Foreword by Alton Brown. The Laws of Cooking . . . and How to Break Them encourages improvisation and play, while explaining Justin Warner's unique ideas about "flavor theory"-like color theory, but for your tongue. By introducing eleven laws based on familiar foods (e.g., "The Law of Peanut Butter and Jelly"; "The Law of Coffee, Cream, and Sugar"), the book will teach you why certain flavors combine brilliantly, and then show how these combinations work in 110 more complex and inventive recipes (Tomato Soup with "Grilled Cheese" Ravioli; Scallops with Black Sesame and Cherry). At the end of every recipe, Justin "breaks the law" by adding a seemingly discordant flavor that takes the combination to a new level.
If there’s a Marvel fan in your life who cooks even occasionally, they need this" - Laughing Place Feast your way through the world of Marvel Comics with celebrity chef Justin Warner in Marvel Eat the Universe: The Official Cookbook. Prepare to eat like a Marvel Super Hero with Marvel Eat the Universe: The Official Cookbook. Chef Justin Warner invites you to pull up a chair and explore the Marvel Universe through these creative dishes inspired by Marvel's heroes. Based on Marvel’s hit digital series hosted by Warner, this ultimate compendium of recipes will feature dishes that span a variety of skill levels including: Phoenix Hot Chicken and Egg Bowl Storm’s Tournedos Dazzler’s Glittering Pizza Bagels Hulk Smashed Potatoes Green Goblin Pumpkin Bombs With sixty recipes inspired by Marvel Comics’ rich history, Marvel Eat the Universe: The Official Cookbook offers something delicious for fans from every corner of the multiverse.
It's a multicooker--it's an air fryer--it even has a built-in crisping element! Welcome to your newest all-in-one cooking appliance obsession, the Ninja Foodi. This officially licensed book is the ultimate guide to cooking with the Foodi--with 125 recipes from Food Network celebrity chef Justin Warner who helped test and design the appliance along with full color photos. Finally, a one-step countertop cooking appliance that truly does it all. The 125 recipes in the Foodi cookbook offer air-frying, pressure-cooking, and slow-cook recipes from breakfast through dinner. Approachable and friendly, you'll find guidance for making air-fried French toast sticks as well as perfect Japanese-style omelets; golden-brown and crisp-topped macaroni and cheese; miso-glazed cod; Singapore-style mei fun; crispy-fried chicken wings; taquitos; and even crème brûlée! Eclectic, worldly, and easy enough for every day, The Ultimate Ninja Foodi Cookbook offers something for everyone.
The re-election campaign of Nevada Senator and former UNLV football star Wayne "Wall of Pain" Kight has hit some serious snags. His wife and campaign manager have been caught in a dalliance in the campaign bus, which his opponent, retired wrestler General Mayhem, mocks along with Kight's attempt to save Nevada from a planned toxic waste dump. His poll numbers are slipping and life as he knows it is coming to an end; can accepting Mayhem's challenge of an election-eve wrestling match at Caesar's Palace save him? With the public clamoring for full contact, legislator-on-legislator wrestling action, winning re-election may cost him not only a few bumps and bruises, but also his relationship with his daughter and his dignity.--back cover.
HEAD GAMES - In ancient Judea, Herod returns with the ultimate gift for Salome: the Head of John the Baptist. But maybe he should have kept the receipt. BUM STEER - Marital tension simmers beneath a lively anecdote about an undercooked six-pound steak. MICROCOSM - A spat between two lost germs parallels the conflict between the scientists who study them. PAGE-TURNER - Careless reading can be deadly, especially when the book predicts your future. THE FACE OF GOD - A celestial clerical error puts a man's fate in the hands of a twenty-something paper-pusher claiming to be God. FAT NAKED TRUCKERS - A wholesome suburban dad spars with telemarketers who know his unwholesome secrets. Cast Size: Varies
Something's rotten at Paris High School--and it's not the cafeteria meatloaf! Is the ex-principal out for revenge by planting gag-inducing stinkbombs? Or is it a fiendish plot by fragrance maker Oscar de la Scenta? The Super Crew sniffs out the culprit and clears the air! Illustrations.
Wes is a young man who is anxious to leave his parents' home and the small, boring town where they live. Deciding that a haircut can help him start anew, he picks Jack’s barbershop for the final step in his escape. There, he meets Jack the barber, his assistant, Oliver, and several others whose lives connect in unexpected ways. As he learns about their secret hopes and the joys and struggles of their everyday lives, he realizes that they aren’t so boring after all.
(Piano/Vocal/Guitar Artist Songbook). JT's third studio album was released in March 2013, and debuted at the top of the Billboard 200 album charts. Our matching songbook featuring piano/vocal/guitar arrangements of all ten songs from the CD, including the hit singles "Suit & Tie" and "Mirrors" plus: Blue Ocean Floor * Don't Hold the Wall * Let the Groove Get In * Pusher Love Girl * Spaceship Coupe * Strawberry Bubblegum * That Girl * Tunnel Vision.
Chris Taggart is a ruthless, driven, real estate entrepreneur whose buildings have changed the skyline of New York. Young, handsome, irresistible to women, Taggart has won it all with his bare hands and fierce ambition. But his dazzling success can never erase the bitter memory of his father's death at the hands of the mob—and now Taggart sets out to use his wealth and power to destroy the men whom he holds responsible.It is a secret vendetta—a war, in fact—that Taggart launches single-handedly against the Five Families of New York. It pits him against some of the toughest men in organized crime—as well as his own brother, a crusading assistant U.S. attorney, one of the strikeforce prosecutors.Taggart risks his fortune, his reputation, finally his life, to get revenge; only to find that he has instead become one of them, that his triumph over criminals has turned him into a more dangerous threat than any mob boss in New York.
From the 1790s until World War I, Western museums filled their shelves with art and antiquities from around the world. These objects are now widely regarded as stolen from their countries of origin, and demands for their repatriation grow louder by the day. In The Compensations of Plunder, Justin M. Jacobs brings to light the historical context of the exodus of cultural treasures from northwestern China. Based on a close analysis of previously neglected archives in English, French, and Chinese, Jacobs finds that many local elites in China acquiesced to the removal of art and antiquities abroad, understanding their trade as currency for a cosmopolitan elite. In the decades after the 1911 Revolution, however, these antiquities went from being “diplomatic capital” to disputed icons of the emerging nation-state. A new generation of Chinese scholars began to criminalize the prior activities of archaeologists, erasing all memory of the pragmatic barter relationship that once existed in China. Recovering the voices of those local officials, scholars, and laborers who shaped the global trade in antiquities, The Compensations of Plunder brings historical grounding to a highly contentious topic in modern Chinese history and informs heated debates over cultural restitution throughout the world.
Mark Twain, the American comic genius who portrayed, named, and in part exemplified America’s “Gilded Age,” comes alive in Justin Kaplan’s extraordinary biography. With brilliant immediacy, Mr. Clemens and Mark Twain brings to life a towering literary figure whose dual persona symbolized the emerging American conflict between down-to-earth morality and freewheeling ambition. As Mark Twain, he was the Mississippi riverboat pilot, the satirist with a fiery hatred of pretension, and the author of such classics as Tom Sawyer andHuckleberry Finn. As Mr. Clemens, he was the star who married an heiress, built a palatial estate, threw away fortunes on harebrained financial schemes, and lived the extravagant life that Mark Twain despised. Kaplan effectively portrays the triumphant-tragic man whose achievements and failures, laughter and anger, reflect a crucial generation in our past as well as his own dark, divided, and remarkably contemporary spirit. Mr. Clemens and Mark Twain brilliantly conveys this towering literary figure who was himself a symbol of the peculiarly American conflict between moral scrutiny and the drive to succeed. Mr. Clemens lived the Gilded Life that Mark Twain despised. The merging and fragmenting of these and other identities, as the biography unfolds, results in a magnificent projection of the whole man; the great comic spirit; and the exuberant, tragic human being, who, his friend William Dean Howells said, was “sole, incomparable, the Lincoln of our literature.”
A provocative reassessment of a popular narrative that connects museums, the antiquities trade, and theft. In this thought-provoking new work, historian Justin M. Jacobs challenges the widely accepted belief that much of Western museums’ treasures were acquired by imperialist plunder and theft. The account reexamines the allegedly immoral provenance of Western collections, advocating for a nuanced understanding of how artifacts reached Western shores. Jacobs examines the perspectives of Chinese, Egyptian, and other participants in the global antiquities trade over the past two and a half centuries, revealing that Western collectors were often willingly embraced by locals. This collaborative dynamic, largely ignored by contemporary museum critics, unfolds a narrative of hope and promise for a brighter, more equitable future—a compelling reassessment of one of the institutional pillars of the Enlightenment.
In the 1860s and 1870s, the United States government forced most western Native Americans to settle on reservations. These ever-shrinking pieces of land were meant to relocate, contain, and separate these Native peoples, isolating them from one another and from the white populations coursing through the plains. We Do Not Want the Gates Closed Between Us tells the story of how Native Americans resisted this effort by building vast intertribal networks of communication, threaded together by letter writing and off-reservation visiting. Faced with the consequences of U.S. colonialism—the constraints, population loss, and destitution—Native Americans, far from passively accepting their fate, mobilized to control their own sources of information, spread and reinforce ideas, and collectively discuss and mount resistance against onerous government policies. Justin Gage traces these efforts, drawing on extensive new evidence, including more than one hundred letters written by nineteenth-century Native Americans. His work shows how Lakotas, Cheyennes, Utes, Shoshones, Kiowas, and dozens of other western tribal nations shrewdly used the U.S. government’s repressive education system and mechanisms of American settler colonialism, notably the railroads and the Postal Service, to achieve their own ends. Thus Natives used literacy, a primary tool of assimilation for U.S. policymakers, to decolonize their lives much earlier than historians have noted. Whereas previous histories have assumed that the Ghost Dance itself was responsible for the creation of brand-new networks among western tribes, this book suggests that the intertribal networks formed in the 1870s and 1880s actually facilitated the rapid dissemination of the Ghost Dance in 1889 and 1890. Documenting the evolution and operation of intertribal networking, Gage demonstrates its effectiveness—and recognizes for the first time how, through Native activism, long-distance, intercultural communication persisted in the colonized American West.
Cult has entered the cultural psyche in a profound and pervasive way. There is no corner of popular culture beyond the potential for cult transformation. Indeed, in entering common parlance the term has effectively lost its clandestine mystique. But why? And how did we get here with cult? "Withnail and Us" charts the journey of cult in culture through an exploration of British cult films and their fans. It is about our bizarre and enduring fascination with once obscure or shocking movies, from "A Clockwork Orange" to "The Wicker Man". What is it about certain films that provokes such obsessive fan devotion? What impells people to remote locations in search of filmic relics? Why do they gather in groups to re-enact scenes learnt by heart? Is any film worth re-viewing over 100 times? From 1968 and all that, through the cultural byways of the 1970s, this book attempts to explain such strange practices, and to trace their origins in the makings of some remarkable films, including "Tommy", "The Man Who Fell To Earth", "Quadrophenia", "Withnail & I", "Trainspotting" and "Performance". Prepare to enter the arena of the unwell!
This is one of a series of guides to an area of academic interest. Aspects of television studies covered in this guide are theoretical perspectives shaping the study of television, Marxism, semiology, feminism, representation, bias and science fiction.
From James Dean to Jared Leto, only one acting style has entered the lexicon of the casual moviegoer: "Method acting." In this manuscript, Justin Rawlins offers the first reception-based analysis of acting, investigating how the concept of "the Method" entered popular film discourse and became part of the establishment of a "serious actor" brand--one reserved for white, male actors and yet associated with rebellion and marginalization. Drawing on extensive archival research, Rawlins traces the construction of mainstream understandings of Method acting, using well-known actors and Hollywood figures (e.g., Marlon Brando, Hedda Hopper, and James Dean) while also bringing forgotten names to the fore"--
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