he loves. The Dark Highlander Dageus MacKeltar is a sixteenth-century Scot trapped between worlds, battling with the thirteen Druids who possess his soul. When Chloe Zanders is drawn into his world, she will face the challenge of a lifetime: fighting thirteen evil spirits for the heart of one irresistible man. The Immortal Highlander Adam Black is free to roam across time in pursuit of his insatiable desires, until a curse strips him of his immortality and makes him invisible. The only woman who can see him is Gabrielle O’Callaghan. It is the beginning of a long, dangerous seduction, the price of which could be their very lives. Spell of the Highlander Jessi St. James first sees the gorgeous man staring out at her from the glass of an ancient mirror. Heir to the arcane magic of his Druid ancestors, Cian MacKeltar was trapped centuries ago inside the Dark Glass, and now an enemy will stop at nothing to reclaim it. And Cian will stop at nothing to protect Jessi from a deadly fate. “[Moning’s] storytelling skills are impressive, her voice and pacing dynamic, and her plot as tight as a cask of good Scotch whisky.”—Contra Costa Times, on Kiss of the Highlander Includes a tantalizing excerpt from Karen Marie Moning’s beloved novella Into the Dreaming.
Social theories of modernity focus on the nineteenth century as the period when Western Europe was transformed by urbanization. Cities became thriving metropolitan centers as a result of economic, political, and social changes wrought by the industrial revolution. In Cultural Capitals, Karen Newman demonstrates that speculation and capital, the commodity, the crowd, traffic, and the street, often thought to be historically specific to nineteenth-century urban culture, were in fact already at work in early modern London and Paris. Newman challenges the notion of a rupture between premodern and modern societies and shows how London and Paris became cultural capitals. Drawing upon poetry, plays, and prose by writers such as Shakespeare, Scudéry, Boileau, and Donne, as well as popular materials including pamphlets, ballads, and broadsides, she examines the impact of rapid urbanization on cultural production. Newman shows how changing demographics and technological development altered these two emerging urban centers in which new forms of cultural capital were produced and new modes of sociability and representation were articulated. Cultural Capitals is a fascinating work of literary and cultural history that redefines our conception of when the modern city came to be and brings early modern London and Paris alive in all their splendor, squalor, and richness.
One of the first American colonies was New Netherland, established by the Dutch government of the Netherlands more than 160 years before the American Revolution. New Netherland encompassed all of New York, and parts of New Jersey, Connecticut, and Delaware. Early explorers charted land and waterways and claimed them for the Netherlands. They also discovered a profitable trade in furs with Native American tribes. Already successful in trade with Asia, the Dutch established the West India Company to invest in the trade opportunities in America. One of the first things they did was to encourage settlement in New Netherland. People from throughout Europe took advantage of settling in the new colony. According to one governor, Peter Stuyvesant, eighteen different languages were spoken in New Netherland. The Dutch and British had long disagreed about boundaries. These disagreements led to three Anglo-Dutch Wars. In the end, the British took control of New Netherland and renamed it New York. But the Dutch influence on the colony and its people continued.
Congressional ratings have fallen to single digits; citizens believe that Congress fails to do the things its members are publicly paid to do. What does Congress do for our dollars, and how has that changed in the last 50 years? What was the cost to taxpayers for Bill Clinton's impeachment hearings? What about the Benghazi investigation and efforts to obtain the votes required to repeal Obamacare while failing to consider Zika virus funding bills? What is the true cost of earmarks? Why do Congress members continue to get paid during government shutdowns? Congress's increasing use of continuing resolutions and agencies' almost semi-annual preparations for government shutdowns come at a significant cost. Combining extensive documentary research with interviews of current and former members and staffers, The Cost of Congress assesses not only how Congress spends tax dollars on its operations but also what Americans receive for those dollars. Kunz and Atsas assign dollar values, using federal data, to congressional practices and policies. They examine the costs of producing legislation, court challenges, and Supreme Court reversals. They also look at the costs of committee and special investigations, committee assignments, staffing and facilities, and such perks as the gym, meals, and franking. Readers-taxpayers from all walks of life-will come away with a comprehensive view of the costs of operating Congress.
Opera Acts explores a wealth of new historical material about singers in the late nineteenth century and challenges the idea that this was a period of decline for the opera singer. In detailed case studies of four figures - the late Verdi baritone Victor Maurel; Bizet's first Carmen, Célestine Galli-Marié; Massenet's muse of the 1880s and 1890s, Sibyl Sanderson; and the early Wagner star Jean de Reszke - Karen Henson argues that singers in the late nineteenth century continued to be important, but in ways that were not conventionally 'vocal'. Instead they enjoyed a freedom and creativity based on their ability to express text, act and communicate physically, and exploit the era's media. By these and other means, singers played a crucial role in the creation of opera up to the end of the nineteenth century.
Exploring the figure of the heretic in Catholic writings of the twelfth and thirteenth centuries as well as the heretic's characterological counterpart in troubadour lyrics, Arthurian romance, and comic tales, Truth and the Heretic seeks to understand why French and Occitan literature of the period celebrated the very characters who were so persecuted in society at large. Karen Sullivan proposes that such literature allowed medieval culture a means by which to express truths about heretics and the epistemological anxieties they aroused." "The first book-length study of the figure of the heretic in medieval French and Occitan literature, Truth and the Heretic will fascinate historians of ideas and literature as well as scholars of religion, critical theory, and philosophy."--
The curious paradox of romance is that, throughout its history, this genre has been dismissed as trivial and unintellectual, yet people have never ceased to flock to it with enthusiasm and even fervor. In contemporary contexts, we devour popular romance and fantasy novels like The Lord of the Rings, Harry Potter, and Game of Thrones, reference them in conversations, and create online communities to expound, passionately and intelligently, upon their characters and worlds. But romance is “unrealistic,” critics say, doing readers a disservice by not accurately representing human experiences. It is considered by some to be a distraction from real literature, a distraction from real life, and little more. Yet is it possible that romance is expressing a truth—and a truth unrecognized by realist genres? The Arthurian literature of the Middle Ages, Karen Sullivan argues, consistently ventriloquizes in its pages the criticisms that were being made of romance at the time, and implicitly defends itself against those criticisms. The Danger of Romance shows that the conviction that ordinary reality is the only reality is itself an assumption, and one that can blind those who hold it to the extraordinary phenomena that exist around them. It demonstrates that that which is rare, ephemeral, and inexplicable is no less real than that which is commonplace, long-lasting, and easily accounted for. If romance continues to appeal to audiences today, whether in its Arthurian prototype or in its more recent incarnations, it is because it confirms the perception—or even the hope—of a beauty and truth in the world that realist genres deny.
In 1991, a workshop was held to examine the data related to declines in Canadian amphibian populations and associated causes and, in particular, to develop a protocol to address the issue. Participants were invited to present reports on the current status of knowledge on amphibians in Canada, particularly species that appear to be threatened. Summaries of this information are presented in this report, along with the factors that may be contributing to fluctuations in amphibian populations. Methodologies and tribulations involved in accurately assessing amphibian population size and recruitment are given. A framework for environmental monitoring was presented and the data needed, both intensive and extensive, was discussed.
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