British explorer and professional travel writer Isabella Bird is, to the modern eye, a study in contradictions. One of the premier mountaineers and world explorers of her generation, she was, in 1892, the first woman elected to London’s Royal Geographic Society. And yet Bird’s books on her travels are filled with depictions of herself and other women that reinforce the “properly feminine” domestic and behavioral codes of her day. In this fascinating and highly original collection of essays, Karen Morin explores the self-expression of travel writers like Bird by giving geographic context to their work. With a rare degree of clarity the author examines relationships among nineteenth-century American expansionism, discourses about gender, and writings of women who traveled and lived in the American West in the late nineteenth century—British travelers, American journalists, a Native American tribal leader, and female naturalists. Drawing from a rich diversity of primary sources, from published travelogues and unpublished archival sources such as letters and diaries to newspaper reportage, Morin considers ways in which women’s writing was influenced by the material circumstances of travel in addition to the various social norms that circumscribed female roles. Ranging in scale from the interior of train cars and the homes of these women to the colonial projects of conquering the American West, the author illustrates how geography was fundamental to the formation of women’s identity and greatly influenced the gendered and colonialist language found in their writing.
Carceral Space, Prisoners and Animals explores resonances across human and nonhuman carceral geographies. The work proposes an analysis of the carceral from a broader vantage point than has yet been done, developing a ‘trans-species carceral geography’ that includes spaces of nonhuman captivity, confinement, and enclosure alongside that of the human. The linkages across prisoner and animal carcerality that are placed into conversation draw from a number of institutional domains, based on their form, operation, and effect. These include: the prison death row/ execution chamber and the animal slaughterhouse; sites of laboratory testing of pharmaceutical and other products on incarcerated humans and captive animals; sites of exploited prisoner and animal labor; and the prison solitary confinement cell and the zoo cage. The relationships to which I draw attention across these sites are at once structural, operational, technological, legal, and experiential / embodied. The forms of violence that span species boundaries at these sites are all a part of ordinary, everyday, industrialized violence in the United States and elsewhere, and thus this ‘carceral comparison’ amongst them is appropriate and timely.
The American Geographical Society was the pre-eminent geographical society in the nineteenth-century U.S. This book explores how geographical knowledge and practices took shape as a civic enterprise, under the leadership of Charles P. Daly, AGS president for 35 years (1864-1899). The ideals and programmatic interests of the AGS link to broad institutional, societal, and spatial contexts that drove interest in geography itself in the post-Civil War period, and also link to Charles Daly's personal role as New York civic leader, scholar, revered New York judge, and especially, popularizer of geography. Daly's leadership in a number of civic and social reform causes resonated closely with his work as geographer, such as his influence in tenement housing and street sanitation reform in New York City. Others of his projects served commercial interests, including in American railroad development and colonization of the African Congo. Daly was also New York's most influential access point to the Arctic in the latter nineteenth century. Through telling the story of the nineteenth-century AGS and Charles Daly, this book provides a critical appraisal of the role of particular actors, institutions, and practices involved in the development and promotion of geography in the mid-nineteenth century U.S. that is long overdue.
Carceral Space, Prisoners and Animals explores resonances across human and nonhuman carceral geographies. The work proposes an analysis of the carceral from a broader vantage point than has yet been done, developing a ‘trans-species carceral geography’ that includes spaces of nonhuman captivity, confinement, and enclosure alongside that of the human. The linkages across prisoner and animal carcerality that are placed into conversation draw from a number of institutional domains, based on their form, operation, and effect. These include: the prison death row/ execution chamber and the animal slaughterhouse; sites of laboratory testing of pharmaceutical and other products on incarcerated humans and captive animals; sites of exploited prisoner and animal labor; and the prison solitary confinement cell and the zoo cage. The relationships to which I draw attention across these sites are at once structural, operational, technological, legal, and experiential / embodied. The forms of violence that span species boundaries at these sites are all a part of ordinary, everyday, industrialized violence in the United States and elsewhere, and thus this ‘carceral comparison’ amongst them is appropriate and timely.
British explorer and professional travel writer Isabella Bird is, to the modern eye, a study in contradictions. One of the premier mountaineers and world explorers of her generation, she was, in 1892, the first woman elected to London’s Royal Geographic Society. And yet Bird’s books on her travels are filled with depictions of herself and other women that reinforce the “properly feminine” domestic and behavioral codes of her day. In this fascinating and highly original collection of essays, Karen Morin explores the self-expression of travel writers like Bird by giving geographic context to their work. With a rare degree of clarity the author examines relationships among nineteenth-century American expansionism, discourses about gender, and writings of women who traveled and lived in the American West in the late nineteenth century—British travelers, American journalists, a Native American tribal leader, and female naturalists. Drawing from a rich diversity of primary sources, from published travelogues and unpublished archival sources such as letters and diaries to newspaper reportage, Morin considers ways in which women’s writing was influenced by the material circumstances of travel in addition to the various social norms that circumscribed female roles. Ranging in scale from the interior of train cars and the homes of these women to the colonial projects of conquering the American West, the author illustrates how geography was fundamental to the formation of women’s identity and greatly influenced the gendered and colonialist language found in their writing.
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