The Little Light Shines Bright celebrates the world's longest burning lightbulb at a fire station in Livermore, California. The hand-blown lightbulb has been burning since 1901 and is declared the oldest known working lightbulb by the Guinness Book of World Records. The little light's journey started more than 100 years ago before the start of airplanes, automobiles and radio. Tourists from around the world have visited the little light ... a light that has provided comfort to firefighters all of these years and shows no signs of turning off! Through the eyes of a little boy we learn about the little light that shines bright . Included is a timeline showing all of the history making events and inventions that have happened throughout the little lights lifetime. Included in the book are real photos of the light and fire trucks at Fire Station 6 ! You can see the light through its live "bulbcam" at www.centennialbulb.org .
Paws Goes to the Library" is a children's story about a dog who was born with GYNORMOUS paws. He goes to the library to research how he can get his paws to shrink. He wants them to like his other doggie friends paws. As he is searching for a book he stumbles across a little boy struggling to read. The boy and dog become fast friends. The little boy ends up reading to the dog weekly and resting his head on his big furry paws! As word spreads about this new friendship, the other kids in town decide they want to visit the library and read to a furry pet too! The storyline is based on an actual library reading program called Paws. Trained dogs and their handlers visit the library and children spend time reading to the dog. The children gain confidence in their reading skills and actually love to read to a dog who is non judgmental. The dogs just want to curl up and listen to a little voice read to them and the kids have shown remarkable improvement in their reading skills as a result! The book has illustrations and also real life photos of children reading to dogs at the Pleasanton Library in Pleasanton, California.
“Everything you ever suspected or feared about music as a weapon, sound as torture . . . Disturbingly illuminating in the possible ramifications” (Kirkus Reviews). In this troubling and wide-ranging account, acclaimed journalist Juliette Volcler looks at the long history of efforts by military and police forces to deploy sound against enemies, criminals, and law-abiding citizens. During the 2004 battle over the Iraqi city of Fallujah, US Marines bolted large speakers to the roofs of their Humvees, blasting AC/DC, Eminem, and Metallica songs through the city’s narrow streets as part of a targeted psychological operation against militants that has now become standard practice in American military operations in Afghanistan. In the historic center of Brussels, nausea-inducing sound waves are unleashed to prevent teenagers from lingering after hours. High-decibel, “nonlethal” sonic weapons have become the tools of choice for crowd control at major political demonstrations from Gaza to Wall Street and as a form of torture at Guantanamo and elsewhere. In an insidious merger of music, technology, and political repression, loud sound has emerged in the last decade as an unlikely mechanism for intimidating individuals as well as controlling large groups. “Thorough and well researched,” Extremely Loud documents and interrogates this little-known modern phenomenon, exposing it as a sinister threat to the peace and quiet that societies have traditionally craved (Publishers Weekly). “Extremely Loud makes you shiver, or cover your ears, at the technological buildup now at the service of the most sophisticated forms of repression.” —Libération
This book examines diverse encounters between the British community and the thousands of French individuals who sought haven in the British Isles as they left revolutionary and Imperial France. This painstaking research into the emigrant archival and memorial presence in Britain uncovers a wealth of underused and alternative sources on this controversial population displacement. These include open letters and classified advertisements published in British newspapers, insurance contracts, as well as lists of addresses and passports drawn up by local authorities. These sources question the construction by British loyalists and French émigré elites of a stereotyped emigrant figure and their use of the trauma of forced displacement to advance ideological agendas. In fact, public and private discourses on governmental systems, foreigners, political and religious dissent, and the economic survival of French emigrants, demonstrate the heterogeneity of the responses to emigration in Britain. Ultimately, this book narrates a story in which the emigrant community and its host have been often unnoticeably yet fundamentally transformed by their encounter, in both practical and ideological domains.
Reading Austen in America presents a colorful, compelling account of how an appreciative audience for Austen's novels originated and developed in America, and how American readers contributed to the rise of Austen's international fame. Drawing on a range of sources that have never before come to light, Juliette Wells solves the long-standing bibliographical mystery of how and why the first Austen novel printed in America-the 1816 Philadelphia Emma-came to be. She reveals the responses of this book's varied readers and creates an extended portrait of one: Christian, Countess of Dalhousie, a Scotswoman living in British North America. Through original archival research, Wells establishes the significance to reception history of two transatlantic friendships: the first between ardent Austen enthusiasts in Boston and members of Austen's family in the nineteenth century, and the second between an Austen collector in Baltimore and an aspiring bibliographer in England in the twentieth.
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