This book profiles twentieth-century India through the life and times of Ramananda Chatterjee – journalist, influencer, nationalist. Through a reconstruction of his history, the book highlights the oft-forgotten role of media in the making of the idea of India. It shows how early twentieth-century colonial India was a curious melee of ideas and people – a time of rising nationalism, as well as an influx of Western ideas; of unprecedented violence and compelling non-violence; of press censorship and defiant journalism. It shows how Ramananda Chatterjee navigated this world and went beyond the traditional definition of the nation as an entity with fixed boundaries to anticipate Benedict Anderson and Ernest Gellner. The volume also examines the wide reach and scope of his journals in English, Hindi and Bengali, which published the likes of Rabindranath Tagore, Subhash Bose, Abanindranath Tagore, Nandalal Bose, Ananda Coomaraswamy, the scientist J. C. Bose and Zhu Deh, the co-founder of the Chinese Red Army. He also published India in Bondage by the American Unitarian minister J. T. Sunderland, which resulted in his arrest. An intriguing behind-the-scenes look of early twentieth-century colonial India, this book will be of great interest to scholars and researchers of history, modern South Asia and media and cultural studies.
This is a unique volume in the history of rock art studies, meant at once for the advanced scholar, serious student and the curious but conscientious layman, co-authored by K.K. Chakravarty and R.G. Bednarik, who co-chaired the Rock Art session of the World Archaeological Congress 3 at Delhi in 1994. It is a synoptic but comprehensive survey, illustrated by 221 photographs and sketches, including 172 photographs in colour. The two scholars have not only described the latest state of research on rock art, but also transported rock art studies into the realm of interdisciplinary, inter-cultural analysis. Buttressed by an indicative map of the rock art regions, a list of major up to date direct dating results on rock art, a glossary of keywords related to spatial, temporal, technological, managerial categories, and an index, this volume blends precise, dispassionate descriptions with eloquent evocations. It blends conclusions distilled from rigorous, hard headed field research with penetrating criticism and assessment of the evidence. It combines a ruthless brevity and density with extraordinary felicity and clarity of language. Above all, it is an wonderful attempt at dealing with the problems of understanding, which dog human attempts to comprehend the meaning and shape of human creativity.
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