America in the 1950s: the world was not so much a stage as a setpiece for TV, the new national phenomenon. It was a time when how things looked--and how we looked--mattered, a decade of design that comes to vibrant life in As Seen on TV. From the painting-by-numbers fad to the public fascination with the First Lady's apparel to the television sensation of Elvis Presley to the sculptural refinement of the automobile, Marling explores what Americans saw and what they looked for with a gaze newly trained by TV. A study in style, in material culture, in art history at eye level, this book shows us as never before those artful everyday objects that stood for American life in the 1950s, as seen on TV.
It wouldn't be Christmas without the "things." How they came to mean so much, and to play such a prominent role in America's central holiday, is the tale told in this delightful and edifying book. In a style characteristically engaging and erudite, Karal Ann Marling, one of our most trenchant observers of American culture, describes the outsize spectacle that Christmas has become.
Describes the histories and myths surrounding the flag of the United States of America from its revolutionary birth to the present day, and is lavishly illustrated from the archives of the Library of Congress.
In this book Karal Ann Marling looks at Grandma Moses as a cultural phenomenon of the postwar period and explores the meaning of her subject matter - and her astonishing fame. What did the "Greatest Generation" see in her simple renderings of people, young and old, tapping maple trees for syrup, making apple butter, gliding across snowy fields on sleighs? Why did Bob Hope, Irving Berlin, and Harry Truman all love her - and the art czars' of New York openly despise her? Through the flood of Moses merchandise - splashed across Christmas cards, dishware, yard goods, and gewgaws of every kind - Marling traces the resonances that these "primitive" images struck in an America awkwardly adjusting to a new era of technology, suburbia, and Cold War tensions.".
From frozen wastelands to visionary explorers, from frosty desserts to shimmering castles--cultural historian Karal Ann Marling weaves together fantastic and fascinating topics related to "hard, cold water.
From the back cover of the book, quoted in part:"The America Karal Ann Marling (the author) refers to is small-town America during the depression era; in particular those communities that were portrayed in the 1000-odd murals that appeared in post offices around the country under the auspices of the Treasury Department Section of Fine Arts. She goes far beyond an investigation of the murals as art, and 'Wall to Wall America' becomes an intelligent, often irreverent, discussion of popular taste and culture during the depression decade.
Where can one find the world's largest prairie chicken, a restaurant shaped like a fish, a massive Paul Bunyan, or an enormous ear of corn? Roadside sculpture is a uniquely American phenomenon and these strange and wonderful figures can be found scattered along highways and standing in small-town squares, particularly in the Midwest. These odd and oversized attractions have become destinations for travelers. Whether it serves art, commerce, or local pride, the colossus is always a place in itself, a stopping place where the everyday rules of reality are suspended and the observer can gain insight into the way these communities imagine themselves. Karal Ann Marling visits dozens of these roadside attractions, viewing them analytically, intellectually, and enthusiastically, tracing each one through folklore and literature. Heavily illustrated, this book takes the reader on the road to examine these treasures and all that they represent.
Describes the histories and myths surrounding the flag of the United States of America from its revolutionary birth to the present day, and is lavishly illustrated from the archives of the Library of Congress.
In this book Karal Ann Marling looks at Grandma Moses as a cultural phenomenon of the postwar period and explores the meaning of her subject matter - and her astonishing fame. What did the "Greatest Generation" see in her simple renderings of people, young and old, tapping maple trees for syrup, making apple butter, gliding across snowy fields on sleighs? Why did Bob Hope, Irving Berlin, and Harry Truman all love her - and the art czars' of New York openly despise her? Through the flood of Moses merchandise - splashed across Christmas cards, dishware, yard goods, and gewgaws of every kind - Marling traces the resonances that these "primitive" images struck in an America awkwardly adjusting to a new era of technology, suburbia, and Cold War tensions.".
From frozen wastelands to visionary explorers, from frosty desserts to shimmering castles--cultural historian Karal Ann Marling weaves together fantastic and fascinating topics related to "hard, cold water.
America in the 1950s: the world was not so much a stage as a setpiece for TV, the new national phenomenon. It was a time when how things looked--and how we looked--mattered, a decade of design that comes to vibrant life in As Seen on TV. From the painting-by-numbers fad to the public fascination with the First Lady's apparel to the television sensation of Elvis Presley to the sculptural refinement of the automobile, Marling explores what Americans saw and what they looked for with a gaze newly trained by TV. A study in style, in material culture, in art history at eye level, this book shows us as never before those artful everyday objects that stood for American life in the 1950s, as seen on TV.
From the back cover of the book, quoted in part:"The America Karal Ann Marling (the author) refers to is small-town America during the depression era; in particular those communities that were portrayed in the 1000-odd murals that appeared in post offices around the country under the auspices of the Treasury Department Section of Fine Arts. She goes far beyond an investigation of the murals as art, and 'Wall to Wall America' becomes an intelligent, often irreverent, discussion of popular taste and culture during the depression decade.
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