This book examines the traditions attached to the Holy Grail from its first appearance in medieval romance through its transformation into an object of mystical significance in modern literature and film.
If you love the emotionally complex novels of JoJo Moyes and the dramatic books of Jodi Picoult, you won’t want to miss this newest book about second chances, redemption, and the power of hope from USA Today bestselling author of Shelter Me, Juliette Fay. On her own since the age of eighteen, Cass Macklin dated brilliant, troubled Ben McGreavy, convinced he was the smartest person she’d ever known. They partied their way through their twenties, slowly descending into a bleak world of binge-drinking and broken promises, inebriated for most of a decade. Now Ben is dead, and Cass is broke, homeless, scared…and pregnant. Determined to have a healthy pregnancy and raise Ben’s baby, Cass has to find a way to stop drinking and build a stable life for herself and her child. But with no money, skills, or sober friends or family, the task seems insurmountable. At wit’s end, Cass turns to the only person with the means to help her: Ben’s brother Scott, third basemen for the Boston Red Sox, a man with a temper and problems of his own. The two make a deal that neither one of them is sure they can live up to. As Cass struggles to take control of her life and to ask for help when she needs it, Scott begins to realize there’s a life for him beyond the baseball diamond. By turns heartbreaking and humorous, with its message that change is possible, that forgiveness can be freely given, and that life, though imperfect, is worth embracing, Catch Us When We Fall is a story of human connectedness and hope.
Feminists have argued that the Barbie doll perpetuates unrealistic standards of feminine beauty and undermines the credibility of women - that her long, slender plastic limbs and tiny waist fetishize the female body in unnatural ways and that her mature, overtly fashionable image promotes consumerism and superficiality over and above womens liberty and intellect. Depending on the viewer, Barbie is either a malign symbol of the strategies of the capitalist system or she is a symbol of glamour, high fashion and style, a fascinating indice of cultural change and nostalgic memory. Yet both Barbies fans and detractors assume that she stands alone.In reality she is the most high profile of a series of iconic dolls that over the past century and a half have been intimately connected to notions of fashionability. The prominence of haute couture in popular culture suggests that the link between fashion marketing and dolls should be an obvious one. Yet to date this connection has not been systematically explored. Doll collecting has been viewed as an enthusiasts or curatorial preserve, while the volumes these artefacts speak about culture and identity has not been adequately interrogated. Peers original and shrewd analysis fills a major gap in cultural studies by examining in depth the dolls associations with concepts of femininity and fashionability.
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