Tense, subtly disturbing Japanese literary horror perfect for fans of Tender is the Flesh and The Vegetarian An unforgettably creepy child narrator weaves uncanny tales about her new stepmother in this feminist horror novella + short story collection that introduces a unique new voice in Japanese literature A young girl loses her mother, and her father blindly invites his secret lover into the family home to care for her. As she obsessively tries to curate a pristine life, this new interloper remains indifferent to the girl, who seems to record her every move - and she realises only too late all that she has failed to see. With masterful narrative control, Nails and Eyes—appearing in English for the first time—builds to a conclusion of disturbing power. Paired with two additional stories of unsettled minds and creeping tension, it introduces a daring new voice in Japanese literature.
Tense, subtly disturbing Japanese literary horror perfect for fans of Tender is the Flesh and The Vegetarian An unforgettably creepy child narrator weaves uncanny tales about her new stepmother in this feminist horror novella + short story collection that introduces a unique new voice in Japanese literature A young girl loses her mother, and her father blindly invites his secret lover into the family home to care for her. As she obsessively tries to curate a pristine life, this new interloper remains indifferent to the girl, who seems to record her every move - and she realises only too late all that she has failed to see. With masterful narrative control, Nails and Eyes—appearing in English for the first time—builds to a conclusion of disturbing power. Paired with two additional stories of unsettled minds and creeping tension, it introduces a daring new voice in Japanese literature.
This book coins the term ‘imperial beast fable’ to explore modern forms of human-animal relationships and their origins in the British Empire. Taking as a starting point the long nineteenth-century fascination with non-European beast fables, it examines literary reworkings of these fables, such as Rudyard Kipling’s Jungle Books, in relation to the global politics of race, language, and species. The imperial beast fable figures variably as a key site where the nature and origins of mankind are hotly debated; an emerging space of conservation in which humans enclose animals to manage and control them; a cage in which an animal narrator talks to change its human jailors; and a vision of animal cosmopolitanism, in which a close kinship between humans and other animals is dreamt of. Written at the intersection of animal studies and postcolonial studies, this book proposes that the beast fable embodies the ideologies and values of the British Empire, while also covertly critiquing them. It therefore finds in the beast fable the possibility that the multitudinous animals it gives voice to might challenge the imperial networks which threaten their existence, both in the nineteenth century and today.
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