Major corporations are a part of world-wide industry. They keep the money flowing; they keep the economy rolling. But what is a corporation, really? To Detective Bruno Polidori of the Orlando Police Department, a corporation is nothing but a name on paper. The goings-on of these money-monsters have little to do with Brunos everyday lifethat is, until one night, when everything goes wrong. An unusual energy flows across the Florida peninsula one night, and the corporations suddenly become living, breathing human beings. Not only are they now among the living, but Bruno begins to suspect these newly formed humans are criminal psychopaths. Hes seen his share before, working law enforcement, but nothing like this. These psychopaths dont just want to wreak havoc; they want to bathe the city in greed. As the police department struggles to stop the psychopaths by brute force, Bruno struggles to understand the psychology of these corporate souls. Each one has a unique personality and pathology, and in order to stop them, he must get close enough to ruin them from the inside. Orlando is falling apart around him. Detective Bruno Polidori is its only hope if the corporations dont kill him first.
Not long ago, America's corporations existed only on paper. But now, corporations have begun to assume human form, wreaking havoc wherever they go. As the corporate awakening spreads across America and thousands of corporations become living psychopaths with terrifying powers, hospital psychiatrist Tonya Regan knows the only thing that can contain these masterminds is the United States' border. As Tonya flees Tennessee, she knows her hold on peace is as fragile as a spider's thread. Tonya is accompanied by Bruno, the police detective who saved her from her kidnapper, Revenge Corporation, and Mag, the bewitching corporate ally who is using her powers to help them escape. As Bruno battles guilt over knowing he could not prevent his city's anarchy, Tonya fights the growing feelings she has developed for him. Meanwhile, Tryk, an abrasive sorcerer obsessed with controlling their fate, leads their headlong rush across the country. Bruno is sure Tryk is an angel; Tonya does not trust him. As corporate titans gather their forces for war, Tonya is alarmed to see the group's desperation blurring their line between right and wrong. In this action-packed fantasy tale, Tonya and her newfound friends must reach the border before they encounter something none of them can defeat.
Danger lurks around every corner in the fantasy city of Gemlight, and the adventuring party known as the Defenders of Midgard are ready to tackle it all. After a mysterious heist at the Moonstone Tower, the Defenders must track down a dark wizard to retrieve a set of powerful artifacts. After the magical rules of their world become altered by an arcane experiment, their journey takes them through haunted castles, past glittering underground cities and even into a magical tower in the clouds. Through it all, they have to navigate the new boundaries and limits of their refracted magic.
Steinberg's field-defining work shows how Boccaccio's Decameron reveals unexpected connections between the contemporary emergence of literary realism and legal inquisition in early modern Europe.
Danger lurks around every corner in the fantasy city of Gemlight, and the adventuring party known as the Defenders of Midgard are ready to tackle it all. After a mysterious heist at the Moonstone Tower, the Defenders must track down a dark wizard to retrieve a set of powerful artifacts. After the magical rules of their world become altered by an arcane experiment, their journey takes them through haunted castles, past glittering underground cities and even into a magical tower in the clouds. Through it all, they have to navigate the new boundaries and limits of their refracted magic.
In Dante and the Limits of the Law, Justin Steinberg offers the first comprehensive study of the legal structure essential to Dante’s Divine Comedy. Steinberg reveals how Dante imagines an afterlife dominated by sophisticated laws, hierarchical jurisdictions, and rationalized punishments and rewards. He makes the compelling case that Dante deliberately exploits this highly structured legal system to explore the phenomenon of exceptions to it, crucially introducing Dante to current debates about literature’s relation to law, exceptionality, and sovereignty. Examining how Dante probes the limits of the law in this juridical otherworld, Steinberg argues that exceptions were vital to the medieval legal order and that Dante’s otherworld represents an ideal “system of exception.” In the real world, Dante saw this system as increasingly threatened by the dual crises of church and empire: the abuses and overreaching of the popes and the absence of an effective Holy Roman Emperor. Steinberg shows that Dante’s imagination of the afterlife seeks to address this gap between the universal validity of Roman law and the lack of a sovereign power to enforce it. Exploring the institutional role of disgrace, the entwined phenomena of judicial discretion and artistic freedom, medieval ideas about privilege and immunity, and the place of judgment in the poem, this cogently argued book brings to life Dante’s sense of justice.
An ideal reference both for oral board preparation as well as ongoing study throughout residency, Clinical Scenarios in Surgery: Decision Making and Operative Technique, Third Edition, presents over 140 cases that take readers step by step through the principles of safe surgical care. Using a concise, highly readable format, this case-based text covers today’s standards of care in all areas of general surgery, including abdominal wall, upper GI, emergency general surgery, hepatobiliary, colorectal, breast, endocrine, thoracic, vascular, pediatric, skin and soft tissue, trauma, critical care, transplant, and head and neck surgeries. Edited by Drs. Justin B. Dimick, Gilbert R. Upchurch Jr., Christopher J. Sonnenday, and Lilian S. Kao, this indispensable study tool is a must-have resource for exam success!
Accounting for Dante' examines Dante's relation to his contemporary public, an audience that included poets who responded to Dante's early work as well as those who first copied, preserved, and circulated his poetry. The study reveals the importance of professional, urban classes as cultivators of early Italian poetry.
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