The first ever comprehensive history of anti-Semitism in England, from medieval murder and expulsion through to contemporary forms of anti-Zionism in the 21st century.
This volume traces the origins, contradictions and consequences of Marx’s teaching on his followers. He uses Marx to speak against the rigid dogmatism inherent in much of Marxism and concentrates on the interpretations of Marx’s work by Max Weber.
John Julius Norwich’s A History of Venice has been dubbed “indispensable” by none other than Jan Morris. Now, in his second book on the city once known as La Serenissima, Norwich advances the story in this elegant chronicle of a hundred years of Venice’s highs and lows, from its ignominious capture by Napoleon in 1797 to the dawn of the 20th century. An obligatory stop on the Grand Tour for any cultured Englishman (and, later, Americans), Venice limped into the 19th century–first under the yoke of France, then as an outpost of the Austrian Hapsburgs, stripped of riches yet indelibly the most ravishing city in Italy. Even when subsumed into a unified Italy in 1866, it remained a magnet for aesthetes of all stripes–subject or setting of books by Ruskin and James, a muse to poets and musicians, in its way the most gracious courtesan of all European cities. By refracting images of Venice through the visits of such extravagant (and sometimes debauched) artists as Lord Byron, Richard Wagner, and the inimitable Baron Corvo, Norwich conjures visions of paradise on a lagoon, as enduring as brick and as elusive as the tides.
This lively and dramatic book brings roaring to life the grand sweep of 5,000 years of history in the cradle of civilization. A wonderfully illustrated account of the civilizations that rose and fell on the lands bordering the Mediterranean, The Middle Sea represents the culmination of a great historian’s unparalleled art and scholarship. John Julius Norwich provides brilliant portraits of the Phoenicians, the Egyptians, the Greeks, the Romans, the Byzantines, the Arabs, the French, the Venetians, the Popes, and the pirates of the Gulf. Above all, he deftly traces the intermingling of ancient conflicts and modern sensibilities that shapes life today on the shores of the Middle Sea.
With this volume the history of the first century of the International reaches its conclusion. Originally I had intended that the trilogy would come to a close with the centenary of the founding of the First International in September 1964. But before I could finish writing the third volume the tragedy of the Communist revolution in Czechoslovakia had played itself out. 'The Spring of Prague' of 1968, having set in motion a process of change from a Communist dictatorship to a Socialist democracy, was followed within a few months by the invasion of the armies of the five Warsaw Pact powers to forestall reformation in Czechoslovakia. Both revolution and counter-revolution were events of the utmost significance for the history of Socialism-the revolution, for showing that it was possible for a Communist system of totalitarian dictatorship to be transformed without resort to force; and the counter-revolution, for showing how the regime in the Soviet Union has remained essentially unaltered since Stalin's death. The invasion of Czechoslovakia brutally called in question any optimistic perspective of development within the Soviet Union itself.
With the right to petition the United Nations, the Ewe and Togoland unification movement enjoyed a privilege unmatched by other dependent peoples. Using language conveying insecurity, the movement seized the international spotlight, ensuring that the topic of unification dominated the UN Trusteeship System for over a decade. Yet, its vociferous securitisations fell silent due to colonial distortion, leaving unification unfulfilled, thus allowing the seeds of secessionist conflict to grow. At the intersection of postcolonial theory and security studies, Julius Heise presents a theory-driven history of Togoland's path to independence, offering a crucial lesson for international statebuilding efforts.
A vastly entertaining and unique history of the interaction between spying and showbiz, from the Elizabethan age to the Cold War and beyond. 'A treasure trove of human ingenuity' The Times Written by two experts in their fields, Stars and Spies is the first history of the extraordinary connections between the intelligence services and show business. We travel back to the golden age of theatre and intelligence in the reign of Elizabeth I. We meet the writers, actors and entertainers drawn into espionage in the Restoration, the Ancien Régime and Civil War America. And we witness the entry of spying into mainstream popular culture throughout the twentieth century and beyond - from the adventures of James Bond to the thrillers of John le Carré and long-running TV series such as The Americans. 'Thoroughly entertaining' Spectator 'Perfect...read as you settle into James Bond on Christmas afternoon.' Daily Telegraph
Critically acclaimed author John Julius Norwich weaves the turbulent story of Sicily into a spellbinding narrative that places the island at the crossroads of world history. “Sicily,” said Goethe, “is the key to everything.” It is the largest island in the Mediterranean, the stepping-stone between Europe and Africa, the link between the Latin West and the Greek East. Sicily’s strategic location has tempted Roman emperors, French princes, and Spanish kings. The subsequent struggles to conquer and keep it have played crucial roles in the rise and fall of the world’s most powerful dynasties. Yet Sicily has often been little more than a footnote in books about other empires. John Julius Norwich’s engrossing narrative is the first to knit together all of the colorful strands of Sicilian history into a single comprehensive study. Here is a vivid, erudite, page-turning chronicle of an island and the remarkable kings, queens, and tyrants who fought to rule it. From its beginnings as a Greek city-state to its emergence as a multicultural trading hub during the Crusades, from the rebellion against Italian unification to the rise of the Mafia, the story of Sicily is rich with extraordinary moments and dramatic characters. Writing with his customary deftness and humor, Norwich outlines the surprising influence Sicily has had on world history—the Romans’ fascination with Greek civilization dates back to their sack of Sicily—and tells the story of one of the world’s most kaleidoscopic cultures in a galvanizing, contemporary way. This volume has been a long time coming—Norwich began to explore Sicily’s colorful history during his first visit to the island in the early 1960s. The dean of popular historians leads his readers through the millennia with the steady narrative hand of a master teacher or the world’s most learned tour guide. Like the island itself, Sicily is a book brimming with bold flavors that begs to be revisited again and again. Praise for Sicily “Suavely readable . . . The very model of a popular historian, [Norwich] writes to give pleasure to the common reader. And what pleasure it is.”—The Wall Street Journal “Entertaining on every page . . . There is something ancient and sorrowful in Sicily, ‘some dark, brooding quality,’ just as captivating as its spellbinding history or its beautiful and varied landscapes, from beaches to lemon groves, pine forests to volcanoes. . . . The most amiable and freewheeling of guides, Norwich will always find time for the amusing anecdote.”—The Sunday Times “Utterly engrossing . . . written with passion about the art and architecture of this magical island, filled with gossipy tidbits and sweeping historical theories.”—The Daily Beast “Dazzling . . . Norwich is an elegantly graceful and entertaining storyteller.”—Richmond Times-Dispatch “Charming . . . richly nuanced history relayed with enormous fondness.”—Kirkus Reviews “A brisk and always-lively tour.”—Open Letters Monthly “Norwich is deeply in love with Sicily. [His] boundless affection has inspired a determined effort to understand its painful past. The result is impressionistic, as love often is.”—The Times “Norwich sketches personalities vividly. . . . He does the island and the reader a generous service in providing such an amiable introduction.”—The Sunday Telegraph “Norwich tells [Sicily’s] long, sad but fascinating story with sympathy and brio.”—Literary Review
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