The written and verbal traces of the past have been extensively studied by historians, but what about the nonverbal traces? In recent years, historians have expanded their attention to other kinds of sources, but seldom have they taken into account the most vital and omnipresent nonverbal aspect of life – body language. Silent History explores the potential of early photography to uncover the structure and nature of everyday body language in the late nineteenth and early twentieth centuries. Through a close study of street photography by pioneering photographers who were the first to document urban everyday life with hidden cameras, Peter Andersson examines a key period of history in a new light. By focusing on a number of body poses and gestures common to the nonverbal communication of the fin de siècle, he reveals the identifications and connotations of daily social interaction beyond the written word. Andersson also depicts a broader picture of the body and its relationship to popular culture by placing photographic analysis within a context of magazine illustration, caricature, music-hall entertainment, and the elusive urban subcultures of the day. Studying archival photographs from Austria, England, and Sweden, Silent History provides a clear picture of the emergence of the modern bodily conventions that still define us.
The first biography of Henry VIII’s court fool William Somer, a legendary entertainer and one of the most intriguing figures of the Tudor age In some portraits of Henry VIII there appears another, striking figure—a gaunt and morose-looking man with a shaved head and, in one case, a monkey on his shoulder. This is William or "Will" Somer, the king’s fool, a celebrated wit who reportedly could raise Henry’s spirits and spent many hours with him, often alone. Was Somer an “artificial fool,” a cunning comic who could speak freely in front of the king, or a “natural fool,” someone with intellectual disabilities, like many other members of the profession? And what role did he play in the tumultuous and violent Tudor era? Fool is the first biography of Somer—and perhaps the first of a Renaissance fool. After his death, Somer disappeared behind his legend, and historians struggled to separate myth from reality. Unearthing as many facts as possible, Peter K. Andersson pieces together the fullest picture yet of an enigmatic and unusual man with a very strange job. Somer’s story provides new insights into how fools lived and what exactly they did for a living, how monarchs and courtiers related to commoners and people with disabilities, and whether aspects of the Renaissance fool live on in the modern comedian. But most of all, we learn how a commoner without property or education managed to become the court’s chief mascot and a continuous presence at the center of Tudor power from the 1530s to the reign of Elizabeth I. Looking beyond stereotypes of the man in motley, Fool reveals a little-known world, surprising and disturbing, when comedy was something crueler and more unpleasant than we like to think.
This book challenges the role of scientists in policy making and the idea of deliberative democracy. The author argues that awareness must increase among both politicians and the citizens who elect them. We must revitalise the decision-making processes in representative democracy. The book proposes new institutional structures.
Someone is killing sheep in the Cotswolds. Or something. As Holmes and Watson arrive in the tranquility of a little village of shepherds and farmers to enjoy a few restful days in the idyllic countryside, strange things start to occur. While Holmes locks himself in his hotel room, consumed by depression, Watson is left to explore the surroundings on his own, acquainting himself with both the local shepherding community, the eccentric vicar, and the local folklore concerning a mysterious werewolf. It isn't long before the murderer directs his attention to other prey than sheep, and Holmes is forced out of his ennui into a world of fog-enshrouded moors, wild men, pitchforks and a big bad wolf. This volume also includes four shorter stories in the vein of Conan Doyle: 'The Adventure of the Velvet Lampshade', 'The Adventure of the Missing Mudlark', 'The Adventure of the Forking Paths', and 'The Adventure of the One-Armed Pugilist'.
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