Book 3 of the Landers Saga An embittered priest. A hidden history of ancient magic, long suppressed. An ambitious noble family with too many secrets. And at the center of it all, a witch artist named Safire . . .
When Queen Jazmene of Sarneth assassinates her brother with the help of her lover Lord Toscar and the witch Undene, she hopes to gain control of her ancestral throne. However, the unexpected birth of an heir thwarts her plans . . . for the moment.When young witch artist Safire of Landers travels with her husband Merius to Sarneth, she no longer fears being burned at the stake. Unlike her homeland Cormalen, Sarneth allows witches to live and women to be artists. She revels in this newfound freedom, unaware that her ignorance of her own talents could prove fatal to those she loves. When Queen Jazmene takes an interest in Safire's sketches, it would seem to be an artist's dream come true. After all, who doesn't want a royal patron? But Jazmene is no ordinary patron, and Safire is no ordinary artist. Suddenly entangled in an intrigue of international proportions, Safire and Merius struggle to escape the web of deception before their situation becomes deadly . .
When a warlock steals an egg from a phoenix nest and brings it to the afterlife, he hopes to bargain his way out of Hell. However, the thief's wicked scheme doesn't work out quite as he plans, and the egg winds up in the possession of Hades, the ruler of the dead. Desperate to hatch the egg, Hades and his loyal servant Dante seek Zeus's advice. Chaos ensues . . . Above ground, Persephone dances with other maidens through a world that has never experienced winter. Her mother, Demeter, goddess of fertility, has kept it summer forever. One day, Persephone hears mysterious singing and whispers coming from a dark chasm in the forest. Her mother forbids her to investigate the strange matter further, but Persephone rebels and ends up in Hades's chariot. More chaos ensues . . . From instruction concerning the correct feeding of a phoenix chick to gods and spirits debating philosophy to the three-headed dog Cerberus chasing ghost cats, this re-imagining of an ancient myth will take readers on an adventure across the River Styx to explore the geography of the afterlife.
Broad in scope, yet precise in exposition, the Sixth Edition of this highly acclaimed ethics text has been infused with new insights and updated material. Richard Johannesen and new coauthors Kathleen Valde and Karen Whedbee provide a thorough, comprehensive overview of philosophical perspectives and communication contexts, pinpointing and explicating ethical issues unique to human communication. Chief among the authors objectives are to: provide classic and contemporary perspectives for making ethical judgments about human communication; sensitize communication participants to essential ethical issues in the human communication process; illuminate complexities and challenges involved in making evaluations of communication ethics; and offer ideas for becoming more discerning evaluators of others communication. Provocative questions and illustrative case studies stimulate reflexive thinking and aid readers in developing their own approach to communication ethics. A comprehensive list of resources spotlights books, scholarly articles, videos, and Web sites useful for further research or personal exploration.
Working with local private investigators Den McHart and Sylvia Price, Briar's Point Police Department Detective Orlando Bateman solves a missing person case. Keeya Nilsen, visually impaired from the plane crash that took her parents' lives, comes to him and has a justifiably bad attitude about love, since all the men she's ever loved have cheated on her and robbed her...including the last one, who absconded with her most prized possession--her grandfather's unpublished Blues compositions--when he flew the coop. As together they search for her last boyfriend and her missing legacy, Orlando reminds Keeya of the faith she'd had before the plane crash that changed her life and makes her see love as God intends.
In this beautifully-argued book, Karen Cristensen and Ingrid Guldvik provide a comparatively-based insight to the historical context for public care work and show how migration policies, general welfare and long-term care policies (including the cash-for-care schemes) as well as cultural differences in values in the UK and Norway set the context for how migrant care workers can realise their individual life projects. Through viewing migrants as individuals who actively construct their lives within the options and conditions they are given at any time, they bring to the discussion an awareness of what might be called ’a new type of migrant’ one who is neither a victim of the divide between the global north and the global south, nor someone leaving family behind, but individuals using care work as a part of their own life project of potential self-improvement.
Creating a Tween Collection shows librarians how to evaluate their current juvenile and teen collections; meet all tween needs for recreation, education, and life skills; and carve out space, market, budget, and justify the need for a tween collection.
Briar's Point is a whimsical little town with its fair share of colorful characters, crime, and a Cupid suffering from the denim blues... See if you can find denim blue in each story! Working with local private investigators Den McHart and Sylvia Price, Briar's Point Police Department Detective Orlando Bateman solves a missing person case. Keeya Nilsen, visually impaired from the plane crash that took her parents' lives, comes to him and has a justifiably bad attitude about love, since all the men she's ever loved have cheated on her and robbed her...including the last one, who absconded with her most prized possession-her grandfather's unpublished Blues compositions-when he flew the coop. As together they search for her last boyfriend and her missing legacy, Orlando reminds Keeya of the faith she'd had before the plane crash that changed her life and makes her see love as God intends.
Characters: Do your characters have no obvious signs of life, nothing that gives them unique personality, perspective, and passion? Plots: Are plots and conflicts created spur of the moment with no set up, build up, curiosity, or tension? Relationships: Are your characters merely going through the motions with each other? All of these and more are signs of dead or lifeless stories. The three core elements of story--Characters, Plots, and Relationships (CPR)--need to be developed three dimensionally. To truly be living, characters aren't simply existing and going through the motions. They possess fully developed external and internal conflicts. They're interacting in dynamic, realistic, and believable relationships. They have multidimensional character attributes that give them both vitality and voice. Finally, they're engaged in what makes life worthwhile with definable goals and motivations. This resource teaches writers how to identify dead or lifeless characters, plots, and relationships; establish proper setup; plant the seeds early with in-depth sketches; and pinpoint weak areas in CPR development. The only one-stop, everything-you-need-to-know 9-1-1 for deep, multifaceted Character, Plot, and Relationship development!
For the ten generations since the evil first came to Woodcutter's Grim, the Guardians have sworn an oath to protect the town from the childhood horrors that lurk in the black woods. Without them, the town would be defenseless...and the terrors would escape to the world at large. The son of shape-shifting goats, William Gruff escaped a dire fate when his family is bound to the evil pervading Woodcutter's Grim, the only shelter for supernatural creatures. Adaryn Azar, a legendary phoenix, changes his lonely life. But a happily-ever-after may be impossible when the hunter who's tracked her for centuries finds her again. Dying and resurrecting would mean forfeiting the life growing inside her. Unfathomably, Woodcutter's Grim may be the only safe place left.
Jessie Nelson has been telling herself she doesn't deserve or believe in second chances, especially when it comes to love...until her white rainbow appears in a corporate pirate who conquers her, heart and soul.
Live, Die, Buy, Eat. These words represent a chain of events which today is disconnected. In the past few years, controversies around meat have arisen around industrialization and globalization of meat production, often pivoting around health, environmental issues, and animal welfare. Although meat increasingly figures as a problem, most consumers’ knowledge of animal husbandry and meat production is more absent than ever. Tracing a historical process of alienation along three distinct axes, the authors show how the animal origin of meat is covered up, rationalized, forgotten, excused, neglected, and denied. How is meat produced today, and where? How do we consume meat, and how have our consumption habits changed? Why have these changes occurred, and what are the social and cultural consequences of these changes? Using Norway as a case study, this book examines the dramatic changes in meat production and consumption over the last 150 years. With a wide range of historical sources, together with interviews and observation at farms, slaughterhouses, and production units, as well as analyses of contemporary texts and digital sources, Live, Die, Buy, Eat explores the transformation of animal husbandry, meat production and consumption, together with its cultural consequences. It will appeal to scholars of anthropology, sociology, cultural studies, geography, and history with an interest in food, agriculture, environment, and culture.
Rich and superficial, Apple Wooten knows best that she's wasted her life, in and out of rehab, betraying those she considers friends, and never forming attachments with anyone but her unhealthily cloistered family. When her brother shocks all of them by announcing he's leaving the Wooten Law Firm in New York City and moving to Amethyst, Wisconsin, a mere blip on the map, to marry a small town girl, Apple is prodded by her mother to rush in and talk sense into him. Though it's the last thing she wants to do considering she's just been released from another rehabilitation she doesn't expect to stick and Amethyst is the hometown of a friend she all but destroyed with her selfishness, she nevertheless sees no way to avoid her mother's bidding. She'd never been able to refuse her parents anything--and not simply because they control the purse strings. The one person in Amethyst who will give her the time of day is Bailey "Bay" Johnson, who also went into the family business. The Johnsons own a slew of resort cabins on Lake Amethyst and, during the tourist season, they do brisk, bustling business. Apple had met Bailey years ago, the first time she ever came to Amethyst, when she'd ordered him around and all but made him her servant. Bailey didn't seem bothered by her cruel teasing then, just as he doesn't seem to be affected by her humbled, fumbling attempts at kindness now. As the youngest of nine siblings in a close-knit family, Bailey has learned that acceptance is far easier than fighting. Unfortunately, a bad experience with love when he was young also taught him that folding is preferable to holding because reaching for forbidden fruit like the treacherous, beautiful disaster, and--recently--child-like and fragile Apple Wooten could be the worst mistake he's ever made.
Dangerousness, Risk and the Governance of Serious Sexual and Violent Offenders is a fully up-to-date, comprehensive and user-friendly guide on those offenders who are often assessed as being dangerous. Outlining, evaluating and commenting on specific methods, regimes and strategies for dealing with dangerous offenders throughout each chapter, this book begins by considering what a dangerous offender is and providing a brief historical account of how the label has been used for different types of offender over the last three or four centuries. The book examines sentencing policy in addition to early and current dangerousness legislation, evaluating the available sentences specifically designed for dangerous offenders and assessing their use and appropriateness. The role of risk and risk assessment tools is discussed, considering what risk assessment is, the way in which it works and how over recent times it has become more reliable and valid. It looks at the practical realities of how serious sexual and violent offenders are dealt with by the penal system in England and Wales. Finally, specific offender groups are considered, including female offenders, children and young people and mentally disordered offenders. Each chapter considers whether there are any differences in terms of policy, assessment and management strategies when sentencing and managing each distinct group; and if not whether any such modifications are required. This book will be key reading for students of law, criminology, social policy, psychology and sociology and of interest to criminal justice professionals including the police, prison officers, probation officers, psychologists, lawyers and judges.
The Routledge Handbook of Social Care Work Around the World provides both a comprehensive and authoritative state-of-the-art review of the current research in this subject. It is the first handbook to cover social care work research from around the world, including both low- and middle-income countries as well as high income countries. Each of the 22 chapters are written by experts on long-term care services, particularly for older people and cover key issues and debates, based on research evidence, on social care work in a specific country. They look at perspectives of social care work from the macro level: the structural conditions for long-term care, including demographic challenges and the long-term care policy, the meso level: the level of provider organizations and intermediaries, and the micro level: views of care workers, care users, and unpaid informal carers. Furthermore, they discuss a number of topics central to discussions of care work including marketization, personalization policies, policy implementation under austerity, the provision of social care work whether through public services, or private arrangements, or mixed types, funding, the feminization of social care and the new role that technology, and robots can play in care work. By drawing together leading scholars from around the world, this book provides an up to the minute snapshot of current scholarship as well as signposting several fruitful avenues for future research. This book is both an invaluable resource for scholars and an indispensable teaching tool for use in the classroom and will be of interest to students, academics, social workers, social policy-makers and human service professionals.
For the ten generations since the evil first came to Woodcutter's Grim, the Guardians have sworn an oath to protect the town from the childhood horrors that lurk in the black woods. Without them, the town would be defenseless...and the terrors would escape to the world at large. Very loosely based on "Metamorphoses: The Story of Pygmalion and the Statue" by Ovid. Cheyenne Welsh can't forget her past and the disappearance of her younger sister. When she returns to Woodcutter's Grim to sell the family property she grew up on, she's confronted with all the nightmare-realities of her childhood, still alive and well, still right where she left them--down in the darkness the Deep dwells inside. Her home...
ABOUT THE BOOK In 1984, a young pop musician with a few hits under her belt gave an energetic performance on Dick Clark’s American Bandstand. After the performance, Dick Clark asked of the young woman: "What do you hope will happen, not only in 1984 but for the rest of your professional life? What are your dreams? What's left?” Without missing a beat, Madonna replied that she wanted "to rule the world." Twenty-eight years after her bold response, Madonna’s accomplishments and popularity demonstrate that, in a way, this proclamation proved prophetic. Madonna is undoubtedly an international celebrity. Thanks to the spread of MTV and the Internet, Madonna’s music has become a fixture in the lives of people as far away as Zimbabwe. She has achieved a level of fame that causes her to be known by people across the world, regardless of culture, age, or sex. Even those who don’t listen to music know who Madonna is. Right from the start, Madonna seemed to have a plan on how to dominate the world. She wasn’t just satisfied with having a successful music career. Right after her first two albums, both of which were blockbuster albums that produced numerous hit singles such as “Like a Virgin,” “Holiday,” and “Material Girl,” she dabbled in movies and became a movie star. With her messy chic style that was mimicked by girls everywhere, she also became a fashion icon. Her presence and influence was so great in the 1980s that her style and music has come to characterise the decade. As time went on, the world saw that Madonna wasn’t just some entertainer who loved to shock people. Of course, she did a great job of that over the years, by doing things such as wearing scanty clothing while draped in crucifix necklaces, kissing other women, and releasing a soft porn coffee table book. But perhaps the real reason why she hasn’t disappeared yet is because Madonna is extremely smart and shrewd. Her accomplishments in the music industry alone include selling more than 300 million records worldwide, ranking as the world’s top-selling female recording artist and top solo artist, several sold-out tours, and multiple Grammy awards. This hardly scratches the surface of what she’s done with her life. By reinventing herself over and over again and diversifying her talents, she had managed to keep herself relevant and exciting. Not only is she a singer and actress, she’s also a movie producer, songwriter, author, philanthropist, and business entrepreneur. She is one of those rare people who have become a part of American culture itself. EXCERPT FROM THE BOOK So after struggling for several years in New York City, Madonna finally hit it big in the early ‘80s. Her first album, the self-titled Madonna, featured several Billboard top hits, including “Holiday,” “Borderline,” and “Lucky Star.” At MTV’s very first Video Music Awards, she performed her new song “Like a Virgin” to promote her upcoming album of the same name. Performing on top of a giant wedding cake and writhing around on the floor while dressed in a wedding dress fitted with a bustier, she became a national sensation. She also caused parental and religious outrage, who thought her blatant displays of sexuality rather offensive. Like a Virgin demonstrated that Madonna wasn’t just a one album wonder. It took the number one spot on the album charts for three weeks straight. Seven million copies of the album were sold worldwide by May 1985. Her music video for “Material Girl,” inspired by Marilyn Monroe’s “Diamonds Are a Girl’s Best Friend” song routine from the movie Gentlemen Prefer Blondes, showed that Madonna could do the glamorous look as well just as good as any other celebrity.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.