Tell all the Truth but tell it slant." (Emily Dickinson) This course follows the contours of the salvation story through the lens of the arts. Putting visual art and poetry in conversation with the Bible, it seeks to engage the imagination. Rather than analyzing the narrative, the reader is invited to behold it and respond to it through "making"--either verbally or visually. At times, the church has treated the imagination like an embarrassing relative. Yet the Bible is image-rich, drawing widely on the imagination, and we are each made in the image of the creator God. It is time to bring the imagination out of the corner! "For we are God's handiwork, created in Christ Jesus to do good works, which God prepared in advance for us to do." (Eph 2:10 NIV) Whether following it as a group or reading it alone, this course book will appeal to anyone with an interest in the salvation story and the arts. It is particularly for those who feel permission is needed to pick up a paintbrush--or any other creative medium--just for the love of it.
Payroll may be the largest item in a company's balance sheets. PAY FOR RESULTS explores ways to use compensation as an incentive tool and management resource. It explains incentive bonuses, performance-based pay, and profit sharing. Real-life case studies reveal which plans work, which don't, and why.
This book is an exploration of how we share food with others, particularly our vulnerable neighbors. In these pages, some of Vancouver's more colorful souls will tell us about the costs of poverty and privilege, as well as the long, slow heart shifts we experience on the journey toward healthier eating. Sharing food and making a space where those on the margins are welcomed is both delightful and difficult. There is no manual on how to do this. No two moments are ever the same, and the way each of us prefers to eat is as unique and personal as our signatures. Through these stories, we can hopefully learn to nourish ourselves and our neighbors a little better. Do these pages contain the recipe for a happier colon? And a happier soul? Pick up this book to find out.
Created and used as an instrument of coercion and indoctrination, the Nazi language, Nazi-Deutsch, reveals how the Nazis ruled Germany and German-occupied Europe, fought World War II, and committed mass murder and genocide, employing language to encode and euphemize these actions. Written by two scholars specializing in socio-linguistic and historical issues of the Nazi period, this book provides a unique, extensive, meticulously researched dictionary of the language of the Third Reich. It is an important reference work for English- and German-speaking scholars, students, and teachers of the interwar years, the Nazi era, World War II, and the Holocaust. The first and only comprehensive German-English dictionary of the Third Reich language, the book provides clear, concise, expert definitions with background information. Using up-to-date research, the book provides access, in a single volume, to a specialized, charged vocabulary, including the terminology of Nazi ideology, propaganda slogans, military terms, ranks and offices, abbreviations and acronyms, euphemisms and code names, Germanized words, slang, chauvinistic and anti-Semitic vocabulary, and racist and sexist slurs. The volume is an indispensable tool for research, study, and reading about World War II and the Holocaust.
This Twentieth Edition references all regulatory changes made in the last two years and provides legal insight into understanding the requirements of the environmental laws. It examines all of the issues and changes that have arisen since the publication of the last edition.
In Suffering and Sacrifice in the Clinical Encounter, the authors identify the ways in which some patients seek to create what Freud termed a "private religion" and unconsciously substitute sacrificial enactments of scapegoat surrogates to protect them against the pain of separation, mourning, and loss of primary figures of attachment. They investigate the function of sacrifice and its relationship to the breakdown of psychic structure and the development of manic defenses and pathological narcissism. Such treatments are complex, the "reversed roles" of victim and perpetrator central to the sacrificial process when enacted in therapy can trigger feelings of shame, guilt and inadequacy in the therapist. Perverse, vengeful, and sadistic transference distortions are explored to enable the therapist to appreciate the true nature of the patient's hidden traumatic experience, with the necessity for the working-through of genuine separation and grieving highlighted. Useful methods are detailed to counter the tendency to become overly active and inappropriately involved when working with patients who have deadened their desire to improve. This book is unique in utilising the dynamic concepts of the effects of trauma and sacrifice, the role of the scapegoat, and the distinctions between the experience of pain and the accomplishment of suffering in order to develop a foundational understanding of such patients. It is a must-read for all practising and trainee therapists.
Tell all the Truth but tell it slant." (Emily Dickinson) This course follows the contours of the salvation story through the lens of the arts. Putting visual art and poetry in conversation with the Bible, it seeks to engage the imagination. Rather than analyzing the narrative, the reader is invited to behold it and respond to it through "making"--either verbally or visually. At times, the church has treated the imagination like an embarrassing relative. Yet the Bible is image-rich, drawing widely on the imagination, and we are each made in the image of the creator God. It is time to bring the imagination out of the corner! "For we are God's handiwork, created in Christ Jesus to do good works, which God prepared in advance for us to do." (Eph 2:10 NIV) Whether following it as a group or reading it alone, this course book will appeal to anyone with an interest in the salvation story and the arts. It is particularly for those who feel permission is needed to pick up a paintbrush--or any other creative medium--just for the love of it.
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