Der Künstlerband "O.k., Meta Memory" ist ein Streifzug durch das Werk Julio Rondos. Vielfältige biografische und popkulturelle Ereignisse werden in seinen Arbeiten zu eindrücklichen Dokumenten - zu einer Parallelwelt des kollektiven Gedächtnisses und zur Metaebene des eigenen Erinnerns. Die Beschäftigung mit der Erinnerung und das mentale Wiedererleben früherer Erfahrungen, die sich im Gedächtnis zu bildhaften Elementen oder Szenen verdichten, spielen in Julio Rondos Werk eine zentrale Rolle. In seinen Arbeiten übersetzt er erlebte Vergangenheit in transluzente Kompositionen, die zugleich Ausdruck von Erinnerung, subjektivem Verdrängen oder absichtlichem Vergessen sein können. Mit Beiträgen von Jutta Koether, Nicola von Velsen, Michael Dreyer, Diedrich Diederichsen, Kathryn Hixson, Jörg Heiser, Birgit Sonna, Ralf Christofori, Thomas Locher und Ludwig Seyfahrt.
La entrada en religión de Teodoro W. Adorno, Ciclismo en Grignan, El viaje, Jardín para Octavio Paz, Diálogo de las formas, Empiezas con la magia , Naufragios, Ya no quedan esperanzas de, Una voce poco fa, Sobre la exterminación de los cocodrilos en Auvernia, Salvador Dalí, sin valor adalid, Siestas, De la grafología como ciencia aplicada, Datos para entender a los perqueos, Acerca de la situación del intelectual latinoamericano, A los malos entendedores.
First published in English in 1972 and long out of print, 62: A Model Kit is Julio Cortazar's brilliant, intricate blueprint for life in the so-called "City.
A young girl spends her summer vacation in a country house where a tiger roams . . . A man reading a mystery finds out too late that he is the murderer’s intended victim . . . Originally published in hardcover as End of the Game and Other Stories, the fifteen stories collected here—including “Blow-Up,” which was the basis for Michelangelo Antonioni’s film of the same name—shows Julio Cortázar's nimble capacity to explore the shadowy realm where the everyday meets the mysterious, perhaps even the terrible.
The first English-language monograph on the leading light of postwar Spanish rationalist architecture Spanish architect Julio Cano Lasso (1920-96) was celebrated for his rational and austerely engineered buildings as well as his commitment to designing social housing and urban infrastructure. Lasso's buildings--such as his Madrid apartment blocks and the Spanish pavilion he designed for the 1992 Seville Universal Exposition--are practical, modern and immediately recognizable for their bare-bones aesthetic. Through previously unpublished texts by authors such as William J.R. Curtis, Juhani Pallasmaa, Iñaki Ábalos and Juan Navarro Baldeweg, as well as recent photographs by Iwan Baan, Natures presents the legacy of this great architect. It combines texts and photographs made specially for this edition with a careful selection of archival images by renowned photographers such as Paco Gómez and Carlos Pérez Siquier, as well as texts and photographs by Julio Cano Lasso himself.
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