You think you only have to crook your little finger to have everyone falling over themselves to please you." Brett Sanderson was a rich, successful businessman and his exclusive Caribbean hotel was just one of his many interests. Beautiful women were another. And Brett wasn't used to taking no for an answer. Lisa had no intention of being the latest in a long line of females to share his bed. But it seemed that Brett had decided otherwise….
Liam Bentley had always been a man who knew what he wanted. And when he discovered that Regan Holmes had given birth to his son seven years ago, he wanted her to be his wife! When Regan had first met Liam she'd been awed by his power, by his ambition, by his sexual prowess. Now she was older, wiser and ought to know better. But somehow when he demanded "Marry me," she still found herself saying yes!
Revenge by seduction! Businessman Lee Hartford is a regular Midas: everything he touches turns to gold. His turnover in women is legendary, too! Kerry Pierson knows just how devastating the Hartford charm can be. Her roommate had her heart trampled into the dust by the restless tycoon. So Kerry decides to turn the tables on Lee Hartford…. She plans to seduce him into falling in love with her and then end it as callously as he has treated his women in the past. Only Kerry might just have a permanent reminder of her affair with Lee: a baby!
I'm no Prince Charming. I never was." But it wasn't until Logan Bannister's ring was on her finger that Caryn believed him and realized how far from a fairytale her marriage was. Did Logan even love her, or was she just a convenient way of ensuring he secured his inheritance? And had they really nothing in common apart from the sexual attraction that had first drawn them together? "Readers will enjoy this fast-paced romance…." —Romantic Times
Scandals! Have you heard the latest? Don't tell anyone, but…. As far as Cal Forrester is concerned, Alexandra Sherwood is one step away from being a loose woman. It doesn't seem to stop him wanting her, though! Because she's a model, he seems to think that she's fair game for anyone wanting a temporary mistress. Well, Alexandra has got news for him—he's tempting, but not that tempting! Alex hasn't come to Wyoming to bed a cowboy…but to escape a scandal! But how long will it take Cal Forrester to discover the truth? That far from being merely a woman of questionable means, Alexandra Sherwood is downright notorious!
Mixture Modelling for Medical and Health Sciences provides a direct connection between theoretical developments in mixture modelling and their applications in real world problems. The book describes the development of the most important concepts through comprehensive analyses of real and practical examples taken from real-life research problems in
In Off Key, Kay Dickinson offers a compelling study of how certain alliances of music and film are judged aesthetic failures. Based on a fascinating and wide-ranging body of film-music mismatches, and using contemporary reviews and histories of the turn to post-industrialization, the book expands the ways in which the union of the film and music businesses can be understood. Moving beyond the typical understanding of film music that privileges the score, Off Key also incorporates analyses of rock 'n' roll movies, composer biopics, and pop singers crossing over into acting. By doing this, it provides a fuller picture of how two successful entertainment sectors have sought out synergistic strategies, ones whose alleged "failures" have much to tell about the labor practices of the creative industries, as well as our own relationship to them and to work itself. A provocative and politically-conscious look at music-image relations, Off Key will appeal to students and scholars of film music, cinema studies, media studies, cultural studies, and labor history.
This is a comprehensive sourcebook on the world's most famous vampire, with more than 700 citations of domestic and international Dracula films, television programs, documentaries, adult features, animated works, and video games, as well as nearly a thousand comic books and stage adaptations. While they vary in length, significance, quality, genre, moral character, country, and format, each of the cited works adopts some form of Bram Stoker's original creation, and Dracula himself, or a recognizable vampiric semblance of Dracula, appears in each. The book includes contributions from Dacre Stoker, David J. Skal, Laura Helen Marks, Dodd Alley, Mitch Frye, Ian Holt, Robert Eighteen-Bisang, and J. Gordon Melton.
The Oxford Dictionary of Family Names of Ireland contains more than 3,800 entries covering the majority of family names that are established and current in Ireland, both in the Republic and in Northern Ireland. It establishes reliable and accurate explanations of historical origins (including etymologies) and provides variant spellings for each name as well as its geographical distribution, and, where relevant, genealogical and bibliographical notes for family names that have more than 100 bearers in the 1911 census of Ireland. Of particular value are the lists of early bearers of family names, extracted from sources ranging from the medieval period to the nineteenth century, providing for the first time, the evidence on which many surname explanations are based, as well as interesting personal names, locations and often occupations of potential family forbears. This unique Dictionary will be of the greatest interest not only to those interested in Irish history, students of the Irish language, genealogists, and geneticists, but also to the general public, both in Ireland and in the Irish diaspora in North America, Australia, and elsewhere.
A national bestselling author examines one of the mind's most exalted states—one that is crucially important to learning, risk-taking, social cohesiveness, and survival itself. “[Jamison is] that rare writer who can offer a kind of unified field theory of science and art.” —The Washington Post Book World With the same grace and breadth of learning she brought to her studies of the mind’s pathologies, Kay Redfield Jamison examines one of its most exalted states: exuberance. This “abounding, ebullient, effervescent emotion” manifests itself everywhere from child’s play to scientific breakthrough. Exuberance: The Passion for Life introduces us to such notably irrepressible types as Teddy Roosevelt, John Muir, and Richard Feynman, as well as Peter Pan, dancing porcupines, and Charles Schulz’s Snoopy. It explores whether exuberance can be inherited, parses its neurochemical grammar, and documents the methods people have used to stimulate it. The resulting book is an irresistible fusion of science and soul.
Focusing on songs by the troubadours and trouvères from the twelfth to the fourteenth centuries, Medieval Song from Aristotle to Opera contends that song is not best analyzed as "words plus music" but rather as a distinctive way of sounding words. Rather than situating them in their immediate period, Sarah Kay fruitfully listens for and traces crosscurrents between medieval French and Occitan songs and both earlier poetry and much later opera. Reflecting on a song's songlike quality—as, for example, the sound of light in the dawn sky, as breathed by beasts, as sirenlike in its perils—Kay reimagines the diversity of songs from this period, which include inset lyrics in medieval French narratives and the works of Guillaume de Machaut, as works that are as much desired and imagined as they are actually sung and heard. Kay understands song in terms of breath, the constellations, the animal soul, and life itself. Her method also draws inspiration from opera, especially those that inventively recreate medieval song, arguing for a perspective on the manuscripts that transmit medieval song as instances of multimedia, quasi-operatic performances. Medieval Song from Aristotle to Opera features a companion website (cornellpress.manifoldapp.org/projects/medieval-song) hosting twenty-four audio or video recordings, realized by professional musicians specializing in early music, of pieces discussed in the book, together with performance scores, performance reflections, and translations of all recorded texts. These audiovisual materials represent an extension in practice of the research aims of the book—to better understand the sung dimension of medieval song.
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