‘You’ve got cancer’ are not the words you expect to hear when you’re a 40-something marathon running fitness freak who has never even smoked a cigarette. Karen Hockney's extraordinary battle with breast cancer was different in two ways. First, as an Englishwoman living in the south of France, a stone’s throw from Cannes, she suddenly had to contend with language barriers and an unfamiliar health system (albeit an extraordinarily efficient one). Secondly, as a leading showbusiness writer who has penned for publications including Hello, The Times and You Magazine, her job was jet-setting around the world to meet some of the most famous celebrities of our time. How could she cope with facing them sans wig, battling nausea and exhaustion? How would they react - and was it really possible to go from Cancer to Cannes Film Festival in the space of a few weeks? A memoir with a difference, Breathing Out is full of practical advice, meticulous research and knowledge garnered from Karen’s journey, punctuated by hope, positivity and a smattering of bleak humour. Reviews 'Inspiring, humorous and poignant, this book underlines the power of positivity.' - Elle Macpherson ‘The word cancer is one we are still too scared to say. After reading this, I realised it was a book about the Big C but that C is courage. Karen's insight, good humour and selfless devotion to her family shows what an amazing human being she is. She actually makes cancer 'approachable' if there is such a thing. However grim life can look, with strength, good grace and love you can win. It’s a story we can all relate to and learn from, one that is truly worth reading. (It made me cry too). - Amanda Holden ‘Karen’s book is an honest and touching account of her journey which had me laughing and crying at every turn. Her health tips are also accurate and empowering and a wonderful resource that I can put into the hands of my cancer patients.’ - Dr Simone Laubscher, Harley Street nutritionist
‘You’ve got cancer’ are not the words you expect to hear when you’re a 40-something marathon running fitness freak who has never even smoked a cigarette. Karen Hockney's extraordinary battle with breast cancer was different in two ways. First, as an Englishwoman living in the south of France, a stone’s throw from Cannes, she suddenly had to contend with language barriers and an unfamiliar health system (albeit an extraordinarily efficient one). Secondly, as a leading showbusiness writer who has penned for publications including Hello, The Times and You Magazine, her job was jet-setting around the world to meet some of the most famous celebrities of our time. How could she cope with facing them sans wig, battling nausea and exhaustion? How would they react - and was it really possible to go from Cancer to Cannes Film Festival in the space of a few weeks? A memoir with a difference, Breathing Out is full of practical advice, meticulous research and knowledge garnered from Karen’s journey, punctuated by hope, positivity and a smattering of bleak humour. Reviews 'Inspiring, humorous and poignant, this book underlines the power of positivity.' - Elle Macpherson ‘The word cancer is one we are still too scared to say. After reading this, I realised it was a book about the Big C but that C is courage. Karen's insight, good humour and selfless devotion to her family shows what an amazing human being she is. She actually makes cancer 'approachable' if there is such a thing. However grim life can look, with strength, good grace and love you can win. It’s a story we can all relate to and learn from, one that is truly worth reading. (It made me cry too). - Amanda Holden ‘Karen’s book is an honest and touching account of her journey which had me laughing and crying at every turn. Her health tips are also accurate and empowering and a wonderful resource that I can put into the hands of my cancer patients.’ - Dr Simone Laubscher, Harley Street nutritionist
In the vein of Lois Frankel's classic bestselling Nice Girls Don't Get TheCorner Office, Karen Finerman—a highly successful hedge fund manager and a mother of four young children—reveals her smart, contrarian strategies for getting ahead and having it all. Karen Finerman likes to tell people she was raised Calvinist. Or as her mother used to say, "I buy my girls Calvin Klein clothes... Then when they graduate from college, they have to figure out how to pay for them themselves." In order to keep herself in Calvin, Karen went to work on Wall Street. As a woman working in finance she noticed numerous ways that she and her female colleagues sabotaged themselves both professionally and personally. Why were her friends unable to bring the same logic they applied at work to personal decisions? Why did they often let personal baggage undermine them in the office in a way that her male colleagues never did? A classic illustration is that women tend to Poll (Do I look good in these shoes?) rather than Decide, often giving too much weight to the input from a random stranger rather than rely on their own gut. Covering three major topics (Career, Money, Love), Finerman's Rules serves up unvarnished advice about getting ahead in your career, overcoming failure, meeting your ideal mate, and navigating the challenges of work-life balance. Most importantly, she offers the reader a crash course in taking control of her financial destiny. Or as Karen puts it, "You wouldn't let a man tell you where to live, how to vote, or what to wear. Then tell me why 80 percent of women have a man in charge of their money?
Great Paintings is a sumptuous, visual guided tour of 66 of the world's greatest paintings. Ranging from works by Zhang Zeduan, a 12th-century Chinese master, to modern masterpieces by Rothko and Anselm Kiefer, the paintings are arranged chronologically, providing an excellent visual introduction to the history of art. The book starts with how to "read" a painting. Annotated paintings show how to identify the key elements of a picture. The major part of the book is a magnificent visual gallery of iconic paintings. The story behind each painting is fully explained, unlocking the often hidden meanings of symbols and details. Each painting is then analyzed visually, using pull-out details and overlays, to help the reader understand the key features, composition, and techniques. Artists' biographies and features on historical and social context explore how landmark paintings have been influenced by what has gone before and how they go on to inspire what comes after them. Reading Great Paintings is like being taken around a gallery by a personal guide who helps you to look at paintings-both familiar and new-in fresh and fascinating ways. Understanding paintings has never been so easy. Contents (provisional list of paintings) PRELIMS INTRODUCTION: LOOKING AT ART PREHISTORY TO 15TH CENTURY 1. Quingming Riverside, Zhang Zeduan (Chinese) 2. Lamentation of Christ, Giotto (Italian) 3. The Madonna Enthroned, Duccio di Buoninsegna (Italian) 4. The Annunciation, Fra Angelico (Italian) 5. The Arnolfini Portrait, Jan van Eyck (Flemish) 6. The Baptism of Christ, Piero della Francesca (Italian) 7. The Hunt in the Forest, Paolo Uccello (Italian) 8. Birth of Venus, Sandro Botticelli (Italian) 16TH CENTURY 9. The Garden of Earthly Delights, Hieronymus Bosch (Netherlandish) 10. Great Piece of Turf, Albrecht Du ̈rer (German) 11. Mona Lisa, Leonard da Vinci, (Italian) 12. The School of Athens, Raphael, (Italian) 13. The Sistine Chapel Ceiling, Michelangelo, (Italian) 14. Bacchus and Ariadne, Titian, (Italian) 15. The Ambassadors, Hans Holbein the Younger (German) 16. Spring Morning in the Han Palace, Qiu Ying (Chinese) 17. The Peasant Wedding, Pieter Bruegel the Elder (Netherlandish) 18. Spring, Giuseppe Arcimboldo, (Italian) 19. Birds and Flowers of the Four Seasons, Kano Eitoku ( Japanese) 20. Akhbar Tames the Savage Elephant, Hawa'l, Basawan and Chatai (Indian) 17TH CENTURY 21. David with the Head of Goliath, Caravaggio (Italian) 22. Self Portrait as "La Pittura", Artemisia Gentileschi (Italian) 23. The Judgement of Paris, Peter Paul Rubens (Flemish) 24. Charles I on Horseback, Anthony van Dyck (Flemish) 25. Portrait of Rembrandt, Rembrandt van Rijn (Dutch) 26. Las Meninas, Diego Velásquez (Spanish) 27. The Art of Painting (The Artist's Studio), Johannes Vermeer (Dutch) 18TH CENTURY 28. Still Life with Flowers and Fruit, Jan van Huysum (Dutch) 29. Marriage a la Mode: The Toilette, William Hogarth (British) 30. Mr and Mrs Andrews, Thomas Gainsborough, (British) 31. Allegory of the Planets and Continents, Giambattista Tiepolo (Italian) 32. Experiment on a Bird in the Air Pump, Joseph Wright of Derby (British) 33. The Death of Marat Jacques-Louis David (French) 19TH CENTURY 34. The Valpinçon Bather, Jean-Auguste Dominique Ingres (French) 35. The Third of May 1808, Francisco de Goya (Spanish) 36. The Wanderer above the Sea of Fog, Casper David Friedrich (German) (with inset: The Great Wave off Kanagawa, Hokusai (Japanese) 37. The Hay Wain, John Constable (British) 38. The Fighting Temeraire, J.M.W. Turner (British) 39. The Artist's Studio, Gustave Courbet (French) 40. The Gleaners, Jean-François Millet (French) 41. Olympia, Édouard Manet (French) 42. Arrangement in Grey and Black: The Artist's Mother, James McNeill Whistler (American) 43. The Dancing Class, Edgar Degas, (French) 44. Van Gogh's Chair, Van Gogh (Dutch) 45. La Grande Jatte, Georges Seurat (French) 46. The Child's Bath, Mary Cassatt (American) 47. Where do we come from? What are we? Where are we going?, Paul Gauguin (French) 48. The Bathers, Paul Cézanne (French) 49. The Waterlily Pond, Claude Monet (French) 50. Lake Keitele, Akseli Gallen-Kallela (Finnish) 20TH CENTURY 51. The Kiss, Gustav Klimt (Austrian) 52. Composition VII, Wassily Kandinsky (Russian) 53. Berlin Street Scene, Ernst Ludwig Kirchner (German) 54. Northern River, Tom Thomson (Canadian) 55. Red Canna, Georgia O'Keefe (American) 56. Composition II in Red, Blue and Yellow, Piet Mondrian (Dutch) 57. Metamorphosis of Narcissus, Salvador Dali (Spanish) 58. Guernica, Pablo Picasso (Spanish) 59. Nighthawks, Edward Hopper, (American) 60. Without Hope, Frida Kahlo (Mexican) (with insert: The Scream, Edvard Munch 61. Autumn Rhythm, Jackson Pollock (American) 62. Untitled, Mark Rothko (American) 63. Marilyn, Andy Warhol (American) 64. To a Summer's Day, Bridget Riley (British) 65. The Dance, Paula Rego (Portuguese) 66. Athanor, Anselm Kiefer (German) GLOSSARY INDEX AND ACKNOWLEDGMENTS
Fiercely satirical. . . . Yamashita presents [an] intricate plot with mordant wit." —New York Times Book Review "A stunner. . . . An exquisite mystery novel. But this is a novel of dystopia and apocalypse; the mystery concerns the tragic flaws of human nature." —Library Journal (starred review) "Brilliant. . . . An ingenious interpretation of social woes." —Booklist (starred review) "Yamashita handles her eccentrics and the setting of their adventures with panache. David Foster Wallace meets Gabriel Garcia Marquez." —Publishers Weekly Irreverently juggling magical realism, film noir, hip hop, and chicanismo, Tropic of Orange takes place in a Los Angeles where the homeless, gangsters, infant organ entrepreneurs, and Hollywood collide on a stretch of the Harbor Freeway. Hemmed in by wildfires, it's a symphony conducted from an overpass, grandiose, comic, and as diverse as the city itself. Karen Tei Yamashita is the author of Through the Arc of the Rain Forest, Brazil-Maru, Tropic of Orange, Circle K Cycles, I Hotel, and Anime Wong, all published by Coffee House Press. I Hotel was selected as a finalist for the National Book Award and awarded the California Book Award, the American Book Award, the Asian/Pacific American Librarians Association Award, and the Association for Asian American Studies Book Award.
Although Pablo Picasso's name is virtually synonymous with modernity, his late graphics repeatedly turn back to the traditional theme of the artist and model. Had the aging artist turned reactionary, or is Picasso's treatment of the theme more subversive than anyone has suspected? In this innovative study, Karen L. Kleinfelder rejects the claim that Picasso's later work was a failure. The failing, she claims, lies more in the way we typically have read the images, treating them merely as reflections of an "old-age" style or of the artist's private life. Focusing on graphics dating from 1954 to 1970, Kleinfelder shows how Picasso plays with the artist-model theme to extend, subvert, and parody both the possibilities and limits of representation. For Kleinfelder, Picasso's graphic work both mystifies and demystifies the creative process, venerates and mocks the effects of aging and the artist's self-image as a living "old master," and acknowledges and denies his own fear of death. Using recent interpretive and literary theory, Kleinfelder probes the three-way relationship between artist, model, and canvas. The dynamics of this relationship provided Picasso with an open-ended textual framework for exploring the dichotomies of man/woman, self/other, and vitality/mortality. What unfolds is the artist's struggle not only with the impossibility of representing the model on canvas, but also with the inevitability of his own death. Kleinfelder explores how Picasso's means of pursuing these issues allows him to defer closure on a long, productive career. By focusing on the graphics rather than the paintings, Kleinfelder contradicts the primacy of the painted "masterpiece"; she steers the reader away from the assumption that the artist must work toward creating a final body of work that signifies the culmination of his search for a coherent identify. Picasso's search, she argues, realizes itself in the creative process. She interprets the late graphics not as a biographical statement but as a tool for investigating the possibilities of representation within the limits of Picasso's medium and his lifetime. Richly illustrated, Kleinfelder's book will open up new approaches to the late work of this complex artist.
LONGLISTED FOR THE JAMES CROPPER WAINWRIGHT PRIZE FOR WRITING ON CONSERVATION. How should we restore nature and species, and why does it matter? What is lost when we choose not to engage in restoration of the natural world? And which parts of ourselves might we also lose if we choose not to help restore and renew the natural world before it's too late? In this collection, Karen Lloyd explores abundance and loss in the natural world, relating compelling stories of restoration, renewal and repair, describing how those working on the front lines of conservation are challenging the inevitability of biodiversity loss, as well as navigating her own explorations of the meaning of abundance in the Anthropocene. In an era of urgent ecological challenge, this timely book reveals the places that people are coming together to bring species and habitats back from the edge of extinction. Yet, elsewhere, many other species are being allowed to disappear forever. To understand why, she examines how humans have chosen to entangle themselves in nature and considers the ways we perceive the natural world. A book about ways of seeing, as Lloyd explores attitudes towards meaningful restoration, she weaves her insightful and joyous narrative through a diverse range of inspiring landscapes, from Romania's Carpathian mountains and the Hungarian Steppe to Perthshire's rivers and the dune forests of the Netherlands.
Private eye Kat Colorado flies to Nashville to help a childhood friend, Country and western singer Cody Dakota Jones, who has received a series of death threats.
Working to establish her image through a series of carefully censored portraits, the young queen Elizabeth I finds her efforts thwarted by a pyromaniac who would destroy both her life and the kingdom.
The story of ethnographic collecting is one of cross-cultural encounters. This book focuses on collecting encounters in the Kamoro region of Papua from the earliest collections made in 1828 until 2011. Exploring the links between representation and collecting, the author focuses on the creative and pragmatic agency of Kamoro people in these collecting encounters. By considering objects as visualizations of social relations, and as enactments of personal, social or historical narrative, this book combines filling a gap in the literature on Kamoro culture with an interest in broader questions that surround the nature of ethnographic collecting, representation, patronage and objectification.
Indeed, the essence of Camp is its love of the unnatural: of artifice and exaggeration." —Susan Sontag, 1964 Although an elusive concept, "camp" can be found in most forms of artistic expression, revealing itself to be a complex aesthetic that challenges the status quo. As an expression of the playful dynamics between high art and popular culture, fashion both embraces and flaunts such camp modes as irony, humor, parody, pastiche, artifice, theatricality, and exaggeration. Drawing from Susan Sontag’s seminal 1964 essay "Notes on 'Camp'," this multifaceted publication presents the sartorial manifestations of the camp sensibility while contributing new theoretical and conceptual insights to the camp canon through texts and images. Stunning new photography by Johnny Dufort highlights works by exceptional fashion designers including Thom Browne, John Galliano, Jean Paul Gaultier, Marc Jacobs, Karl Lagerfeld, Alessandro Michele, Franco Moschino, Yves Saint Laurent, Jeremy Scott, Anna Sui, Gianni Versace, and Vivienne Westwood.
Annotation The sequel to Karen X. Tulchinsky's much-praised first novel, Love Ruins Everything, picks up the story four months later as the characters prepare for the approach of the Millennium. Over the course of the year 1999, Nomi Rabinovitch and her lover, Julie Sakamoto, negotiate the joy and pain of a long-distance relationship; Nomi's cousin Henry devotes more energy to Aids activism, even as he must cope with intense treatments as his health declines; and Solly and Belle, Henry's estranged parents, are drawn closer by their shared love for their son. And Bubbe, aged somewhere between 92 and 97, might be hard of hearing, but she's certainly not blind to the crazy events swirling around her. A joyful, hilarious, and often very touching story of love, pain, activism and family, Love and Other Ruins offers readers another chance to spend time with the delightfully engaging Nomi Rabinovitch and her eccentric friends and relatives.
Lenni wants to find someone to understand her and the new girl could just be that person Lenni can't please anyone lately. At school, her friends want her to kiss someone for a stupid competition. At home, her grandmother wants her to be more ladylike. And on the playing field, her friend Adam has started acting like a big weirdo around her. Then Lenni meets Jo, the new girl at school, and everything feels so normal. Jo is cool, fun, and unlike anyone Lenni's ever known—finally, someone's on Lenni's wavelength!
California, the Golden State, is fascinating with its diverse regions, dramatic scenery, exciting places to visit, and appealing places to stay. There is almost too much--it can be confusing. Not to worry, we have done your homework for you. Five detailed driving itineraries cover everything from beaches to wine tasting. Drive the beautiful California coast, ride a cable car in San Francisco, be awed by the grandeur of Yosemite, visit the sidewalk of stars on Hollywood Boulevard, and taste your way through the wine country while staying in boutique hotels, luxury resorts and lovely inns.
Suitable for dance teachers and students, as well as for dance professionals, this text covers the basic anatomical and biomechanical principles that apply to optimal performance in dance. Focusing on skeletal and muscular systems, it provides the understanding needed to improve movement and reduce injuries.
Literal as well as metaphorical monsters inhabit this book of 38 innovative fictions. Here the reader will encounter not only zombies and ghosts, but a lyrical dream braided into a brutal and sorrowful real world. Monsters' vision embodies the heartbreakingly private and depressingly public - and the funny flipside of it all.
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