How did eighteenth-century travellers experience, describe and represent the urban environments they encountered as they made the Grand Tour? This fascinating book focuses on the changing responses of the British to the cities of Florence, Rome, Naples and Venice, during a period of unprecedented urbanisation at home. Drawing on a wide range of unpublished material, including travel accounts written by women, Rosemary Sweet explores how travel literature helped to create and perpetuate the image of a city; what the different meanings and imaginative associations attached to these cities were; and how the contrasting descriptions of each of these cities reflected the travellers' own attitudes to urbanism. More broadly, the book explores the construction and performance of personal, gender and national identities, and the shift in cultural values away from neo-classicism towards medievalism and the gothic, which is central to our understanding of eighteenth-century culture and the transition to modernity.
An impressively thorough exploration of the changing functions, character and experience of English towns in a key age of transition which includes smaller communities as well as the larger industrialising towns. Among the issues examined are demography, social stratification, manners, religion, gender, dissent, amenities and entertainment, and the resilience of provincial culture in the face of the growing influence of London. At its heart is an authoritative study of urban politics: the structures of authority, the realities of civic administration, and the general movement for reform that climaxed in the Municipal Corporations Act of 1835.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.