K.J. Ives Professor of Public Health Engineering University College London The aggregation of small particles in liquids, to form flocs which are large enough to settle, or to be filtered, is a common operation in industrial processes, and water and wastewater treatment. This aggregation, given the general title flliocculation in this book, may be brought about by the addition of chemicals to reduce the stability of the original suspension, by neutralising electrical forces of repulsion, by the addition of chemicals (polymers) to link particles by bridging action, by the addition of chemicals which form particles to increase collision proba bilities, and by the input of energy leading to hydrodynamically induced collisions. The particles undergoing flocculation may range from colloidal in the nanometer size range, through micro scopic (micron) size, up to visible particles in the millimeter size range; that is a total size range of six orders of magnitude. Consequently the colloid chemist and the hydrodynamicist are both concerned with the interactions that take place, and to them the engineer must turn, to obtain the fundamental information ne cessary for the process design and its associated hardware.
The Synergy of Music and Image in Audiovisual Culture: Half-Heard Sounds and Peripheral Visions asks what it means to understand music as part of an audiovisual whole, rather than separate components of music and film. Bringing together revised and updated essays on music in a variety of media – including film, television, and video games – this book explores the importance of partially perceived and registered auditory and visual elements and cultural context in creating unique audiovisual experiences. Critiquing traditional models of the film score, The Synergy of Music and Image in Audiovisual Culture enables readers across music, film, and cultural studies to approach and think about audiovisual culture in new ways.
Table of Contents 1. Introduction: The Lock of Synchronization 2. Synchronization: McGurk and Beyond 3. Sound Montage 4. Occult Aesthetics 5. Isomorphic Cadences: Film as 'Musical' 6. 'Visual' Sound Design: the Sonic Continuum 7. 'Pre' and 'Post' Sound 8. Wildtrack Asynchrony 9. Conclusion: Final Speculations Bibliography Index.
Explaining the curious legal doctrine of "coverture," William Blackstone famously declared that "by marriage, husband and wife are one person at law." This "covering" of a wife's legal identity by her husband meant that the greatest subordination of women to men developed within marriage. In England and its colonies, generations of judges, legislators, and husbands invoked coverture to limit married women's rights and property, but there was no monolithic concept of coverture and their justifications shifted to fit changing times: Were husband and wife lord and subject? Master and servant? Guardian and ward? Or one person at law? The essays in Married Women and the Law offer new insights into the legal effects of marriage for women from medieval to modern times. Focusing on the years prior to the passage of the Divorce Acts and Married Women's Property Acts in the late nineteenth century, contributors examine a variety of jurisdictions in the common law world, from civil courts to ecclesiastical and criminal courts. By bringing together studies of several common law jurisdictions over a span of centuries, they show how similar legal rules persisted and developed in different environments. This volume reveals not only legal changes and the women who creatively used or subverted coverture, but also astonishing continuities. Accessibly written and coherently presented, Married Women and the Law is an important look at the persistence of one of the longest lived ideas in British legal history. Contributors include Sara M. Butler (Loyola), Marisha Caswell (Queen’s), Mary Beth Combs (Fordham), Angela Fernandez (Toronto), Margaret Hunt (Amherst), Kim Kippen (Toronto), Natasha Korda (Wesleyan), Lindsay Moore (Boston), Barbara J. Todd (Toronto), and Danaya C. Wright (Florida).
Winner of the 2016 Frantz Fanon Prize for Outstanding Book in Caribbean Thought presented by the Caribbean Philosophical Association In this provocative historiography, Peter K. J. Park provides a penetrating account of a crucial period in the development of philosophy as an academic discipline. During these decades, a number of European philosophers influenced by Immanuel Kant began to formulate the history of philosophy as a march of progress from the Greeks to Kant—a genealogy that supplanted existing accounts beginning in Egypt or Western Asia and at a time when European interest in Sanskrit and Persian literature was flourishing. Not without debate, these traditions were ultimately deemed outside the scope of philosophy and relegated to the study of religion. Park uncovers this debate and recounts the development of an exclusionary canon of philosophy in the decades of the late eighteenth and early nineteenth centuries. To what extent was this exclusion of Africa and Asia a result of the scientization of philosophy? To what extent was it a result of racism? This book includes the most extensive description available anywhere of Joseph-Marie de Gérando's Histoire comparée des systèmes de philosophie, Friedrich Schlegel's lectures on the history of philosophy, Friedrich Ast's and Thaddä Anselm Rixner's systematic integration of Africa and Asia into the history of philosophy, and the controversy between G. W. F. Hegel and the theologian August Tholuck over "pantheism.
This book focuses on rarity, its spatial and temporal dynamics, causes, and interaction with conservation. Although they can be viewed from many different perspectives, rare species are of particular concern to conservationists because they tend to have a greater probability of extinction. This book therefore identifies a number of important issues both heuristic and practical.
...one of the most entertaining fantasy debuts in recent years...incredibly vivid, refreshing, fun, thoughtful, absorbing' - SFX 'A remarkably accomplished tale for a debut novel.' - BLACK TEARS MAGAZINE Perimadeia: the famed Triple City and the mercantile capital of the known world. Behind its allegedly impregnable walls, everything is available. Including information which will allow its enemies to plan one of the most remarkable sieges of all time. The man called upon to defend Perimadeia is Bardas Loredan, a fencer-at-law, weary of his work and of the world. For Loredan is one of the surviving members of Maxen's Pitchfork, the legendary band of soldiers who waged war on the people of the plains for many years, rendering an attack on the city impossible. Until now... But Loredan has problems of its own. In a city where court cases are settled by lawyers disputing with swords not words, enemies are all too easily made. And by winning one particular case, Loredan has unwittingly become the focus of a misplaced curse from a young woman bent on revenge. The last thing he needs is to be made responsible for saving a city. The first volume of the acclaimed fantasy series reissued with a stunning new cover style. Books by K.J. Parker: Fencer Trilogy The Colours in the Steel The Belly of the Bow The Proof House Scavenger Trilogy Shadow Pattern Memory Engineer Trilogy Devices and Desires Evil for Evil The Escapement Saloninus Blue and Gold The Devil You Know Two of Swords The Two of Swords: Part 1 The Two of Swords: Part 2 The Two of Swords: Part 3 Novels The Company The Folding Knife The Hammer Sharps Savages Sixteen Ways to Defend a Walled City My Beautiful Life
One of the most entertaining fantasy debuts in recent years... incredibly vivid, refreshing, fun, thoughtful, absorbing.' - SFX 'There's a mordant wit to the workings of Parker's mind' - Time Out The city of Perimadeia has fallen. Bardas Loredan, the man who was supposed to save it, is now living on the Island - a recluce, living apart from his family in the mountains, with only a young apprentice for company. His life as a fencer-at-law is over. Instead, Loredon spends his days perfecting the art of bow-making. But his isolation will not last forever; and when the Island comes under attack, his skills as a soldier and general are once again called upon. COLOURS IN THE STEEL, Volume One of the Fencer Trilogy, introduced a remarkable new voice in fantasy fiction. THE BELLY OF THE BOW confirms that rich promise and establishes K. J. Parker in the top rank of writers. Books by K.J. Parker: Fencer Trilogy The Colours in the Steel The Belly of the Bow The Proof House Scavenger Trilogy Shadow Pattern Memory Engineer Trilogy Devices and Desires Evil for Evil The Escapement Saloninus Blue and Gold The Devil You Know Two of Swords The Two of Swords: Part 1 The Two of Swords: Part 2 The Two of Swords: Part 3 Novels The Company The Folding Knife The Hammer Sharps Savages Sixteen Ways to Defend a Walled City My Beautiful Life
Using a wide range of legal, administrative and literary sources, this study explores the role of the royal pardon in the exercise and experience of authority in Tudor England. It examines such abstract intangibles as power, legitimacy, and the state by looking at concrete life-and-death decisions of the Tudor monarchs. Drawing upon the historiographies of law and society, political culture and state formation, mercy is used as a lens through which to examine the nature and limits of participation in the early modern polity. Contemporaries deemed mercy as both a prerogative and duty of the ruler. Public expectations of mercy imposed restraints on the sovereign's exercise of power. Yet the discretionary uses of punishment and mercy worked in tandem to mediate social relations of power in ways that most often favoured the growth of the state.
British history in the period from the restoration of 1660 to the revolution of 1688, no less than in other periods, has been subject to 'revisionism'. This volume examines and analyses some of the challenging new theories relating to politics, society, religion and culture that have attracted attention in recent years. It provides both a wide-ranging survey of the principal themes of the post-restoration era, and a series of insights derived from the detailed research of individual contributors.
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