This book is an accessible overview of biographical fiction films of women and is structured around four of the most popular subjects of female biopics: queens and political figures; entertainers; writers; and subjects of current affairs. While the biopic is commonly accepted as a deeply conservative cinematic form that represents glorification of the past and of the self-made individual, a number of biopics of women challenge all of these characterizations. They show the genre to be much more complicated and challenging to regressive ideas than has been proposed, and open to different formats and thematic possibilities. Providing an overview of key subgenres complemented by analyses of key texts that illustrate major aspects of each category, Biopics of Women examines the development of biographical films in each area and the images of successful women they project in order to investigate the issues involved in women’s representation in the genre as a whole. This is a lively and readable text for students and scholars in Gender and Film, Gender and Media, and Women’s Studies.
The Actress: Hollywood Acting and the Female Star investigates the contemporary film actress both as an artist and as an ideological construct. Divided into two sections, The Actress first examines the major issues in studying film acting, stardom, and the Hollywood actress. Combining theories of screen acting and of film stardom, The Actress presents a synthesis of methodologies and offers the student and scholar a new approach to these two subjects of study.
From Desperately Seeking Susan, Steel Magnolias, and Thelma & Louise to Desert Hearts, Girl Friends, and Passion Fish, mainstream cinema has seen a wave of films focusing on friendships between women. In tire Company of Women is the first critical work to investigate the recent resurgence of this variety of the "woman's film". Examining the female friendship film since the 1970s and setting it against older films of the 1930s and 1940s, such as Mildred Pierce and Stella Dallas, Karen Hollinger studies the character of the films themselves and how they speak to female viewers. She argues that while many of these films initially seem to affirm the power of female friendship and reject traditional images of women, most of them ultimately fall back on conventional feminine roles. Hollinger argues that the female friendship film, by attempting to assimilate into the mainstream, uses ideas from the women's movement, like female autonomy and sisterhood, that are particularly susceptible to compromise. It is this blend of empowering and conservative elements that makes the female friendship film neither a true challenge to the status quo nor a mere confirmation of dominant ideology but rather a multifaceted cinematic form that reflects both of these strains. Hollinger considers all of the major issues in feminist film criticism -- from audience reception to the identification with characters, from sexuality to racial identity. Engaging and provocative, In the Company of Women is an entertaining and enlightening account of one of contemporary cinema's most vital genres.
Feminist Film Studies is a readable, yet comprehensive textbook for introductory classes in feminist film theory and criticism. Karen Hollinger provides an accessible overview of women’s representation and involvement in film, complemented by analyses of key texts that illustrate major topics in the field. Key areas include: a brief history of the development of feminist film theory the theorization of the male gaze and the female spectator women in genre films and literary adaptations the female biopic feminism and avant-garde and documentary film women as auteurs lesbian representation women in Third Cinema. Each chapter includes a "Films in Focus" section, which analyzes key texts related to the chapter’s major topic, including examples from classical Hollywood, world cinema, and the contemporary period. This book provides students in both film and gender/women’s studies with a clear introduction to the field of feminist film theory and criticism.
The Actress: Hollywood Acting and the Female Star investigates the contemporary film actress both as an artist and as an ideological construct. Divided into two sections, The Actress first examines the major issues in studying film acting, stardom, and the Hollywood actress. Combining theories of screen acting and of film stardom, The Actress presents a synthesis of methodologies and offers the student and scholar a new approach to these two subjects of study.
Do not rely on people. it's great when encouraging but what happens when they flake out? Adversity builds INSTINCTS and whether social muscle or brain power, hard circumstances creates genius. Stronger, more capable of handling extreme upsets, surviving what comes at them--these are the champions. Promotion not from people, it comes from the Lord--this releases any need to suckup to the mob. The less you depend on people, the greater the anointing on your life. Cover design by Karen Kellock, Inside page by Blaze Goldburst
Karen F. Stein University of Rhode Island, Kingston, USA Rachel Carson is the twentieth century’s most significant environmentalist. Her books about the sea blend science and poetry as they invite readers to share her celebration of the ocean’s wonders. Silent Spring, her graphic and compelling exposé of the damage caused by the widespread aerial spraying of persistent organic pesticides such as DDT, opened our eyes to the interconnectedness of all living beings and the ecological systems we inhabit. Carson’s work challenges our belief that science and technology can control the natural world, asks us to recognize our place in the world around us, and inspires us to treat the earth respectfully. She calls us to rekindle our sense of wonder at nature’s power and beauty, and to tread lightly on the earth so that it will continue to sustain us and our descendants. This book guides readers on a journey through Carson’s life and work, considers Carson’s legacies, and points to some of the continuing challenges to sustainability. It provides a listing of resources for reading, learning, or teaching about the environment, about nature writing, and about Carson and the crucial issues she addressed.
SHIFT HAPPENS: A MEMOIR IN SHORT STORIES is a compilation of short, to-the-point essays that take a look at a courageous, creative, and irreverent life. From Karen White: "In most of my stories I find myself humbled and perplexed by the world and my experiences. At times those experiences have got the better of me. Sometimes, though, I've found myself encouraged by the surprises that life sent my way.
Feminist Film Studies is a readable, yet comprehensive textbook for introductory classes in feminist film theory and criticism. Karen Hollinger provides an accessible overview of women’s representation and involvement in film, complemented by analyses of key texts that illustrate major topics in the field. Key areas include: a brief history of the development of feminist film theory the theorization of the male gaze and the female spectator women in genre films and literary adaptations the female biopic feminism and avant-garde and documentary film women as auteurs lesbian representation women in Third Cinema. Each chapter includes a "Films in Focus" section, which analyzes key texts related to the chapter’s major topic, including examples from classical Hollywood, world cinema, and the contemporary period. This book provides students in both film and gender/women’s studies with a clear introduction to the field of feminist film theory and criticism.
Intercountry adoption represents a significant component of international migration; in recent years, up to 45,000 children have crossed borders annually as part of the intercountry adoption boom. Proponents have touted intercountry adoption as a natural intervention for promoting child welfare. However, in cases of fraud and economic incentives, intercountry adoption has been denounced as child trafficking. The debate on intercountry adoption has been framed in terms of three perspectives: proponents who advocate intercountry adoption, abolitionists who argue for its elimination, and pragmatists who look for ways to improve both the conditions in sending countries and the procedures for intercountry transfer of children. Social workers play critical roles in intercountry adoption; they are often involved in family support services or child relinquishment in sending countries, and in evaluating potential adoptive homes, processing applications, and providing support for adoptive families in receiving countries; social workers are involved as brokers and policy makers with regard to the processes, procedures, and regulations that govern intercountry adoption. Their voice is essential in shaping practical and ethical policies of the future. Containing 25 chapters covering the following five areas: policy and regulations; sending country perspectives; outcomes for intercountry adoptees; debate between a proponent and an abolitionist; and pragmatists' guides for improving intercountry adoption practices, this book will be essential reading for social work practitioners and academics involved with intercountry adoption.
Wife, mother, and entrepreneur Townsend invites readers to join her on the journey from chaos to calm. After juggling a schedule so hectic that she couldn't even find time to put on lotion, she stumbled upon a solution that will help anyone make a commitment to time for themselves.
Focusing on three women, Pearl S. Buck, Anna May Wong & Mayling Soong, this book studies the shifting images of China in American culture, particularly during the 1930s & 40s.
A powerful, heart-wrenching debut novel about ambition, survival, and our responsibility toward one another Dixon was once an Olympic-level runner. But he missed the team by two-tenths of a second, and ever since that pain decades ago, he hasn’t allowed a goal to consume him. But when his charming older brother, Nate, suggests that they attempt to be the first Black American men to summit Mount Everest, Dixon can’t refuse. The brothers are determined to prove something—to themselves and to each other. Dixon interrupts his orderly life as a school psychologist, leaving behind disapproving friends, family, and one particularly fragile student, Marcus. Once on the mountain, they are met with extreme weather conditions, oxygen deprivation, and precarious terrain. But as much as they’ve prepared for this, Mt. Everest is always fickle. And in one devastating moment, Dixon’s world is upended. Dixon returns home and attempts to resume his job, but things have shifted: for him and for the students he left behind when he chose Mt. Everest. Ultimately, Dixon must confront the truth of what happened on the mountain and come to terms with who can and cannot be saved. DIXON, DESCENDING offers us a captivating, shattering portrait of the ways we’re reshaped by our decisions—and what it takes to angle ourselves, once again, toward hope.
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