Kang’s first work, “Broken Strings,” reveals the concerns and inclinations that would come to characterize her writing. The main character Hyeong-cheol stands at a crossroads: take the well-trodden path down which his future is guaranteed, or stand with the masses and fight society. After agonizing over this choice, he throws everything away and leaves for Manchuria. With its cast of characters who sacrifice their youth in Gando to devote themselves to the people’s struggle, this story demonstrates Kang’s sense of duty as a writer who wanted to change the world. The stories published after “Broken Strings”—“Salt,” “Mother and Child,” “Suffering,” and “Darkness”—were likewise set in Gando and reflect her revolutionary yearnings.
“Mother and Child,” which was published in 1935, explores the dual impact of patriarchy and colonialism on women’s lives: a young man joins the anti-Japanese resistance in northern China and is killed, leaving behind his young wife and son. Without the shelter of a living husband, the young mother finds herself homeless, penniless, and helpless to protect her ailing son. The story is a keen reflection of Kang’s feminist and revolutionary yearnings and an unflinching look at the social conditions of her time, including the way families came to be divided over politics.
Kang Kyeong-ae (1906-1944), one of Korea's great modern authors, wrote her stories during the Japanese occupation of Korea. Kang's work is remarkable for its rejection of colonialism, patriarchy, and ethnic nationalism during a period when such views were truly radical and dangerous. With an expert commentary by Sang-kyung Lee and beautifully translated by Anton Hur, this collection of Kang's work displays her sensitivity, defiance, class-consciousness, and deep understanding of the oppressed people she wrote about.
Victor D. Cha and David C. Kang’s Nuclear North Korea was first published in 2003 amid the outbreak of a lasting crisis over the North Korean nuclear program. It promptly became a landmark of an ongoing debate in academic and policy circles about whether to engage or contain North Korea. Fifteen years later, as North Korea tests intercontinental ballistic missiles and the U.S. president angrily refers to Kim Jong-un as “Rocket Man,” Nuclear North Korea remains an essential guide to the difficult choices we face. Coming from different perspectives—Kang believes the threat posed by Pyongyang has been inflated and endorses a more open approach, while Cha is more skeptical and advocates harsher measures, though both believe that some form of engagement is necessary—the authors together present authoritative analysis of one of the world’s thorniest challenges. They refute a number of misconceptions and challenge the faulty thinking that surrounds the discussion of North Korea, particularly the idea that North Korea is an irrational actor. Cha and Kang look at the implications of a nuclear North Korea, assess recent and current approaches to sanctions and engagement, and provide a functional framework for constructive policy. With a new chapter on the way forward for the international community in light of continued nuclear tensions, this book is of lasting relevance to understanding the state of affairs on the Korean peninsula.
“A vibrant account of the travails of Japanese colonialism as experienced by workers and women by the pioneering feminist writer of the Korean left.” —Andre Schmid, author of Korea Between Empires A classic revolutionary novel of the 1930s and the first complete work written by a woman before the Korean War to be published in English, From Wonso Pond transforms the love triangle between three protagonists into a revealing portrait of the living conditions that led to modern Korea, both North and South. “A fatherless young girl now poised to become the victim of [the landlord’s] lecherous fangs and paws,” begins one of the original newspaper teasers describing From Wonso Pond and the fate of its heroine, Sonbi. In a plot rich with Dickensian overtones, the novel paints a vivid picture of life in what is now North Korea through the eyes of Sonbi, her childhood neighbor, Ch’otchae, and a restless law student, Sinch’ol, as they journey separately from a small, impoverished village ruled by the lecherous land baron to the port city of Inch’on. But life is hardly easier there, as Sonbi wears herself out boiling silk threads twelve hours a day while Ch’otchae and Sinch’ol load rice on the docks. All three become involved with underground activists, fighting the oppression of country and city, as well as their Japanese colonial rulers. “An astonishing achievement . . . From a colonized Korea, Kang sets the stage for the tragic birth of two rival nations. John Dos Passos and George Orwell may have had a Korean sister yet.” —Min Jin Lee, author of Pachinko
Songsu Kim is orphaned when his father runs away from home and her mother takes poison. Raised by his uncle, he inherits the family pharmacy and later invests in a small fishing fleet. He marries Punshi of his uncle's choosing and has five daughters, but curse is the undercurrent of their lives--the eldest daughter by an allegation of baby murder; the second daughter by a failed love affair; the third by insanity resulting from her shameless pursuit of personal happiness; and the fourth by a grave misfortune at sea.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.