Tracing Tangueros offers an inside view of Argentine tango music in the context of the growth and development of the art form's instrumental and stylistic innovations. Rather than perpetuating the glamorous worldwide conceptions that often only reflect the tango that left Argentina nearly 100 years ago, authors Kacey Link and Kristin Wendland trace tango's historical and stylistic musical trajectory in Argentina, beginning with the guardia nueva's crystallization of the genre in the 1920s, moving through tango's Golden Age (1932-1955), and culminating with the "Music of Buenos Aires" today. Through the transmission, discussion, examination, and analysis of primary sources currently unavailable outside of Argentina, including scores, manuals of style, archival audio/video recordings, and live video footage of performances and demonstrations, Link and Wendland frame and define Argentine tango music as a distinct expression possessing its own musical legacy and characteristic musical elements. Beginning by establishing a broad framework of the tango art form, the book proceeds to move through twelve in-depth profiles of representative tangueros (tango musicians) within the genre's historical and stylistic trajectory. Through this focused examination of tangueros and their music, Link and Wendland show how the dynamic Argentine tango grows from one tanguero linked to another, and how the composition techniques and performance practices of each generation are informed by that of the past.
She’ll Conquer Every Sky If It Means Saving Her Child… Pearl Silver was happy. She had a good job teaching young nurses. She was married to a good man who loved her. She had a son who made her proud every day. Most of the time, her memories of her time fighting in the skies over Europe remained a distant part of her past. Something she was proud to have done, but that time was over. Her life twenty years later was very different, and she didn’t have much reason to tap into her psychic power—or to stay in touch with her old comrades in arms. But when her son signs up to fight for his country in Vietnam, it puts a strain on her perfect life. And when her baby boy goes missing, Pearl doesn’t question what she has to do. Twenty years ago, Pearl went to war at the behest of her nation. This time, she’s going to war to find her son. And she will leave no sky unconquered.
“Cold War espionage…with psychic powers! The World Asunder manages to be both thrilling and poignant at the same time!” D.J. Butler, author of Witchy Eye “Meticulous historical detail…sparkling storytelling…an amazing, addictive ride.” Robert Buettner, bestselling author of My Enemy’s Enemy The war had taken everything from Lina Sucherin—her parents, sisters, a fledgling romance…even her faith in herself and her psychic abilities. All of it, ripped away with the fall of the Third Reich and the brutal Soviet sack of Berlin. Three years later, amid the suspicion, paranoia, and fledgling brutality of communist East Germany, danger threatens the only people Lina cares about, forcing her to overcome her lingering self-doubt. In order to save the only family she has left, she will have to rise above her past and learn to trust an old enemy—and herself—if she is to be successful. But does she still have enough of her psyche left to do so? Or has the war torn her world too far asunder for it to ever be whole again? Dragon Award Finalist for Best Alternate History Novel!
*2018 Dragon Award Finalist for Alternate History Novel** Evelyn Adamsen grew up knowing she had to hide her psychic abilities, lest she be labeled a witch. However, when the U.S. Army Air Corps came calling in 1943, looking for psychic women to help their beleaguered bomber force, Evelyn answered, hoping to use her powers to integrate the bomber crews and save American lives. She was extremely successful at it…until her aircraft got shot down. Now, Evelyn is on the run in Occupied Europe, with a special unit of German Fallschirmjager and an enemy psychic on her heels. Worse, Evelyn learns that using her psychic powers functions as a strobe that highlights her to the enemy. As the enemy psychic closes in, Evelyn is faced with a dilemma in her struggle to escape—how can she make it back to England when the only talent she has will expose her if she uses it?
This book provides a thorough look at the role of the producer in television and new media. Written for new and aspiring producers, it looks at both the big picture and the essential details of this demanding job. In a series of interviews, seasoned TV and new media producers share their real-world professional practices to provide rich insight into the complex, billion-dollar industries. The third edition features more on the topics of new media and what that encompasses, covering the expansion of the global marketplace of media content. The traditional role of a television producer is transforming into a new media producer, and this book provides a roadmap to the key differences, and similarities, between the two.
Global engineering offers the seductive image of engineers figuring out how to optimize work through collaboration and mobility. Its biggest challenge to engineers, however, is more fundamental and difficult: to better understand what they know and value qua engineers and why. This volume reports an experimental effort to help sixteen engineering educators produce ""personal geographies"" describing what led them to make risky career commitments to international and global engineering education. The contents of their diverse trajectories stand out in extending far beyond the narrower image of producing globally-competent engineers. Their personal geographies repeatedly highlight experiences of incongruence beyond home countries that provoked them to see themselves and understand their knowledge differently. The experiences were sufficiently profound to motivate them to design educational experiences that could provoke engineering students in similar ways. For nine engineers, gaining new international knowledge challenged assumptions that engineering work and life are limited to purely technical practices, compelling explicit attention to broader value commitments. For five non-engineers and two hybrids, gaining new international knowledge fueled ambitions to help engineering students better recognize and critically examine the broader value commitments in their work. A background chapter examines the historical emergence of international engineering education in the United States, and an epilogue explores what it might take to integrate practices of critical self-analysis more systematically in the education and training of engineers. Two appendices and two online supplements describe the unique research process that generated these personal geographies, especially the workshop at the U.S. National Academy of Engineering in which authors were prohibited from participating in discussions of their manuscripts. Table of Contents: Communicating Across Cultures: Humanities in the International Education of Engineers (Bernd Widdig) / Linking Language Proficiency and the Professions (Michael Nugent) / Language, Life, and Pathways to Global Competency for Engineers (and Everyone Else) (Phil McKnight) / Bridging Two worlds (John M. Grandin) / Opened Eyes: From Moving Up to Helping Students See (Gayle G. Elliott) / What is Engineering for? A Search for Engineering beyond Militarism and Free-markets (Juan Lucena) / Location, Knowledge, and Desire: From Two Conservatisms to Engineering Cultures and Countries (Gary Lee Downey) / Epilogue - Beyond Global Competence: Implications for Engineering Pedagogy (Gary Lee Downey)
Global engineering offers the seductive image of engineers figuring out how to optimize work through collaboration and mobility. Its biggest challenge to engineers, however, is more fundamental and difficult: to better understand what they know and value qua engineers and why. This volume reports an experimental effort to help sixteen engineering educators produce "personal geographies" describing what led them to make risky career commitments to international and global engineering education. The contents of their diverse trajectories stand out in extending far beyond the narrower image of producing globally-competent engineers. Their personal geographies repeatedly highlight experiences of incongruence beyond home countries that provoked them to see themselves and understand their knowledge differently. The experiences were sufficiently profound to motivate them to design educational experiences that could provoke engineering students in similar ways. For nine engineers, gaining new international knowledge challenged assumptions that engineering work and life are limited to purely technical practices, compelling explicit attention to broader value commitments. For five non-engineers and two hybrids, gaining new international knowledge fueled ambitions to help engineering students better recognize and critically examine the broader value commitments in their work. A background chapter examines the historical emergence of international engineering education in the United States, and an epilogue explores what it might take to integrate practices of critical self-analysis more systematically in the education and training of engineers. Two appendices and two online supplements describe the unique research process that generated these personal geographies, especially the workshop at the U.S. National Academy of Engineering in which authors were prohibited from participating in discussions of their manuscripts.
After a devastating galactic war, disgraced veteran Ralston Muck ekes out a living as a bouncer at Last Stop Station’s premier nightclub, A Curtain of Stars. Night after night he listens to the club’s star performer, Siren, sing her memories and ease some of his aching loss. But when Siren goes missing, Muck finds himself drawn into a world of dirty cops, drug lords, and conspiracies that trace back to the war itself. The only person he can trust isn’t even human. Angel, Siren’s personal AI, was ripped from the singer’s mind the night Siren disappeared. With no idea what has happened to her human host, and pursued by a killer virus, Angel flees to Muck for answers. Together they struggle to comprehend the conspiracy that entangles both their lives. Can Muck and the angel on his shoulder recover Siren before it’s too late? Or will he lose everything that matters to him one more time?
Although undeniably subject to the coercive political institutions of a liberal state, citizens with cognitive disabilities have frequently and without justification been denied political equality and political liberty. Rather than opposing this treatment, philosophers have tacitly condoned it, often by silence, and other times by explicitly neglecting the concerns for justice that these citizens have. In Recognizing Justice for Citizens with Cognitive Disabilities, Kacey Brooke Warren searches for a theory of justice that can adequately address these concerns. Students and scholars of philosophy, political theory, and disability studies will benefit from Warren’s discussion of four of the most influential contemporary theories of justice and her analysis of which of the four is most promising for extending political equality and political liberty to citizens with cognitive disabilities.
As a conduit to the afterlife, Baila Grey holds the record for most risks taken in a lifetime. And with her inability to land a single live boyfriend, she’s ready to shoot that record sky high. Conjuring the ghost of Asher Landin, might be the best option for a finale. Asher lives for his job—not that you could really call it living, he’s dead. As a Collector, his gateway to the ever-changing world above only swings one way, and the morsels of life he gathers, his defense against insanity. Until he meets Baila and finds a new meaning to sanity. Asher needs to prove his ability to control not only the realm of purgatory, but his increasing urge to chase Baila around like a lunatic. Asher and Baila can't deny the feelings they have for each other but can the living and the dead find a happy ever after together?
Global engineering offers the seductive image of engineers figuring out how to optimize work through collaboration and mobility. Its biggest challenge to engineers, however, is more fundamental and difficult: to better understand what they know and value qua engineers and why. This volume reports an experimental effort to help sixteen engineering educators produce ""personal geographies"" describing what led them to make risky career commitments to international and global engineering education. The contents of their diverse trajectories stand out in extending far beyond the narrower image of producing globally-competent engineers. Their personal geographies repeatedly highlight experiences of incongruence beyond home countries that provoked them to see themselves and understand their knowledge differently. The experiences were sufficiently profound to motivate them to design educational experiences that could challenge engineering students in similar ways. For nine engineers, gaining new international knowledge challenged assumptions that engineering work and life are limited to purely technical practices, compelling explicit attention to broader value commitments. For five non-engineers and two hybrids, gaining new international knowledge fueled ambitions to help engineering students better recognize and critically examine the broader value commitments in their work. A background chapter examines the historical emergence of international engineering education in the United States, and an epilogue explores what it might take to integrate practices of critical self-analysis more systematically in the education and training of engineers. Two appendices and two online supplements describe the unique research process that generated these personal geographies, especially the workshop at the U.S. National Academy of Engineering in which authors were prohibited from participating in discussions of their manuscripts. Table of Contents: The Border Crossers: Personal Geographies of International and Global Engineering Educators (Gary Lee Downey) / From Diplomacy and Development to Competitiveness and Globalization: Historical Perspectives on the Internationalization of Engineering Education (Brent Jesiek and Kacey Beddoes) / Crossing Borders: My Journey at WPI (Rick Vaz) / Education of Global Engineers and Global Citizens (E. Dan Hirleman) / In Search of Something More: My Path Towards International Service-Learning in Engineering Education (Margaret F. Pinnell) / International Engineering Education: The Transition from Engineering Faculty Member to True Believer (D. Joseph Mook) / Finding and Educating Self and Others Across Multiple Domains: Crossing Cultures, Disciplines, Research Modalities, and Scales (Anu Ramaswami) / If You Don't Go, You Don't Know (Linda D. Phillips) / A Lifetime of Touches of an Elusive ""Virtual Elephant"": Global Engineering Education (Lester A. Gerhardt) / Developing Global Awareness in a College of Engineering (Alan Parkinson) / The Right Thing to Do: Graduate Education and Research in a Global and Human Context (James R. Mihelcic) / Author Biographies
The series of essays created concerning this journey were published, and then picked up and re-published several years later, in two different Pagan-themed magazines, Hole in the Stone, based in Denver, Colorado, and The Rune, published in Kansas City, Missouri. When possible, I have copied the essays as they originally appeared in one or the other of the magazines and others are printed out of my own archives. The illustrations printed in Hole in the Stone, and reproduced here, are by Steven Clark. Photographs in the articles are by George Moyer. The essays represent my evolution as both a spiritual being and as a writer over the years between 1994 in 2000. Requests for reprints of the essays have inspired me to publish the collection in bound form. I have now lived on Thistle Hill for 22 years and consider it one of the most powerful forces for evolution I have ever encountered. I would not be who I am without the story and context of this sacred space
Gain a thorough understanding of the nuanced and multidimensional role producers play in television and emerging media today to harness the creative, technical, interpersonal, and financial skills essential for success in this vibrant and challenging field. Producing for TV and New Media, Fourth edition is your guide to avoiding the obstacles and pitfalls commonly encountered by new and aspiring producers. This fourth edition has been updated to include: "Focus on Emerging Media" sections that highlight emerging media, web video, mobile format media and streaming media Sample production forms and contracts Review questions accompanying each interview and chapter Interviews with industry professionals that offer practical insight into cutting-edge developments in television and emerging media production Fresh analysis of emerging media technologies and streaming media markets Written especially for new and aspiring producers with an insight that simply cannot be found in any other book, this new edition of a text used by professors and professionals alike is an indispensable resource for anyone looking to find success as a television or emerging media producer.
AN EPIC FIGHT FOR INDEPENDENCE ON OUR MOON Something has been uncovered on the Moon that might have great scientific and economic importance. The Lunar colony is a mining colony with only internal security capabilities. Nobody had even considered that there might someday arise a need to defend the colony from the Earth! But that day has come. The Lunar colonists made this great discovery and perceive it as their own. Finders keepers and possession being nine tenths of the law is how things are seen on the Moon. But the governments of the Earth don’t quite see eye-to-eye with the Lunarian’s philosophy. As far as the Earth is concerned, they paid for everything on the Moon, so it belongs to them. There is only one solution: Battle Luna! At the publisher's request, this title is sold without DRM (Digital Rights Management). About Travis S. Taylor: “[E]xplodes with inventive action."—Publishers Weekly on Travis S. Taylor’s The Quantum Connection “[Warp Speed] reads like Doc Smith writing Robert Ludlum. . .You won’t want to put it down.”—John Ringo About Timothy Zahn: “Zahn keeps the story moving at a breakneck pace, maintaining excitement.”—Publishers Weekly “[Y]ou can count on Timothy Zahn for three things: clean, sparse prose; good pacing; and great action scenes. The first book in the Cobra War series hits all those marks in admirable style and makes for a quick, entertaining sci-fi novel.”—Blogcritics “[Conqueror’s Heritage] is another finely wrought space adventure . . . [with] social, political and emotional complications, all of which Zahn treats with his usual skill.”—Booklist “Zahn paints every detail [in Angelmass] with gleamy realism . . . scientific dialogue that streams with starship hardware and military trooper talk . . . immensely appealing.”—Kirkus Review About Michael Z. Williamson: “A fast-paced, compulsive read . . . will appeal to fans of John Ringo, David Drake, Lois McMaster Bujold, and David Weber.”—Kliatt “Williamson's military expertise is impressive.”—SF Reviews
Gain a thorough understanding of the nuanced and multidimensional role producers play in television and new media today. Harness the creative, technical, interpersonal, and financial skills essential for success in this vibrant and challenging field. Producing for TV and New Media third edition is your guide to avoiding the obstacles and pitfalls commonly encountered by new and aspiring producers. New to this edition: * "Focus on New Media" sections that highlight emerging media, web video, and mobile/small format media * New sample production forms and contracts * New review questions accompanying each interview and chapter * All new interviews with industry professionals offer practical insight into cutting edge developments in television and new media production * Fresh analysis of new media technology * A revised and revamped companion website with all the sample forms and contracts in the book, updated web link resources, and much more Written especially for new and aspiring producers, with insight that simply cannot be found in any other books, this new edition is an indispensable guide for anyone looking to find success as a new media or TV producer.
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