Today ten times more tigers live in captivity than survive in the wild. For over five decades, K. Ullas Karanth has been engaged in the struggle to bring wild tigers back from the brink in India, their last remaining wild stronghold. He tells the story of the tiger itself—its incredible biology, its critical role in shaping natural ecosystems of Asia, and the unique place it holds in our collective imagination. Among Tigers is the story of how we wound up with fewer than 5,000 wild tigers, and how, with focused efforts we can grow that population ten times or more in a few decades. In doing so, we would bring not only the world's largest and most beloved feline back from the brink, but also save countless other species that share the tigers habitats from the freezing forests of Siberia to the tropics of India. Karanth shares the adventurous real-life story of his quest to save a species and, along the way, the hopeful realization that tiger conservation is a battle that can be won. Ultimately, the book is a roadmap showing us how to not only to save the greatest of great cats, but to bring it roaring back at numbers never before seen in our lifetimes.
About the Book THE LIFE AND TIMES OF ONE OF THE GREATEST KANNADA WRITERS. Karanth, Kuvempu, Bendre—the trinity of modern Kannada literature; the pride of Kannadigas; … It was Shivarama Karanth who took the culture of Karnataka beyond the shores of India with his dance and music. After Rabindranath Tagore, no one had mastered as many art forms as Shivarama Karanth. —From the Foreword by Dr Chiranjiv Singh, former Indian ambassador to UNESCO Kota Shivarama Karanth was the ultimate Renaissance Man. A giant of world literature, he produced dozens of novels, plays, children’s works, autobiographies, popular science books, translations and much else. In 1977, he was awarded the Bharatiya Jnanpith Award for the novel Mookajjiya Kanasugalu. But Karanth was more than a writer. He also dabbled in journalism and movie-making, ran a publishing house, and campaigned for environmental and political causes. He was instrumental in transforming the ancient dance-drama form of Yakshagana for a modern audience. While a great deal has been written about the man and his genius, there is little material about the intimate details of his life. Through much of his creative career, for instance, Karanth was unflinchingly supported by his wife, Leela. The Karanths had four children. The eldest, Harsha, died in 1961. The other three, Malavika, Ullas and Kshama, come together to present this uniquely personal account of what it was like to be the children of a creative genius. Growing Up Karanth documents their 'rare privilege' , while also detailing the world of Shivarama Karanth through their eyes. Multilayered and nuanced, critical and affectionate, and filled with revelations that open up new facets of their father's life, Malavika, Ullas and Kshamla reveal Karanth and his times like no one else could have.
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