Karen Elizabeth Bishop's the deering hour pushes against the edges of lyric to find the moments and spaces where the natural, object, and human worlds meet. The voice is a decidedly female, at times maternal, engagement that repositions the lived center so that the margin, the edge, and the boundary become rich, inhabitable spaces. These are lush, layered poems that deal in the porosity of multiplying questions, fluidities, and transformations from plant, mineral, and animal to the human. They trade in wings, beaks, and feathers; orogeny, rocks, and subduction zones; the moment when the animal and plant take over. Language becomes its own marker, so that what we know of the human animal is a pause, a call, a limb, and a bloom in the world and on the page.
More than thirty thousand people were forcibly disappeared during the military dictatorship that governed Argentina from 1976 to 1983, leaving behind a cultural landscape fractured by absence, denial, impunity, and gaps in knowledge. This book is about how these absences assume narrative form in late twentieth-century Argentine fiction and the formal strategies and structures authors have crafted to respond to the country's use of systematic disappearance as a mechanism of state terror. In incisive close readings of texts by Rodolfo Walsh, Julio Cortázar, and Tomás Eloy Martínez, Karen Elizabeth Bishop explores how techniques of dissimulation, doubling, displacement, suspension, and embodiment come to serve both epistemological and ethical functions, grounding new forms of historical knowledge and a new narrative commons whose work continues into the twenty-first century. Their writing, Bishop argues, recalibrates our understanding of the rich and increasingly urgent reciprocities between fiction, history, and the demands of human rights. In the end, The Space of Disappearance asks us to reexamine in fiction what we think we cannot see; there, at the limits of the literary, disappearance appears as a vital agent of resistance, storytelling, and world-building.
With Love, From Malaysia is an intimate look at Malaysia in the 1970s, through a series of letters home by a young Canadian mother. With two toddlers and her Malaysian surgeon husband, she adjusts to life in a new country and strange culture. Karen E. Musa chronicles the challenges of tolerating a stifling bureaucracy and accommodating "how they do things differently." With Love, From Malaysia narrates the young family's rich and varied experiences, from their royal audience with the Sultan of Johore to visits to the kampong. For Karen Musa, the warmth of her husband's large extended family considerably eased her culture shock of "enjoying" the "luxury" of household maids, her continuing "saga of the telephone," and other tribulations in dealing with Third World officialdom. The family's adventures in the mundane chores of daily living, which the natives take in stride, make for entertaining reading. This is the Malaysia that natives and foreigners alike rarely experience or appreciate.
More than thirty thousand people were forcibly disappeared during the military dictatorship that governed Argentina from 1976 to 1983, leaving behind a cultural landscape fractured by absence, denial, impunity, and gaps in knowledge. This book is about how these absences assume narrative form in late twentieth-century Argentine fiction and the formal strategies and structures authors have crafted to respond to the country's use of systematic disappearance as a mechanism of state terror. In incisive close readings of texts by Rodolfo Walsh, Julio Cortázar, and Tomás Eloy Martínez, Karen Elizabeth Bishop explores how techniques of dissimulation, doubling, displacement, suspension, and embodiment come to serve both epistemological and ethical functions, grounding new forms of historical knowledge and a new narrative commons whose work continues into the twenty-first century. Their writing, Bishop argues, recalibrates our understanding of the rich and increasingly urgent reciprocities between fiction, history, and the demands of human rights. In the end, The Space of Disappearance asks us to reexamine in fiction what we think we cannot see; there, at the limits of the literary, disappearance appears as a vital agent of resistance, storytelling, and world-building.
It’s 1985 in a small factory town near Pittsburgh. Eight-year-old Karen’s parents are lifelong workers at the Anchor Glass plant, where one Saturday, an employee goes on a shooting spree, killing four supervisors, then himself. This event splits the young girl’s life open, and like her mother, she begins to seek comfort in obsessive rituals and superstitions. This beautifully evocative memoir chronicles the next fourteen years, as Karen moves through girlhood, adolescence, and young adulthood. It illuminates small-town factory life; explores a complicated mother-daughter bond; thoughtfully unfolds a smart, but insecure girl’s coming of age; achingly recounts her attempts to use sex to fit in; and ultimately uncovers the buried secret from her childhood—a medical file with an unbearable report. The Girl Factory deftly travels the intersections of memory and origin. Karen’s body remembers details her mind has tried to control. As the young woman mines her interior landscape for answers, certain questions persist. Where does memory live—in the body or the mind? And can you rewrite the story of your past?
The history of Islamic mapping is one of the new frontiers in the history of cartography. This book offers the first in-depth analysis of a distinct tradition of medieval Islamic maps known collectively as the Book of Roads and Kingdoms (Kitab al-Masalik wa al-Mamalik, or KMMS). Created from the mid-tenth through the nineteenth century, these maps offered Islamic rulers, scholars, and armchair explorers a view of the physical and human geography of the Arabian peninsula, the Persian Gulf, the Mediterranean, Spain and North Africa, Syria, Egypt, Iraq, the Iranian provinces, present-day Pakistan, and Transoxiana. Historian Karen C. Pinto examines around 100 examples of these maps retrieved from archives across the world from three points of view: iconography, context, and patronage. By unraveling their many symbols, she guides us through new ways of viewing the Muslim cartographic imagination.
Looking at travel writing by British women from the seventeenth century on, Karen R. Lawrence asks an intriguing question: What happens when, instead of waiting patiently for Odysseus, Penelope voyages and records her journey—when the woman who is expected to waitsets forth herself and traces an itinerary of her own? Lawrence ranges widely, discussing both fiction and nonfiction and traversing the genres of travel letters, realistic and sentimental novels, ethnography, fantasy, and postmodern narrative. In examining works as dissimilar as Margaret Cavendish's rendition of the Renaissance adventure narrative and Christine Brooke-Rose's postmodernist Between, she explores not only the significance of gender for travel writing, but also the value of travel itself for testing the limits of women's social freedoms and restraints. Lawrence shows how writings by Frances Burney, Mary Wollstonecraft, Sarah Lee, Mary Kingsley, Virginia Woolf, and Brigid Brophy reconceive the meanings of femininity in relation to such apparent oppositions as travel/home, other/self, and foreign/domestic. Despite the differences-historical, generic, political-among these writers, Lawrence maintains, they share common insights. Their accounts overturn the dichotomy between adventure and domesticity, demonstrating something illusory within both the stability of home and the freedom of travel.
Anne Bradstreet, W.E.B. Du Bois, gene editing, and Junior Mints: cultural icons, influential ideas, and world-changing innovations from Cambridge, Massachusetts. Cambridge, Massachusetts is a city of “firsts”: the first college in the English colonies, the first two-way long-distance call, the first legal same-sex marriage. In 1632, Anne Bradstreet, living in what is now Harvard Square, wrote one of the first published poems in British North America, and in 1959, Cambridge-based Carter’s Ink marketed the first yellow Hi-liter. W.E.B. Du Bois, Julia Child, Yo-Yo Ma, and Noam Chomsky all lived or worked in Cambridge at various points in their lives. Born in Cambridge tells these stories and many others, chronicling cultural icons, influential ideas, and world-changing innovations that all came from one city of modest size across the Charles River from Boston. Nearly 200 illustrations connect stories to Cambridge locations. Cambridge is famous for being home to MIT and Harvard, and these institutions play a leading role in many of these stories—the development of microwave radar, the invention of napalm, and Robert Lowell’s poetry workshop, for example. But many have no academic connection, including Junior Mints, Mount Auburn Cemetery (the first garden cemetery), and the public radio show Car Talk. It’s clear that Cambridge has not only a genius for invention but also a genius for reinvention, and authors Karen Weintraub and Michael Kuchta consider larger lessons from Cambridge’s success stories—about urbanism, the roots of innovation, and nurturing the next generation of good ideas.
The injury risk in football is quite high and every player will incur more or less severe injuries in the course of their career. This is due to the stop-and-go character of the game, frequent physical contacts, changes of direction and the intensity of the game. This places very specific demands on the players. Additionally, football players may suffer from illnesses requiring appropriate treatment to avoid possible long-term health consequences. This book provides the reader with advice on the treatment and prevention of illnesses and football-related injuries. The most recent discoveries in performance diagnostics provide coaches and players with better tools to address the fitness requirements of the players or the training recommendations. These tools can also be of help in assembling a team. In this book, the authors provide up-to-date sports medical findings taken from practical experience with world class teams and make them accessible for the readers.
The volume explores how these three writers used poetry to oppose patriarchal discourse on topics ranging from marginalized peoples to issues on gender and sexuality. Poetry was a means for them to redefine their own feminized space, however difficult or odd it could turn out to be.
Brief biographies of 150 women who have made significant contributions to literature and criticism, from poet Virginia Hamilton Adair to novelist and scholar Maria de Zayas y Sotomayor.
Unleash your creativity! Explore creative writing in new ways that will have you cutting, folding, tearing, and ripping the pages! This is the activity book for out-of-bounds creative writing fun. Full of 52 zany, silly, and thoughtful prompts—perfect for elementary-aged kids—this book will take your writing to new places, literally! Write a haiku and fold it up into a paper crane, write fortunes and tuck them in places for people to find, write out all your accomplishments and then let your talents soar as a paper airplane—there’s no end to the imaginative ways to use words and paper.
In her six-decade long writing career Adrienne Rich (1929–2012) addressed, with sagacity and probing honesty, most of the significant issues of her lifetime. A poet of finely tuned craft, she won numerous prizes, awards, and honorary degrees, and famously rejected the prestigious National Medal for the Arts in 1997. She wrote twenty-five volumes of poetry and seven non-fiction books as she combined the roles of poet, scholar, theorist, and activist. Rich wrote passionately and powerfully about major 20th and early 21st century concerns such as feminism, racism, sexism, the Vietnam War, Marxism, militarism, the growing income disparities in the U.S., and other social issues. Her works ask important questions about how we should act, and what we should believe. They imagine new ways to deal with the social and political challenges of the twentieth century. Setting her work in the context of her life and American politics and culture during her lifetime, this book explores Rich’s poetic and personal journey from conservative, dutiful follower of cultural and poetic traditions to challenging questioner and critic, from passivity and powerlessness to activist, theorist, and acclaimed “poet of the oppositional imagination.”
Tracing Amish settlement in New York from the nineteenth century to the twenty-first, Karen M. Johnson-Weiner draws on more than thirty years of participant-observation, interviews, and archival research to introduce the Amish to their non-Amish neighbors. In the last decade, New York State has had the fastest-growing Amish population. This work highlights the diversity of Amish settlement in New York State and the contribution of New York's Amish to the state’s rich cultural heritage. The second edition of New York Amish updates settlement areas to acknowledge recently established communities and to demonstrate the impact of growth, schism, and migration on existing settlements. In addition, chapters treating external and internal challenges to Amish settlement and the challenges Amish settlement poses to neighboring non-Amish communities have been updated, and a new chapter looks to the future of New York’s Amish. All maps have been updated, and a new map showing all of New York’s Amish communities has been added.
Learn to provide state-of-the-art care to any patient in any setting with the most comprehensive trauma nursing resource available. Using the unique cycles of trauma framework, Trauma Nursing: From Resuscitation Through Rehabilitation, 5th Edition features coverage of cutting-edge research findings and current issues, trends, and controversies in trauma nursing. The thoroughly updated fifth edition guides you through all phases of care - from preventive care and the time of injury to the resuscitative, operative, critical, intermediate, and rehabilitative stages. Plus, new chapters address unique trauma patient populations including pregnant women, children, the elderly, bariatric individuals, burned patients, those with a history of substance abuse and organ donors. With timely discussions on emerging topics such as mass casualty events and rural trauma, this is the most complete resource available for both students and experienced trauma nurses. UPDATED! Disaster preparedness, response and recovery for mass casualty incidents prepares students to act quickly and confidently in the event of a disaster, with guidelines for initial response and sustained response. UPDATED! The latest sepsis protocols, opioid use and pain/sedation protocols, and treating injured patients with diabetes. Special populations coverage prepares you to meet the needs of unique trauma patient populations including pregnant women, children, the elderly, bariatric individuals, burn patients, those with a history of substance abuse and organ donors. Coverage of specific issues that affect all patients regardless of their injury, gives you a solid understating of mechanism of injury, traumatic shock, patient/family psychosocial responses to trauma, pain, anxiety, delirium and sleep management; infection; wound healing, and nutrition. Tables and illustrations throughout add clarity to the content being discussed. NEW! Information on a team-centered, interdisciplinary approach to care. NEW! Up-to-date evidence-based information about issues that affect trauma care systems, includes injury pathophysiology, and state-of-the-art care for the trauma patient during all phases of care. NEW! All new content includes information on cultural sensitivity, care for caregivers, and how to handle self-harm injuries and suicide. NEW! Certification review questions help you to prepare for certification by listing the correct answers and rationales. NEW! Current recommendations for measuring fluid administration responsiveness.
A collection of personal poems by Karen Kovacik. These poems take on one of history most loved and hated figures - giving him a voice and making him human.
In Archaeologies of an Uncertain Future, McPherson explores the memory work, alternative historiographies, and feminist aesthetics by which women writers revisit the past and reimagine the future. Grounded within critical discourses across many discplines, McPherson's analysis engages contemporary discussions about autobiographical genres, post-modern historiographies, memoirs, and literary genealogies.
This bibliography, first published in 1988, is intended to make more readily accessible the wealth of Dickinson criticism and scholarship that appeared from 1969 through 1985. During the 17 years that are covered in this bibliography nearly 800 books, articles and dissertations have appeared. The present work is intended to aid both students and scholars in finding the materials they need in their study of, and research on, Emily Dickinson’s poetry and her life.
Contains alphabetically arranged entries that provide biographical and critical information on major and lesser-known nineteenth- and twentieth-century British writers, and includes articles on key schools of literature, and genres.
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