Reveals the impact of interracial marriage on Australian society and shows how Australian society has changed over time, with the great majority of Australians now accepting mixed unions when once they were not only rare but provoked hostility and hate.
Do your readers know their states? Of course they do, but do they know these fun facts about their state and region? They will learn interesting and exciting facts while also creating fun crafts. Readers can make a Lenape Bandolier Bag (NJ), a Hanging Hot Air Balloon (MD), a Dinosaur Egg (DC), and more.
Together with her mother, Emmeline, Christabel Pankhurst co-led the single-sex Women’s Social and Political Union (WSPU), founded in 1903 and soon regarded as the most notorious of the groupings campaigning for the parliamentary vote for women. A First Class Honours Graduate in Law, the determined and charismatic Christabel, a captivating orator, revitalised the women’s suffrage campaign by rousing thousands of women to become suffragettes, as WSPU members were called, and to demand rather than ask politely for their democratic citizenship rights. A supreme tactician, her advocacy of ‘militant’, unladylike tactics shocked many people, and the political establishment. When an end to militancy was called on the outbreak of war in 1914, she encouraged women to engage in war work as a way to win their enfranchisement. Four years later, when enfranchisement was granted to certain categories of women aged thirty and over, she stood unsuccessfully for election to parliament, as a member of the Women’s Party. In 1940 she moved to the USA with her adopted daughter, and had a successful career there as a Second Adventist preacher and writer. However, she is mainly remembered for being the driving force behind the militant wing of the women’s suffrage movement. This full-length biography, the first for forty years, draws upon feminist approaches to biography writing to place her within a network of supportive female friendships. It is based upon an unrivalled range of previously untapped primary sources.
Another important contribution to the growing literature on critical social work. It is on the cutting edge of thinking about social work and its goal of social change.' - Kate van Heugten, Social Work Review Critical Social Work starts from the premise that a central goal of social work practice is social change to redress social inequality. Taking a critical theoretical approach, the authors explore the links between personal and social change. They confront the challenges for critical social work in the context of pressures to separate the personal from the political and in responding to the impact of changes in the socio-political, statutory and global contexts of practice. Critical Social Work has been thoroughly revised to take into account recent social, economic and political developments. Coverage of theoretical frameworks has been substantially expanded and reflects current concerns such as evidence based practice and human rights. The causes of people's marginalisation and oppression are examined in relation to class, race, ethnicity, gender and other forms of social inequality.Case study chapters in the earlier edition on working with immigrants, Indigenous people, women, men, families, people with psychiatric disabilities and those experiencing loss and grief have been updated and revised. The second edition includes new case study chapters on disability, older people, children, rurality, and violence and abuse. Critical Social Work is an essential resource to inform progressive social work practice.
A representation of the principal styles and themes that emerges from Harry Bertoia’s printmaking and structure work. The seventy-nine monotypes in this catalogue represent the principal styles and themes that emerged not only in Harry Bertoia's printmaking, but in his sculpture as well. June Kompass Nelson, author of Harry Bertoia, Sculptor, analyzes the graphic works and places them in the context of Bertoia's total oeuvre, with particular regard to their relationship with his sculpture. A teacher of metalwork and printmaking at the Cranbrook Academy of Arts in Bloomfield Hills, Michigan, Bertoia began working in monotype in 1940—nearly a decade before his first attempts at sculpture—and continually returned to the medium until his death in 1978. Nelson's introduction, biographical material, and well-documented chronology contribute to the portrait of a Michigan artist of international repute who maintained his "regionalist sensibility".
Developed by a team of teachers working in conjunction with the publisher and the Department of Education, this junior high series presents a selection of Newfoundland prose, poetry, dramatic excerpts and the like in a series of three books. The editors have judiciously arranged the material in thematic order, and have challenged the student with questions, follow-up exercises, glossary and recommendations for further reading.
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