Dialogues with cab drivers, dedications to her cat. The art & act of writing. Learning to love herself. Pain & rage at war, the violation of body & soul, civilian & soldier. Karen Ethelsdattar's new collection gathers poems written over several decades & deepens her exploration of politics of the heart. Karen not only writes about spirit and Earth, she writes as spirit, as Earth
Here are poems that wrestle with angels, that ask Who is holy, What is sacred? These are women's poems that speak also to men. Poems that honor friend and family and lover. Poems that honor both God and Goddess, as well as the human creature, the beauty of nature, the precious small gifts and actions of everyday life. Poems that honor other artists. Poems that cry out the insanity of war and speak for peace: inner peace, peace between you & me, peace among nations. Plaudits for Ethelsdattar's first book, Earthwalking & other poems, Xlibris. "Thank you for your most amazing and beautiful poem, Earthwalking.' Thank you for receiving and writing it, and for sending it to me. The gift of receiving words for my own half-conscious experience. Your book of poems is absolutely exquisite, a joy to read, a pleasure for the soul and the senses. I cannot thank you enough for sending it to me. I have enjoyed sharing it among my friends, and they thank you, too." Joanna Macy, author of World as Lover, World as Self "Thanks so much for Earthwalking. I love the poems and their spirits. The work is an inspiration to me." Shaun McNiff, author of Earth Angels
Karen Ethelsdattars poems, written out of the politics of the heart and the depths of the spirit, speak to the eternal questions. What is it to be a woman, a daughter, a sister, a mother? What is it to be a person? What is it to be in love with the natural world? What is sacred? Connected to the earth, reaching toward the sky, embracing family and friends and stranger and fellow creature. They sing, they swing, they dance, they bow, they stand tall. They celebrate solitude and relationship and community, nature and art. Critical Praise for Earthwalking: "Thank you for your most amazing and beautiful poem, "Earthwalking." Thank you for receiving and writing it, and for sending it to me. The gift of receiving words for my own half-conscious experience...Your book of poems is absolutely exquisite, a joy to read, a pleasure for the soul and the senses. I cannot thank you enough for sending it to me. I have enjoyed sending it among my friends, and they thank you, too. --Joanna Macy,, author of World as Lover, World as Self "Thanks so much for Earthwalking. I love the poems and their spirits. The work is an inspiration to me" --Shaun Mcniff, author of Earth Angels "Now I begin to make music again on the skin of the drum, with my palms, with my fingertips, the rhythm shivering back through me, the beat entering & reverberating back up through the earth. I walk with my fingers, I walk with my feet. I walk to earth's heartbeat." Karen Ethelsdattar's poems celebrate the ordinary and recognize in it the extraordinary. They make us glad to be alive. This is a book of gratitude for the simple things of life: a flowered summer blouse, an avocado plant rooted in water by her son, a bee and the seasons and the rain. This is a book of reverence for life: the earth itself, a spider and its torn web, her treasured cats, her twin sister who died at 34, a daughter, a son, grandchildren, a mother and father in their last years, friend and lover. This is a book of appreciations: for Georgia O'Keeffe and Hokusai, for one friend's painting of tomatoes and another's photographs of "the ten thousand things," for a Mexican flamenco dancer and Indian temple sculptures. These poems play with form and range in mood from the contemplative to the passionate. They will touch you where you live. "I walk with my fingers, I walk with my feet. I walk to earth's heartbeat. Again & again I am a woman walking, walking to where she turns into the earth.
Here are poems that wrestle with angels, that ask Who is holy, What is sacred? These are womens poems that speak also to men. Poems that honor friend and family and lover. Poems that honor both God and Goddess, as well as the human creature, the beauty of nature, the precious small gifts and actions of everyday life. Poems that honor other artists. Poems that cry out the insanity of war and speak for peace: inner peace, peace between you & me, peace among nations. Plaudits for Ethelsdattars first book, Earthwalking & other poems, Xlibris. Thank you for your most amazing and beautiful poem, Earthwalking. Thank you for receiving and writing it, and for sending it to me. The gift of receiving words for my own half-conscious experience. Your book of poems is absolutely exquisite, a joy to read, a pleasure for the soul and the senses. I cannot thank you enough for sending it to me. I have enjoyed sharing it among my friends, and they thank you, too. Joanna Macy, author of World as Lover, World as Self Thanks so much for Earthwalking. I love the poems and their spirits. The work is an inspiration to me. Shaun McNiff, author of Earth Angels
Karen Ethelsdattars poems, written out of the politics of the heart and the depths of the spirit, speak to the eternal questions. What is it to be a woman, a daughter, a sister, a mother? What is it to be a person? What is it to be in love with the natural world? What is sacred? Connected to the earth, reaching toward the sky, embracing family and friends and stranger and fellow creature. They sing, they swing, they dance, they bow, they stand tall. They celebrate solitude and relationship and community, nature and art. Critical Praise for Earthwalking: "Thank you for your most amazing and beautiful poem, "Earthwalking." Thank you for receiving and writing it, and for sending it to me. The gift of receiving words for my own half-conscious experience...Your book of poems is absolutely exquisite, a joy to read, a pleasure for the soul and the senses. I cannot thank you enough for sending it to me. I have enjoyed sending it among my friends, and they thank you, too. --Joanna Macy,, author of World as Lover, World as Self "Thanks so much for Earthwalking. I love the poems and their spirits. The work is an inspiration to me" --Shaun Mcniff, author of Earth Angels "Now I begin to make music again on the skin of the drum, with my palms, with my fingertips, the rhythm shivering back through me, the beat entering & reverberating back up through the earth. I walk with my fingers, I walk with my feet. I walk to earth's heartbeat." Karen Ethelsdattar's poems celebrate the ordinary and recognize in it the extraordinary. They make us glad to be alive. This is a book of gratitude for the simple things of life: a flowered summer blouse, an avocado plant rooted in water by her son, a bee and the seasons and the rain. This is a book of reverence for life: the earth itself, a spider and its torn web, her treasured cats, her twin sister who died at 34, a daughter, a son, grandchildren, a mother and father in their last years, friend and lover. This is a book of appreciations: for Georgia O'Keeffe and Hokusai, for one friend's painting of tomatoes and another's photographs of "the ten thousand things," for a Mexican flamenco dancer and Indian temple sculptures. These poems play with form and range in mood from the contemplative to the passionate. They will touch you where you live. "I walk with my fingers, I walk with my feet. I walk to earth's heartbeat. Again & again I am a woman walking, walking to where she turns into the earth.
Karen F. Stein University of Rhode Island, Kingston, USA Rachel Carson is the twentieth century’s most significant environmentalist. Her books about the sea blend science and poetry as they invite readers to share her celebration of the ocean’s wonders. Silent Spring, her graphic and compelling exposé of the damage caused by the widespread aerial spraying of persistent organic pesticides such as DDT, opened our eyes to the interconnectedness of all living beings and the ecological systems we inhabit. Carson’s work challenges our belief that science and technology can control the natural world, asks us to recognize our place in the world around us, and inspires us to treat the earth respectfully. She calls us to rekindle our sense of wonder at nature’s power and beauty, and to tread lightly on the earth so that it will continue to sustain us and our descendants. This book guides readers on a journey through Carson’s life and work, considers Carson’s legacies, and points to some of the continuing challenges to sustainability. It provides a listing of resources for reading, learning, or teaching about the environment, about nature writing, and about Carson and the crucial issues she addressed.
ABOUT THE BOOK At first glance, it would not seem that I, someone who was born in the United States and has never been to Africa, would have anything in common with a woman from Nigeria. My exposure to Nigeria is so limited that I am largely unable to distinguish it from the rest of the continent, as if there is a singular African culture and experience. Like many Americans, what I know of Africa largely comes from the news media. This means that when I think of Africa, I usually think of wars, refugee camps, abject poverty, diseases, and corruption. With the exception of having beautiful wildlife and landscape, Africa to me simply represented a place of general misery. This is the result of being exposed to only a single story. As Nigerian writer Chimamanda Adichie points out in her TED talk, “The danger of a single story,” there is never a single story. Her own life is a testament to the fact that Africa is not just what we see on the news. MEET THE AUTHOR Based in the San Francisco Bay Area, Karen Lac has been writing since 1999. Her articles have appeared in print in “The Occidental Weekly.” Her writing reflects her broad interests. She writes travel, entertainment, political commentary, health, nutrition, food, education, career, and legal articles for numerous websites. She holds a Bachelor of Arts in English Literature and a Bachelor of Arts in politics, both from Occidental College. EXCERPT FROM THE BOOK Nigerian writer Chimamanda Adichie uses her personal life and experiences to illustrate the danger of reducing other people and cultures to a single story rather than recognizing that we all have overlapping, multiple stories. She begins her talk by discussing her childhood in Nigeria, moves on to her experience as an African woman in the U.S., and then discusses the Nigerian experience today. As a child growing up in a university campus in eastern Nigeria, Adichie loved reading and writing. When she began writing at the age of seven, she wrote the kind of stories that she had read. This meant that she wrote stories about blue-eyed white children who played in the snow and ate apples. Since the only books she read were British and American books populated with people different from her who experienced things she didn’t know anything about, Adichie started believing that she had no place in books. This changed when she discovered African writers such as Chinua Achebe and Camara Laye. She realized that books could also tell the stories of people like her. Buy a copy to keep reading!
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