Studies of the Apocalypse have long neglected the royal and messianic dimensions of its portrait of the Lamb. In this volume, Justin P. Jeffcoat Schedtler offers new insights on this topic, arguing that royal and messianic ideologies and discourses are not merely evident in the book of Revelation but also constitute one of its primary organizing principles. Moreover, they shape Revelation's Christology. Schedtler explores ideologies of kingship in the ancient Greek and Roman world, as well as Second Temple Judaism. Making previously unexplored connections in Revelations' ideological portrait of the Lamb, he shows that the portrayal of Jesus as God's chosen viceregent, offers new insights into several of the central Christological tenets in the text. They include the Lamb's reception of the scroll to rule on God's behalf, his place on a heavenly throne, the many benefactions he offers to those who remain faithful to him, and the hymnic praise he receives in response.
The claim that Revelation's hymns function as did Classical tragic choral lyrics insofar as they comment upon or interpret the surrounding narrative has become axiomatic in studies of Revelation. Justin Jeffcoat Schedtler marks an advance in this line of inquiry by offering an exegetical analysis of Revelation's hymns alongside a presentation of the forms and functions of ancient tragic choruses and choral lyrics. Evaluating the hymns in light of the varieties and complexities of ancient tragic choruses, he demonstrate that they are not best evaluated in terms of choral lyrics generally, but in terms of dramatic hymns in particular, insofar as they constitute mythological-theological reflections on the surrounding narrative, and function to situate the surrounding dramatic activity in a particular mythological-theological contexts.
Studies of the Apocalypse have long neglected the royal and messianic dimensions of its portrait of the Lamb. In this volume, Justin P. Jeffcoat Schedtler offers new insights on this topic, arguing that royal and messianic ideologies and discourses are not merely evident in the book of Revelation but also constitute one of its primary organizing principles. Moreover, they shape Revelation's Christology. Schedtler explores ideologies of kingship in the ancient Greek and Roman world, as well as Second Temple Judaism. Making previously unexplored connections in Revelations' ideological portrait of the Lamb, he shows that the portrayal of Jesus as God's chosen viceregent, offers new insights into several of the central Christological tenets in the text. They include the Lamb's reception of the scroll to rule on God's behalf, his place on a heavenly throne, the many benefactions he offers to those who remain faithful to him, and the hymnic praise he receives in response.
The claim that Revelation's hymns function as did Classical tragic choral lyrics insofar as they comment upon or interpret the surrounding narrative has become axiomatic in studies of Revelation. Justin Jeffcoat Schedtler marks an advance in this line of inquiry by offering an exegetical analysis of Revelation's hymns alongside a presentation of the forms and functions of ancient tragic choruses and choral lyrics. Evaluating the hymns in light of the varieties and complexities of ancient tragic choruses, he demonstrate that they are not best evaluated in terms of choral lyrics generally, but in terms of dramatic hymns in particular, insofar as they constitute mythological-theological reflections on the surrounding narrative, and function to situate the surrounding dramatic activity in a particular mythological-theological contexts.
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