Granny @ Work is an impassioned comment on aging, work, and technology in American culture. As Riggs challenges popular assumptions with surprising research-for example, people over the age of 60 spend more time on the Internet than people of any other age group-and trenchant cultural critique, she forces us to confront the deeply entrenched ageism in today's technology-driven workplace.
In Mature Audiences, Karen Riggs challenges traditional ideas about older viewers as passive, vulnerable audiences for television. She tells the stories of seventy elder Americans who have worked television into their lives in specific and practical ways. In particular, Riggs studies older women fans of Murder, She Wrote, the impact of news and public affairs programming in an affluent retirement community, the efforts of several older African Americans to produce and telecast their own public-access shows, and the role of television in the daily lives of minority elders, including gays, American Indians, and immigrants from Russia and Laos. Although television's own images of the elderly are nearly nonexistent or frequently negative, this collection of interviews provides a portrait of viewers who are often deliberate, thoughtful, and seasoned in their responses to questions about the role of television in their daily lives.
Media critics invariably disparage the quality of programming produced by the U.S. television industry. But why the industry produces what it does is a question largely unasked. It is this question, at the crux of American popular culture, that Switching Channels explores.
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