At once an ironic portrayal of contemporary Korea and an intimate exploration of heartache, alienation, and nostalgia, this collection of seven short stories has earned the author widespread critical acclaim. With empathy and an overarching melancholy that is at times tinged with sarcasm but always deeply meaningful, Jung explores the ambition and chaos of urban life, the lives of the lost and damaged souls it creates, and the subtle shades of love found between them.
At once an ironic portrayal of contemporary Korea and an intimate exploration of heartache, alienation, and nostalgia, this collection of seven short stories has earned the author widespread critical acclaim. With empathy and an overarching melancholy that is at times tinged with sarcasm but always deeply meaningful, Jung explores the ambition and chaos of urban life, the lives of the lost and damaged souls it creates, and the subtle shades of love found between them.
Considered an eccentric in the traditional Korean literary world, Jung Young-moon's short stories have nonetheless won numerous readers both in Korea and abroad, most often drawing comparisons to Kafka. Adopting strange, warped, unstable characters and drawing heavily on the literature of the absurd, Jung's stories nonetheless do not wallow in darkness, despair, or negativity. Instead, we find a world in which the bizarre and terrifying are often put to comic use, even in direst of situations, and point toward a sort of redemption to be found precisely in the "weirdest" and most unsettling parts of life . . .
The Korean women’s movement, which is seen in both Western and non-Western countries as being exemplary in terms of women’s activism, experienced a dramatic change in its direction and strategy in the early 1990s. At the heart of the new approach was an increasing focus on sexual violence, which has had a huge impact on bringing women’s issues onto the public agenda in Korea. This book examines feminist practice in Korea by analyzing the experiences of the country’s first sexual assault center, the Korea Sexual Violence Relief Center. Based on extensive original research, including interviews with activists and extensive participant observation, it explores why feminist activists in South Korea chose to organize around the issue of sexual violence, the strategies it used to do so, what impact the movement has made and what challenges it still faces to achieve its objectives.
Is it ever acceptable to “borrow” culturally inspired ideas? Who has ownership over intangible culture? What role does power inequality play? These questions are often at the center of heated public debates around cultural appropriation, with new controversies breaking seemingly every day. Cultural Appropriation in Fashion and Entertainment offers a sociological perspective on the appropriation of race, ethnicity, class, sexuality, and religion embedded in clothing, textiles, jewelry, accessories, hairstyles and tattoos, as well as in entertainment, such as K-pop, Bhangra, and hip-hop. By providing a range of global perspectives on the adoption, adaptation, and application of both tangible and intangible cultural objects, Kawamura and de Jong help move the conversation beyond simply criticizing designers and creators to encourage nuanced discussion and raise awareness of diverse cultures in the creative industries.
From the Emmy Award-winning Squid Game to streaming sensations like The Glory and Crash Landing on You, Korean television has emerged onto the global pop culture scene as compelling television—but what exactly makes these shows so irresistibly bingeable? And what can we learn about our societies and ourselves from watching them? From stand-up comedian and media studies PhD Grace Jung comes a rollicking deep dive into the cultural significance of Korean television. K-Drama School analyzes everything from common tropes like amnesia and slapping to conspicuous product placements of Subway sandwiches and coffee; to representations of disability, race and gender; to what Korea's war-torn history says about South Korea’s media output and the stories being told on screen. With chapters organized by "lessons," each one inquiring into a different theme of Korean television, K-Drama School offers a groundbreaking exploration into this singular form of entertainment, from an author who writes with humor and heart about shows that spur tears and laughter, keeping us glued to the TV while making fans of us all. Shows discussed include: Squid Game, SKY Castle, Crash Course in Romance, Extraordinary Attorney Woo, My Mister, Something in the Rain, One Spring Night, DP, Guardian: The Lonely and Great God, Autumn in My Heart, Winter Sonata, Our Blues, and more.
This book investigates transcultural consumption of three iconic figures ù the middle-aged Japanese female fandom of actor Bae Yong-Joon, the Western online cult fandom of the thriller film Oldboy, and the Singaporean fandom of the pop-star Rain. Through these three specific but hybrid context, the author develops the concepts of soft masculinity, as well as global and postmodern variants of masculine cultural impacts. In the concluding chapter, the author also discusses recently emerging versatile masculinity within the transcultural pop production paradigm represented by K-pop idol boy bands.
This book provides an up-to-date, comprehensive review of every aspect of emergency chest radiology in patients who are admitted to emergency departments with chest trauma or chest pain. The aim is to offer an unsurpassed source of practical information on imaging diagnosis of acutely ill and injured patients with this symptomatology. To this end, the wide spectrum of chest and cardiovascular emergencies are systematically categorized and typical imaging manifestations of these emergent conditions are illustrated in superb detail, with particular attention to the role of state of the art imaging techniques. The book will be an ideal resource for all members of the emergency team, general and emergency radiologists, radiology residents, and medical students.
Kyung Cho's home is worth less money than he owes. A tenure-track professor, he and his wife, Gillian, have always lived beyond their means. Now their decisions have caught up with them, and Kyung is anxious for his family's future: all he wants is to provide the home that was denied him to their son. Not that he ever wanted for pleasing things -- his father moved the family from Korea, and made good money engineering patents for the university that now employs his son. Kyung was raised in the town's most affluent neighborhood, in the exquisite house where his parents, Jin and Mae, still live, but his childhood was far from comfortable. Jin was always swift to anger, and whenever he took a hand to Mae, she would inflict the wounds she suffered on Kyung. With the support of his parents' pastor, Kyung brought the cycle to a halt, but he cannot bear the thought of asking them for help. Yet when Jin and Mae become victims of a violent home invasion, the dynamic suddenly changes, and Kyung is compelled to take them in. As the carefully established distance between Kyung and his parents collapses, he must reckon with his childhood, even as the life that he has built begins to crumble. As Shelter veers swiftly toward its startling conclusion, Jung Yun's debut novel leads us through dark and violent territory, where, unexpectedly, the Chos discover hope. Taut and masterfully told, it as riveting as it is profound"--
This book is an English translation of the authoritative autobiography by the late South Korean President Kim Dae-jung. The 2000 Nobel Peace Prize winner, often called the Asian Nelson Mandela, is best known for his tolerant and innovative “Sunshine Policy” towards North Korea. Written in the five years between the end of his presidency and his death in 2009, this book offers a poignant first-hand account of Korea’s turbulent modern history. It spans the pivotal time span between the Japanese colonial period (1910-1945) and reconciliation in the Korean Peninsula (2000-2009). In between are insightful insider descriptions of everything from wars and dictatorships to the hopeful period of economic recovery, blooming democracy, peace, and reconciliation. Conscience in Action serves as an intimate record of the Korean people’s persistent and heroic struggle for democracy and peace. It is also an inspiring story of an extraordinary individual whose formidable perseverance and selfless dedication to the values he believed in led him to triumph despite more than four decades of extreme persecution.
This book, the result of a landmark colloquium held in Korea to reflect on the role of education in Korean society, provides fascinating insights into the interplay of political evolution and pedagogy. Korea has gone from one of the world's poorest societies after the Korean War to one of its richest, and is a home of technological innovation; many attribute this ‘Korean Miracle’ to the emphasis placed on education in this Confucian society. How did the Korean state form, and how were educational institutions created and given legitimacy? During the industrialization period- roughly, 1961-1994- how did education foster national development? Lastly, since 1995's May 31 Education Reform, how has the educational system responded to and created a new information age in a newly democratic Korea? This book will be of interest to East Asian scholars, scholars of education, human resources development, and IT, and historians looking for ways to achieve the ‘Korean Miracle’ in their own countries.
BONG Joon-ho This book is the result of efforts to reach a deeper and broader understanding of the director BONG Joon-ho, who has been the subject of a great deal of popular interest and attention in the Korean society. "Memories of Murder" and "The Host" were both major box office successes in Korean film, but at the same time, they were films that looked upon the wounds and failures of modern Korean history in the most perceptive and challenging ways. As a result, BONG Joon-ho became almost unique in present-day Korean film in his ability to break away from commercial and creative pressures and realize the kind of films he wants to, when he wants to. Korean Film Directors Created by the Korean Film Council, this series offers deep insight into key directors in Korean film, figures who are not only broadening the range of art and creativity found in Korean-produced commercial films but also gaining increasingly strong footholds in international markets. Each volume features: - critical commentary on films - extensive interview - biography - complete filmography
The Life and Works of Korean Poet Kim Myŏng-sun offers an introduction to Korea’s first modern woman writer to publish a collection of creative works, Kim Myŏng-sun (1896–ca. 1954). Despite attempts by male contemporaries to assassinate her character, Kim was an outspoken writer and an early feminist, confronting patriarchal Korean society in essays, plays, poems, and short stories. This volume is the first to offer a detailed analysis in English of Kim’s poetry. The poems examined in this volume can be considered early twentieth-century versions of #MeToo literature, mirroring the harrowing account of her sexual assault, and also subversive challenges to traditional institutions, dealing with themes such as romantic free love, same-sex love, single womanhood, and explicit female desire and passion. The Life and Works of Korean Poet Kim Myŏng-sun restores a long-neglected woman writer to her rightful place in the history of Korean literature, shedding light on the complexity of women’s lives in Korea and contributing to the growing interest in modern Korean women’s literature in the West.
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